Paramount Theatre

A memorable evening in the historic Paramount Theater commemorating the work of Guy Clark along with Verlon Thompson and Shawn Camp. Just three souls, three acoustic guitars and an occasional fiddle. Throw in a couple of Townes Van Zandt songs and a nod to Steve Earle. Simply epic.

Kat Edmonson is supernatural in her ability to convey and emote with such tenderness and passion in her voice. I so enjoyed the intimacy of her and the guitarist(Peter was excellent) playing together on this most recent tour. It was a special experience and I hope their will be more of "the bare essentials" in the future. Kat, I hope you come back to Austin as soon as you can. Love you so much.

Kenny was engaging with the audience which was a big plus! Well balanced concert. I think his solo was too long and for me became "nails on a chalkboard " Sorry Kenny! The supporting musicians were great! The line for merch was surprisingly so long! We were bummed to miss an autograph. Nice guy. Talented artist.

Fabulous show — Macy Gray is a phenomenal performer with incomparable talent and charisma. Mélat paired perfectly with Macy Gray. The venue is lovely, staff were super helpful, seats were comfortable. The only thing that was less than exceptional would be that the bathrooms are dated and not the most accessible (though they’re far better than many venues — 3.5-4/5). So glad for the opportunity to see such an incredible musician; Macy Gray, please tour every year; you are a gift to the world. We’d love to see you in Dallas next time!

Jon and the band Geeks put on an EXCEPTIONAL show at the Paramount in Austin, TX. Jon at 80 years young is just incredible. The musicians are all exceptional. Best song of the night was "Awaken". Extremely difficult song to pull off live, and they did it perfectly. WOW! You seldom see a concert where the group gets a standing ovation before and after every song. That was the case. If you get a chance to see Jon and the Band Geeks, do it. It was a night to remember. The Paramount venue is also wonderful. Even though it is 100+ years old, it is a wonderful venue for live events.

They were fantastic and it was a wonderful evening and I’m just sad to say that Lyles voice is struggling with a problem that affects his voice in very noticeable ways. I love his music and I hope that he can seek the advice from professionals that will probably solve this.

My best friend and I had an absolute blast! We haven't laughed so hard in such a long time! We will go and see them again and again! We had an amazing night and when they did the "hoe down" at the end it ended it perfectly! Paramount theater was terrific and so very accommodating and friendly service for us!

The venue was good, but Al Dimeola was 40 minutes late and instead of apologizing for this, he took a victory lap. That's shameful, as we saw several people left the venue after 30 minutes. I understand that things can go bad at times. So, send someone to say that they will begin at a delayed time, explain the situation and try to retain the audience. Those who stayed (we started walking out), were not happy campers.

Venue was nice and I actually enjoyed the band's no-cell phones policy. The signs asking everyone to wear a mask at the band's request were odd. If that's what they wanted, they should have told us before we got to the venue (or maybe before we bought tickets). Neko's voice was incredible - range, emotion and she had good stage presence. The lead guitarist was also excellent and the others in the band were pros too. The show started at a good pace, but drug on a bit before the encore (which was also excellent). I left the show liking her music even more than I did before going, so that says to me it was a really good show.

Mehldau was spectacular. His time and feel as a solo pianist is something truly special. But Paramount Theater was definitely advertising Mehldau's trio when we purchased our tickets - and that's even what it said on the sign, which they comically scrambled to revise as people were strolling into the venue. I'd love to know the story there...

Jackie Venson shows get better each time you see her. She’s at the top of her songwriting and guitar playing craft. Her band is tight. Each amazing on their own, but together wow! This show at the Paramount was over the top with music blasting out from the stage, cosmic graphics melting the walls and this Angelic Austin legendary voice piercing through the darkness with hope and love.

We thoroughly enjoyed the show! There was a real pleasant variety of music and Noah entertained us with not only his singing, guitar and piano playing but as well, with his charm by connecting with the audience. He seemed very much at ease, very amicable and even shared his wonderful sense of humor. The band was just as amazing! The talent abounds with that group. The guitars were incredible and we were blown away by the 20+ year old on the electric guitar! Now we are looking forward to hearing and seeing more of these artists! Must be something about those Canadians, eh?

The beginning of the show, it was like it was too loud? or overdriven on the speakers. All the tracks were bleeding over into each other. It was hard to make out any harmonies, let alone words to the songs. It sounded terrible. Further into the show, it seems it got fixed a little. It wasn't a good mix, but it was ok. The band themselves were awesome. The theater had issues.

One of the most amazing events I’ve been to in Austin. This was phenomenal anybody who misses that very sorry Walker is great and all the people he brought on or even as good as him or better highly recommend. If he does it every year I think he will.

