Você tem bom gosto.
Inicie sessão para seguir seus artistas favoritos, salvar eventos e muito mais.
Iniciar sessão
get app
Inscrição
Iniciar sessão

Béla Fleck
Béla Fleck, Edmar Castañeda & Antonio Sanchez @ Cadogan Hall
Cadogan Hall
5 Sloane Terrace
9 de jul. de 2025
19:30 GMT+1
Eu estive lá
Avaliar

Live Photos

Ver todas as fotos
What fans are saying

James
21 de junho de 2025
This was my second show at the Chautauqua amphitheater. What a wonderful venue so full of rich musical history! Expectations were high-the experience far surpassed them! Stratospheric levels of musicianship were on display! I have seen Béla Fleck once, maybe twice? Never seen Edmar or Antonio Sanchez. Sanchez stole the show for me! I’ve seen a lot of drummers in my day but I don’t think I’ve ever seen someone play as many notes as him with every single moment being so tasteful! Edmar is quite a performer, but I was also struck by his words of wisdom and story of perseverance. Would recommend this show to anyone who appreciates musicality/virtuosity!
Boulder, CO@Chautauqua Auditorium
Descubra mais artistas para seguir e sincronize suas músicas
Encontre seus favoritos

Compartilhar evento
About the venue
Nestled in the prestigious heart of Chelsea, Cadogan Hall stands as a magnificent architectural gem focused on musical brilliance.
This storied venue perfectly combines ...
read moreFollow Venue
Béla Fleck Biography
Béla Fleck (born July 10, 1958 in New York City, New York) is an American virtuoso banjo player. He is most well known for his work with the band Béla Fleck and the Flecktones, which he has described as "a mixture of acoustic and electronic music with a lot of roots in folk and bluegrass as well as funk and jazz."
Fleck, who is named after famous Hungarian composer Béla Bartók, was drawn to the banjo when he first heard Earl Scruggs play the theme song for the television show Beverly Hillbillies. He received his first banjo at age fifteen from his grandfather (1973). Later, Fleck would enroll in New York City's High School of Music and Art where he studied French horn. Almost immediately after high school, Fleck traveled to Boston to play with Jack Tottle and Mark Schatz in Tasty Licks. It is with Tasty Licks that Fleck played on his first major album. During this period, Fleck released his first solo album (1979) "Crossing the Tracks". It was Fleck's first foray into progressive bluegrass composition.
Fleck would play on the streets of Boston with bassist Mark Schatz until the two formed Spectrum: the Band in 1981. Fleck toured with Spectrum until 1981. That year, Fleck was asked by Sam Bush and company to join New Grass Revival. Fleck performed with New Grass Revival for nine years. During this time, Fleck recorded another solo album, "Drive." It was nominated for a Grammy Award in the then first-time category of Best Bluegrass Album (1988).
After a 1988 phone call with bassist Victor Wooten, Fleck and Wooten formed Béla Fleck and the Flecktones, rounded out with harmonica player Howard Levy and Wooten's percussionist brother Roy "Future Man" Wooten, who plays synthesizer-based percussion. Saxophonist Jeff Coffin joined the group with the album "Left of Cool".
With the Flecktones, Fleck has been nominated for and won several Grammy awards. Fleck has shared Grammy wins with Asleep at the Wheel, Alison Brown, and Edgar Meyer. He has been nominated in more categories than any other musician, namely country, pop, jazz, bluegrass, classical, folk, and spoken word, as well as composition and arranging.
Ler maisFleck, who is named after famous Hungarian composer Béla Bartók, was drawn to the banjo when he first heard Earl Scruggs play the theme song for the television show Beverly Hillbillies. He received his first banjo at age fifteen from his grandfather (1973). Later, Fleck would enroll in New York City's High School of Music and Art where he studied French horn. Almost immediately after high school, Fleck traveled to Boston to play with Jack Tottle and Mark Schatz in Tasty Licks. It is with Tasty Licks that Fleck played on his first major album. During this period, Fleck released his first solo album (1979) "Crossing the Tracks". It was Fleck's first foray into progressive bluegrass composition.
Fleck would play on the streets of Boston with bassist Mark Schatz until the two formed Spectrum: the Band in 1981. Fleck toured with Spectrum until 1981. That year, Fleck was asked by Sam Bush and company to join New Grass Revival. Fleck performed with New Grass Revival for nine years. During this time, Fleck recorded another solo album, "Drive." It was nominated for a Grammy Award in the then first-time category of Best Bluegrass Album (1988).
After a 1988 phone call with bassist Victor Wooten, Fleck and Wooten formed Béla Fleck and the Flecktones, rounded out with harmonica player Howard Levy and Wooten's percussionist brother Roy "Future Man" Wooten, who plays synthesizer-based percussion. Saxophonist Jeff Coffin joined the group with the album "Left of Cool".
With the Flecktones, Fleck has been nominated for and won several Grammy awards. Fleck has shared Grammy wins with Asleep at the Wheel, Alison Brown, and Edgar Meyer. He has been nominated in more categories than any other musician, namely country, pop, jazz, bluegrass, classical, folk, and spoken word, as well as composition and arranging.
Country
Jazz
Bluegrass
Seguir artista