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About this concert
Support Act: Automatic All support acts are subject to change without notice. All Ages Event Doors 7:00pm | Show 8:00pm FLOOR tickets are Standing Room Only. Main (100s) and Gallery (200s) Level Tickets are reserved seating and DO NOT include access to the FLOOR. GALLERY GA tickets are standing room only in the GALLERY level and DO NOT include access to the FLOOR. No refunds or exchanges. Live Entertainment Tax is included in the purchase of each ticket. Non-professional cameras allowed, no detachable lenses. Audio/video recorders, tablets/ipads, and selfie sticks are not allowed. Guests accept all customary risks associated with live events. No outside Food and Beverage allowed into the venue. Due to security requirements, backpacks, wallet chains, spiked accessories, and bags/purses larger than 8.5" x 11" will not be allowed in the venue. Guest and bags/purchases are subject to inspection.
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Automatic Biography
Automatic is the trio of Izzy Glaudini (synths, lead vocals), Lola Dompé (drums, vocals) and Halle Saxon (bass, vocals).
Automatic’s second album Excess rides the imaginary edge where the ‘70s underground met the corporate culture of the ‘80s – or, as the band puts it, “That fleeting moment when what was once cool quickly turned and became mainstream, all for the sake of consumerism.” Using this point in time as a lens through which to view the present moment, Excess takes aim at corporate culture and extravagance.
The overarching themes of alienation and escapism emerged as Automatic put Excess together, taking writing retreats to flesh out the new songs before decamping to the studio for sprint recording sessions with producer Joo Joo Ashworth (Sasami, FROTH).
On “New Beginning” – inspired by the Swedish sci-fi film Aniara – they reject the false hope of leaving behind a scorched planet and searching for “a better place,” at a moment when the ultra-rich are eyeing manned space travel: “In the service of desire / We will travel far away.” The song and accompanying video imagine the “nihilism and loneliness” of attempting to escape the planet once unchecked consumerism has reached its logical outcome.
Ler maisAutomatic’s second album Excess rides the imaginary edge where the ‘70s underground met the corporate culture of the ‘80s – or, as the band puts it, “That fleeting moment when what was once cool quickly turned and became mainstream, all for the sake of consumerism.” Using this point in time as a lens through which to view the present moment, Excess takes aim at corporate culture and extravagance.
The overarching themes of alienation and escapism emerged as Automatic put Excess together, taking writing retreats to flesh out the new songs before decamping to the studio for sprint recording sessions with producer Joo Joo Ashworth (Sasami, FROTH).
On “New Beginning” – inspired by the Swedish sci-fi film Aniara – they reject the false hope of leaving behind a scorched planet and searching for “a better place,” at a moment when the ultra-rich are eyeing manned space travel: “In the service of desire / We will travel far away.” The song and accompanying video imagine the “nihilism and loneliness” of attempting to escape the planet once unchecked consumerism has reached its logical outcome.
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