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Erland Cooper makes his debut at Kings Place as part of Earth Unwrapped, presenting the world premiere of his new work ‘The Peregrine’ for small ensemble.
Inspired by J.A Baker’s seminal 1967 book of the same name, the evening will also include a special performance of Erland Cooper’s Do Birds Dream? played in darkness, for an all-encompassing sensory experience.
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David
30 de novembro de 2024
Superb show. Erland and the accompanying musicians were amazing!
Southampton, United Kingdom@Turner Sims Concert Hall
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Biografia de Erland Cooper
Erland Cooper is a Scottish composer, producer & multi-instrumentalist originally from Orkney. As a solo artist, he has released three acclaimed studio albums, with 4 additional companion LPs & multiple EPs, including a trilogy of work inspired by his childhood home, as well as themes of nature, people, place & time. His work combines field recordings with traditional orchestration & contemporary electronic elements. Through music, words and cinematography he explores landscape, memory & identity. He develops these themes further by partnering with artists, writers and poets. Cooper also works across mixed media projects including installation art, theatre & film. He’s widely known for burying the only existing copy of the master tape of his first classical album in Scotland, deleting all digital files & leaving only a treasure hunt of clues for fans and his record label alike to search for it. The tape has just been found.
“..speaks to a universal emotional truth” MOJO
“serves as a commentary on the disposable nature of music and the immediacy with which it is delivered”
The Times
“at once calming and euphoric, with a beauty that’s its own justification” UNCUT
“..exploring the place where electronic and classical music can co-habit” The Quietus
“Wonderfully nuanced songwriting matched to lung-bursting string arrangements.” CLASH
“like a spiritually charged requiem for the pristine landscapes that inspired it” Electronic Sound
“Nature’ s songwriter” Guardian
Ler mais“..speaks to a universal emotional truth” MOJO
“serves as a commentary on the disposable nature of music and the immediacy with which it is delivered”
The Times
“at once calming and euphoric, with a beauty that’s its own justification” UNCUT
“..exploring the place where electronic and classical music can co-habit” The Quietus
“Wonderfully nuanced songwriting matched to lung-bursting string arrangements.” CLASH
“like a spiritually charged requiem for the pristine landscapes that inspired it” Electronic Sound
“Nature’ s songwriter” Guardian
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