Você tem bom gosto.
Inicie sessão para seguir seus artistas favoritos, salvar eventos e muito mais.
Iniciar sessão
get app
Inscrição
Iniciar sessão
Ian Pooley
Public Records
233 Butler St
Brooklyn, NY 11217
21 de jun. de 2024
23:00 GMT-4
Eu estive lá
Avaliar
Encontre um lugar para ficar
Programação do evento
Upcoming concerts from similar artists
Merch (ad)
Disney PIXAR Onward Ian & Barley Elf ...
$22.99
Disney Pixar Onward Barley Q T-Shirt
$22.99
Breaking News I Have Diarrhea Funny J...
$18.99
Chris Farley SNL Matt Foley Van Down ...
$32.00
Feeling Down? I'll Feel You Up Raunch...
$19.99
Chris Farley Matt Foley Living in a V...
$32.00
Living in A Van Down by The River Ret...
$23.99
Disney Pixar Onward Barley Vest Patch...
$22.99
Feeling Down? I'll Feel You Up Raunch...
$19.99
To the Polls, Ye Sons of Freedom! 186...
$19.99
What fans are saying
Descubra mais artistas para seguir e sincronize suas músicas
Encontre seus favoritos
Compartilhar evento
About the venue
Public Records is a multi-faceted, ever evolving hospitality and music space built within the historic ASPCA headquarters building at 233 Butler St in Gowanus Brooklyn. T...
read moreFollow Venue
Ian Pooley Biography
German techno/house musician Ian Pooley (real name Ian Pinnekamp) debuted as half of T'N'I, a duo with dj Thomas "Tonka" Gerlach that released the EP Low Mass (Force Inc, 1991). The two morphed into Space Cube and eventually parted ways.
His early singles were collected on the first full-length under his own name, The Times (Force Inc, 1996). Meridian (V2, 1998) was substantially different from the "hard" style that had made his fortune, incorporating elements of pop, disco, soul and even jazz. Since Then (V2, 2000) turned to samba and bossanova to create a Brazilian saudade-like atmosphere in the dancefloor. Souvenirs (Ministry of Sound, 2004) is bolder but also a bit outdated in its resurrection of disco motifs.
Ler maisHis early singles were collected on the first full-length under his own name, The Times (Force Inc, 1996). Meridian (V2, 1998) was substantially different from the "hard" style that had made his fortune, incorporating elements of pop, disco, soul and even jazz. Since Then (V2, 2000) turned to samba and bossanova to create a Brazilian saudade-like atmosphere in the dancefloor. Souvenirs (Ministry of Sound, 2004) is bolder but also a bit outdated in its resurrection of disco motifs.
Electronic
Seguir artista