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Ghost Fetish
Belltown Yacht Club
2320 1st Ave- Alley Basement
Seattle, WA 98121
24 de mai. de 2024
20:00 GMT-7
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Ghost Fetish Biography
Ghost Fetish is a synth fueled post-punk band from Seattle, WA. The trio’s dance-inducing live performance pulls from new wave, synth-pop and goth music to create a sound that is uniquely their own. Ghost Fetish released their debut album “Almost Touching” in September, 2023.
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Amidst the enveloping embrace of Seattle’s fog and the towering allure of its ancient Douglas firs, a new sound makes its mark. Enter Ghost Fetish. This band harnesses the electric charge of synths and raw passion, crafting sonic tapestries that blend the glistening frequencies of new wave, the pulsing rhythm of synth-pop, and the entrancing depths of old-school goth.
With each beat and melody, they’ve carved a distinctive niche for themselves. As we approach the waning days of 2023, the looming autumn winds herald the release of their forthcoming debut LP, Almost Touching. As a teaser, Ghost Fetish introduces us to “C’Mon,” the album’s brooding and atmospheric third single. The track is a compelling mix of The Sisters of Mercy’s and She Past Away’s gloom-laden fervor, the icy synth precision of Kraftwerk, and the thought-provoking introspection reminiscent of Albert Camus. – post-punk.com
Ler mais----
Amidst the enveloping embrace of Seattle’s fog and the towering allure of its ancient Douglas firs, a new sound makes its mark. Enter Ghost Fetish. This band harnesses the electric charge of synths and raw passion, crafting sonic tapestries that blend the glistening frequencies of new wave, the pulsing rhythm of synth-pop, and the entrancing depths of old-school goth.
With each beat and melody, they’ve carved a distinctive niche for themselves. As we approach the waning days of 2023, the looming autumn winds herald the release of their forthcoming debut LP, Almost Touching. As a teaser, Ghost Fetish introduces us to “C’Mon,” the album’s brooding and atmospheric third single. The track is a compelling mix of The Sisters of Mercy’s and She Past Away’s gloom-laden fervor, the icy synth precision of Kraftwerk, and the thought-provoking introspection reminiscent of Albert Camus. – post-punk.com
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