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Johnny Marr
Moore Theatre
1932 2nd Ave
Seattle, WA 98101
21 de set. de 2024
20:00 GMT-7
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About this concert
The Moore Theatre is located in downtown Seattle at 1932 2nd Ave, Seattle, WA 98101. There is an overall 8 ticket limit per patron. Patrons exceeding the ticket limit will have their orders canceled at the venue's discretion. All sales are final. No refunds or exchanges. Mobile barcodes delayed until 4 days prior to event. Venue reserves the right to change delivery methods. Unless otherwise noted, each person must have a ticket regardless of age. No babies in arms. There is no elevator. Stairs only to the balcony level.
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What fans are saying
Marie
15 de outubro de 2024
Johnny Marr was amazing and he delivered! He engages with the audience and shows how sincerely grateful he is for bringing his music to his fans. He and his bandmates are all so talented.
Orpheum did a great job with overall ease of entry, wayfinding and the staging, light show and sound was A+
Boston, MA@Orpheum Theatre
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Johnny Marr Biography
The early 1980s weren’t the best of times to be an aspiring guitar player. Twenty years earlier, the head of Decca records, Dick Rowe, had made the biggest A&R gaff in pop history with the legendary clanger "Guitar groups are on their way out, Mr Epstein". But in 1982, Rowe’s apocalyptic prophecy suddenly sounded frighteningly real. After the initial roar and storm of punk, British pop music had succumbed to a synthesizer-driven pursuit of new waves and new romanticisms. In an age of Vienna’s, Tainted Love’s and Too Shy’s, the pure sound of six-stringed, melodic pop - be it as amorous as The Beatles, as lascivious as The Stones or as giddy as T.Rex - was fast becoming a lost cause with few willing to fight its corner.
That all changed with Johnny Marr.
Born in Manchester on Halloween 1963, of Irish heritage, Marr’s earliest musical memories are the get-togethers of his extended family, perhaps - as his early guitar idol Marc Bolan would sing - dancing himself out of the womb to the traditional strains of Black Velvet Band. As a child he’d be spellbound by his parents’ record collection: the forlorn dramas of Del Shannon, the prison doldrums of Johnny Cash and the heart-popping bliss of his mother’s Four Tops singles. All these influences would linger at the back of the boy Marr’s brain, waiting for the command to attack his finger tips at a later date.
That date finally came during the early summer of 1982 when Marr, just 18 years-old, formed The Smiths after seeking out the reclusive and elusive Stretford poet, Morrissey. Musically, the sound of The Smiths was a guitar noise nostalgically familiar yet equally dumbfounding in its pristine newness. The tunes were giant, euphoric and instantaneous but woven together with such nimble flair it appeared as if the guitar was playing Marr instead of the other way round. Lost for words, early critics of the day undersold him with the words "jingle" and "jangle" when, had they tried, they might better have described the sound of Johnny Marr as that of Van Gogh’s Starry Night in angry animation. Or the echo of diamonds raining down upon zinc-plated cobblestones. Or the sound of kitchen cutlery bouncing off a gaffer-taped Telecaster (which, ridiculous as it sounds, is how Marr achieved some of the resonant clangs in This Charming Man.)
CONTINUE OVER AT http://smarturl.it/JM_bio
Ler maisThat all changed with Johnny Marr.
Born in Manchester on Halloween 1963, of Irish heritage, Marr’s earliest musical memories are the get-togethers of his extended family, perhaps - as his early guitar idol Marc Bolan would sing - dancing himself out of the womb to the traditional strains of Black Velvet Band. As a child he’d be spellbound by his parents’ record collection: the forlorn dramas of Del Shannon, the prison doldrums of Johnny Cash and the heart-popping bliss of his mother’s Four Tops singles. All these influences would linger at the back of the boy Marr’s brain, waiting for the command to attack his finger tips at a later date.
That date finally came during the early summer of 1982 when Marr, just 18 years-old, formed The Smiths after seeking out the reclusive and elusive Stretford poet, Morrissey. Musically, the sound of The Smiths was a guitar noise nostalgically familiar yet equally dumbfounding in its pristine newness. The tunes were giant, euphoric and instantaneous but woven together with such nimble flair it appeared as if the guitar was playing Marr instead of the other way round. Lost for words, early critics of the day undersold him with the words "jingle" and "jangle" when, had they tried, they might better have described the sound of Johnny Marr as that of Van Gogh’s Starry Night in angry animation. Or the echo of diamonds raining down upon zinc-plated cobblestones. Or the sound of kitchen cutlery bouncing off a gaffer-taped Telecaster (which, ridiculous as it sounds, is how Marr achieved some of the resonant clangs in This Charming Man.)
CONTINUE OVER AT http://smarturl.it/JM_bio
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