Você tem bom gosto.
Inicie sessão para seguir seus artistas favoritos, salvar eventos e muito mais.
Iniciar sessão
get app
Inscrição
Iniciar sessão
Alabaster DePlume
Openluchttheater Rivierenhof
Turnhoutsebaan 246
10 de ago. de 2024
18:00 GMT+2
Eu estive lá
Avaliar
Encontre um lugar para ficar
Upcoming concerts from similar artists
Merchandising oficial
VINYL RECORD - To Cy & Lee: Instrumen...
$24.0 USD
VINYL RECORD - GOLD by Alabaster DePl...
$32.0 USD
Descubra mais artistas para seguir e sincronize suas músicas
Encontre seus favoritos
Compartilhar evento
About the venue
Follow Venue
Alabaster DePlume Biography
Gus Fairbairn, aka Alabaster DePlume, has a pocketful of phrases that he uses all the time whether he’s walking down the street or holding court with musicians and an audience. For a long time the Mancunian would tell anyone who’d listen that they were doing very well. More recently, it’s another phrase which has a similar effect and which belies his unwavering commitment to personal vulnerability and collective politics: “Don’t forget you’re precious.”
A process that is people-first not product-first ensures that the music is unique; often gem-like. Alabaster DePlume’s songs are built on sonorous circular melodies and luminous tones that transmit calmness and generosity in warm waves – unless they’re raging against complacency and the everyday inhumanity of end times capitalism. Most importantly, he brings a valuable transparency to his work. “This is what I’m really doing,” he says. “I want to talk about why I’m doing this, and how I’m doing this.”
His album Gold was recorded at London’s Total Refreshment Centre over two weeks. He invited a different set of musicians each day, playing the tunes to click so that DePlume, who also produced it, could cut the 17 hours of sessions together like a collage. As with all his sessions, he ensured that the musicians didn’t have enough time to rehearse the tunes, instead requiring them to tune into each other and to rely on each other to reach the end of a song. There was another rule: no listening back to sessions after recording.
Ler maisA process that is people-first not product-first ensures that the music is unique; often gem-like. Alabaster DePlume’s songs are built on sonorous circular melodies and luminous tones that transmit calmness and generosity in warm waves – unless they’re raging against complacency and the everyday inhumanity of end times capitalism. Most importantly, he brings a valuable transparency to his work. “This is what I’m really doing,” he says. “I want to talk about why I’m doing this, and how I’m doing this.”
His album Gold was recorded at London’s Total Refreshment Centre over two weeks. He invited a different set of musicians each day, playing the tunes to click so that DePlume, who also produced it, could cut the 17 hours of sessions together like a collage. As with all his sessions, he ensured that the musicians didn’t have enough time to rehearse the tunes, instead requiring them to tune into each other and to rely on each other to reach the end of a song. There was another rule: no listening back to sessions after recording.
Electronic
Improvisational Music
Jazz
Seguir artista