Following a musical artist from city to city may seem a tad extreme, perhaps even obsessive. Yet, here I am, ticket in hand, gearing up to experience Maggie Rose live for the third time in as many days, this stint taking me from Dallas to Austin in her Theatre Tour with St. Paul & The Broken Bones. To the uninitiated, this pilgrimage could appear irrational, but for me, it's a spiritual mandate—a need to resonate with melodies that echo life's highest highs and most formidable lows. To really understand the absurdity of this devotion seeing Maggie Rose live, I must revisit the revival I experienced in that first concert and the magnetic pull to her subsequent shows. It is a reflection of how Maggie Rose became a vessel of reawakening and a constant in my mission to live a life of passion. The lead-up to my inaugural Maggie Rose concert was a microcosm of life’s unpredictable symphony. The year 2019 saw the finale of a tumultuous relationship, and just as the dust began to settle, 2020 unleashed a global pause, suspending concerts, career moves, and the natural cadence of human connection. By 2021, I found myself in an emotional quagmire, struggling to resurface. That first show at Club Dada in Dallas was a solo venture, and I barely knew who Maggie Rose was. With such an inertia of isolation it was an effort just to convince myself to get out of the house and go to the venue. Club Dada is small and intimate, and was suffering from a broken AC that hot August night. The place was sweltering. But the Texas heat would be nothing compared to the fire Maggie ignited within the crowd—and within me. The performance was like her wake-up call, revealing all the passion that the world had tucked away and the excitement that had slipped into hibernation. Maggie dominated the stage, her voice reaching out to every corner, turning the whole place into a buzzing hive of music and energy. She sang with the kind of confidence that drew everyone in, making us feel each word she sang. With every song, it felt like she was telling us it was okay to let go and get lost in the music. That stage was her world, and with every note, she invited us to make it ours too. As the music played, something in me emerged. It was as if I had been sleeping and didn’t even know it. The beats were like a hammer, her voice like a mighty swing, breaking through a wall I didn’t know I had built around myself. I found something I didn’t realize I’d lost— passion; a joy in just being alive and sharing the living with others. On the drive home that night, with the echo of the music in my ears, I made a silent promise to myself: “Keep that passion alive, Justin, never forget how low the bottom is without it.” It was more than a good night—it was a turning point, where I found my way back to feeling bright and alive. Every concert that followed my initial encounter with Maggie Rose transcended the idea of merely watching an artist perform again. These events are sacred gatherings, rituals where I pay tribute. Each time I step into a new space, from the vibrant scenes in city squares, to the storied walls of historic theatres, it is more than just another stop on a tour. In each show, Maggie's voice is an unwavering constant and her power to move her audience in each venue seemed to echo the steadfastness of her artistry. As my own spirit is in flux, growing and shifting within the passing of time and daily life, her shows serve as reminders of the deep-seated promise I made to myself to live above the emotional trenches I once occupied. In the communal euphoria of each gathering, there is an undercurrent of homage — an acknowledgment of the past and a celebration of the ongoing transformation ignited by the embers at that first show. So, as I when my cousin and her boyfriend, whom I’m evangelically bringing to tonight’s show, ask why I’m going to Maggie Rose concert three nights in a row, my answer is: it's about being saved, in a way, because I went to a venue in Dallas with no AC and was moved by music. For me, a Maggie Rose's concert is an experience far beyond simply enjoying music; in every show, she plays anthems of my own awakening.

So good! A great set that keeps the momentum going with Marty’s cosmic country vibe from 2017’s “Way Out West” and this years “Altitude,” but also puts it into perspective with his entire catalog and country music in general. He even tells a story about the Ken Burns documentary. Loved the section where each of the superlatives got their own spotlight.

The best concert I have seen at the Paramount Theatre so far. Great performance by Jorge Drexler. Winner of 5 Latin Grammy Awards and 1 Academy Award to top it off. World class artist with incredible musicians. His guitar playing was exceptional. The sound quality on the spot. Best of all was the crowd. Everyone connected with Drexler. Beautiful!

Los Lonely Boys were solid! Great seeing them again! Acoustic part of the show was absolutely beautiful! I’d have been equally amazed and satisfied if their whole show was acoustic! The Paramount Theater never disappoints! Great seats. Only downside is not really being able to stand up and dance, out of respect to people sitting behind. Although I felt like when one goes to see Los Lonely Boys, one should not expect to just sit. Overall, they sounded great, looked fabulous and their performance was solid and oh, so satisfying after not seeing them for three years!

You missed a GREAT show if you didn’t catch Bruce Dickinson at the Paramount Theatre on February 24th. The inspiration for this one-man show comes from the release of his book “ What Does This Button Do?” The book and show are a compilation of colorful, humorous and uplifting stories from his life. Although Bruce is most recognized as the front man for Iron Maiden not many people know Bruce is an accomplished public speaker. He delivers every story with skill, poise and a bit of Monty Pythonesque wit. I promise you will be laughing throughout the show. Especially, when Bruce tries to explain his trouser selection at different points of his career. The one thing that makes this show different is you can ask Bruce a question. There are cards on a table when you enter the venue where you are asked to write down your name and ask your question. Bruce answers some of the questions during the second half of the show. Be warned. Some questions were nice. Some were naughty. Some ask advice. Others ask him to sing a song. Bruce added random Python skits/songs to better illustrate some of his answers. Bruce ended the night by singing a “bit” of his beautifully haunting song “Eternal” from his “Scream for me Sarajevo” CD. Bruce explained the song was about the legacy of the early astronauts. Lastly, I wanted to add that Bruce’s book is a must read. I highly recommend it. I found it hard to put it down once I started reading it. 😊

The show was magic as only Todd can do. I was 99.9% confident Jack would be there based on past shows and was not disappointed as soon as Cowboy Jim walked out with his hat. Just waiting for the day when Todd does a story telling only tour! :)