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CrossBorder Blues
Theater of Montbeliard - MA
Rue de l'École Française
6 de abr. de 2024
20:00 GMT+2
Eu estive lá
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About this concert
CROSSBORDER BLUESDURÉE 1H15Quand trois musiciens d’exception se lancent dans une série d’explorations jubilatoires, en mariant le blues acoustique à leurs influences multiples, cela donne naissance à l’album CrossBorder Blues. Un bijou sonore qui transcende littéralement les frontières du genre. D’un côté, il y a Harrison Kennedy – descendant d’esclaves enfuis des plantations sudistes – avec sa guitare, son banjo, ses mandolines, ses cuillers et sa voix de soul-man. Après avoir collaboré avec Stevie Wonder ou George Harrison, le voici aux cotés de l’harmoniciste Jean-Jacques Milteau – deux Victoires de la Musique au compteur – et du violoncelliste Vincent Segal, explorateur musical passé par tous les territoires en compagnie de Sting, Cesaria Evora ou Ballaké Sissoko. Avec leur premier album, les trois complices sont remontés jusqu’aux sources d’un blues épuré, en évitant tous les bancs de nostalgie. En concert, ils réinventent, dans un dialogue de chaque instant, une musique authentique et émouvante qui, depuis ses origines, transpire la sueur, la colère et l’aspiration au bonheur.Un harmonica vibrant, un violoncelle ici palpitant, là poignant et partout des cordes sensibles, qu’elles soient vocales ou instrumentales. Midi LibreChant, guitare, banjo : Harrison Kennedy Harmonicas : Jean-Jacques Milteau / Violoncelle : Vincent Ségal
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CrossBorder Blues Biography
CrossBorder Blues…, or when three exceptional creative talents throw themselves into a series of jubilant explorations built on acoustic blues echoes and the unusual blend of sounds sparked by their meeting.
Harrison Kennedy’s voice, banjo, spoons and guitar, Jean-Jacques Milteau’s imaginative harmonica and Vincent Segal’s lyrical cello converse and play as the members of this inspired trio pay homage to their roots without sacrificing to nostalgia, inventing no less than the future of the blue note in the process.
A careful scrutiny of his unusual musical journey might lead you to think that Harrison Kennedy wishes to cover his tracks. Starting with the Canadian passport this pure African-American owes to forebears who traveled the Underground Railroad all the way to Ontario, fleeing the Southern plantations where they were enslaved.
Harrison has kept from this aching heritage a deep respect for the Mississippi and Tennessee roots he nurtures to this day in a truly original and personal fashion. Universally regarded as one of the most genuine artists on the blues front today, the proud holder of a 2016 Juno Award (the Canadian equivalent of a Grammy) and recipient of the 2015 Blues Prize granted by Académie Charles Cros got his start at the height of the soul era. After making a noted debut on the prestigious Motown imprint (Harrison can be heard blowing his harmonica on Marvin Gaye’s legendary What’s Going On), he joined the stellar group Chairmen of the Board, traveling across the world and sharing the stage with the likes of Stevie Wonder, George Harrison, and Tom Jones, among others.
Eclecticism remains to this day the dominant trait of an artist who has always combined tradition and innovation. This commitment to creativity is what leads Harrison to launch today in a rich musical conversation with two major European creators:
Jean-Jacques Milteau (courtesy of Caravane Productions) needs no introduction. This French harmonica wizard is a respected specialist of the blue note whose fruitful work with Eric Bibb around the repertoire of old-time songster Lead Belly has recently been acclaimed. Milteau, the winner of two Victoires de la Musique (the French Grammies) has worked, in the studio and on stage, with the likes of B.B. King, Little Milton, Mighty Mo Rodgers and Sam McClain, poets Gil Scott-Heron and Terry Callier, rock-chick Michelle Shocked and R’n’B diva N’Dambi…
As for Vincent Segal, winner of an impressive number of Victoires de la Musique and with twenty years on the road with Cyril Atef and the duo Bumcello under his belt, his cello has graced an impressive number of projects in a wide variety of musical styles: jazz (Ibrahim Maalouf, Julien Lourau), funk (Chuck Brown), rap (Oxmo Puccino), rock (Sting, Elvis Costello, Bashung), pop (M, Carla Bruni, Thomas Fersen), as well as African “chamber music” through his inspired duets with Ballaké Sissoko.
Ler maisHarrison Kennedy’s voice, banjo, spoons and guitar, Jean-Jacques Milteau’s imaginative harmonica and Vincent Segal’s lyrical cello converse and play as the members of this inspired trio pay homage to their roots without sacrificing to nostalgia, inventing no less than the future of the blue note in the process.
A careful scrutiny of his unusual musical journey might lead you to think that Harrison Kennedy wishes to cover his tracks. Starting with the Canadian passport this pure African-American owes to forebears who traveled the Underground Railroad all the way to Ontario, fleeing the Southern plantations where they were enslaved.
Harrison has kept from this aching heritage a deep respect for the Mississippi and Tennessee roots he nurtures to this day in a truly original and personal fashion. Universally regarded as one of the most genuine artists on the blues front today, the proud holder of a 2016 Juno Award (the Canadian equivalent of a Grammy) and recipient of the 2015 Blues Prize granted by Académie Charles Cros got his start at the height of the soul era. After making a noted debut on the prestigious Motown imprint (Harrison can be heard blowing his harmonica on Marvin Gaye’s legendary What’s Going On), he joined the stellar group Chairmen of the Board, traveling across the world and sharing the stage with the likes of Stevie Wonder, George Harrison, and Tom Jones, among others.
Eclecticism remains to this day the dominant trait of an artist who has always combined tradition and innovation. This commitment to creativity is what leads Harrison to launch today in a rich musical conversation with two major European creators:
Jean-Jacques Milteau (courtesy of Caravane Productions) needs no introduction. This French harmonica wizard is a respected specialist of the blue note whose fruitful work with Eric Bibb around the repertoire of old-time songster Lead Belly has recently been acclaimed. Milteau, the winner of two Victoires de la Musique (the French Grammies) has worked, in the studio and on stage, with the likes of B.B. King, Little Milton, Mighty Mo Rodgers and Sam McClain, poets Gil Scott-Heron and Terry Callier, rock-chick Michelle Shocked and R’n’B diva N’Dambi…
As for Vincent Segal, winner of an impressive number of Victoires de la Musique and with twenty years on the road with Cyril Atef and the duo Bumcello under his belt, his cello has graced an impressive number of projects in a wide variety of musical styles: jazz (Ibrahim Maalouf, Julien Lourau), funk (Chuck Brown), rap (Oxmo Puccino), rock (Sting, Elvis Costello, Bashung), pop (M, Carla Bruni, Thomas Fersen), as well as African “chamber music” through his inspired duets with Ballaké Sissoko.
Blues
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