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Perhaps the most gifted classical pianist of our time, Evgeny Kissin plays not one but three rarely-performed jewels of the piano concerto repertoire.
Admired – even venerated – as the heir of the great Russian piano tradition, Kissin has an impressive list of awards, firsts and ‘youngest-evers’ to his name, including a Grammy for his recording of Prokofiev piano concertos with the Philharmonia.
His extraordinary programme brings together three bold, brilliant and distinctive piano concertos. Rimsky-Korsakov’s and Prokofiev’s are both single-movement works around 15 minutes long. Rimsky-Korsakov acknowledged his debt to Liszt for his concerto’s lyricism and virtuosity, but gave it a marked Russian flavour by using a Russian folk song as its main theme.
Prokofiev’s concerto, like its composer, is bright and daring. He chose to perform it in a competition at the St Petersburg Conservatory, reasoning that the jury “simply would not be able to judge whether I was playing it well or not”. His chutzpah paid off, and he won the competition – his prize was a grand piano.
Scriabin said that he wrote the piano part of his concerto in just a week. Yearning and poetic, it follows in the footsteps of Chopin, but points firmly in the direction of Scriabin’s journey into radical, almost mystical individuality.
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Biografia de Philharmonia Orchestra
The Philharmonia is an orchestra based in London. Since 1995 it has been based in the Royal Festival Hall. In Britain it is also the Resident Orchestra at De Montfort Hall, Leicester and the Bedford Corn Exchange.
The orchestra was founded in 1945 by Walter Legge, and although it did give the occasional live concert, it was mainly intended to be a recording orchestra for EMI, where Legge was an executive. Thomas Beecham led its debut concert in 1946, but he was ruled out as a long-term conductor of the group when he tried to take control of the orchestra and change its name (Beecham instead went on to found his own Royal Philharmonic Orchestra).
In its early years, many prominent conductors made recordings with the ensemble, including Arturo Toscanini and Wilhelm Furtwängler. However it was Herbert von Karajan (who was not allowed to work in Germany or Austria at the time because of his Nazi record) who was most associated with the Philharmonia in its early years. Karajan built the orchestra into one of the finest ensembles in the world, and made numerous recordings, including all the Beethoven symphonies.
The Philharmonia is the most recorded orchestra in the world, with over one thousand recordings. It has also been heard on the soundtracks of many films, performing the musical scores of such classics as Laurence Olivier's 1944 film version of Shakespeare's Henry V, and David Lean's film version of Oliver Twist (1948).
Ler maisThe orchestra was founded in 1945 by Walter Legge, and although it did give the occasional live concert, it was mainly intended to be a recording orchestra for EMI, where Legge was an executive. Thomas Beecham led its debut concert in 1946, but he was ruled out as a long-term conductor of the group when he tried to take control of the orchestra and change its name (Beecham instead went on to found his own Royal Philharmonic Orchestra).
In its early years, many prominent conductors made recordings with the ensemble, including Arturo Toscanini and Wilhelm Furtwängler. However it was Herbert von Karajan (who was not allowed to work in Germany or Austria at the time because of his Nazi record) who was most associated with the Philharmonia in its early years. Karajan built the orchestra into one of the finest ensembles in the world, and made numerous recordings, including all the Beethoven symphonies.
The Philharmonia is the most recorded orchestra in the world, with over one thousand recordings. It has also been heard on the soundtracks of many films, performing the musical scores of such classics as Laurence Olivier's 1944 film version of Shakespeare's Henry V, and David Lean's film version of Oliver Twist (1948).
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