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Mayaeni
3.690 Seguidores
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Artistas semelhantes em turnê
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Circle Hat
$25.0 USD
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$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts and tour dates
Anteriores
AGO
29
2022
Detroit, MI
The Alley Deck
Eu estive lá
AGO
08
2022
Detroit, MI
The Alley Deck
Eu estive lá
JUL
31
2019
Detroit, MI
Saint Andrews Hall
Eu estive lá
ABR
13
2019
Detroit, MI
The Fillmore Detroit
Eu estive lá
ABR
12
2019
Chicago, IL
House of Blues Chicago presented by Cricket Wireless
Eu estive lá
JUN
29
2017
Houston, TX
Studio @ Warehouse Live
Eu estive lá
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Sobre Mayaeni
Mayaeni (mah-yay-knee) Early on, the self-professed shy hippie kid saw her future self filling a void. “I don’t know why that lane hasn’t been filled, at least mainstream wise. Why there hasn’t been a female black John Mayer or Gary Clark Jr. I became it, because I wanted to see it so bad.” Raised in a suburb just outside Detroit that she describes as racially “pretty segregated,” Mayaeni—pronounced mah-yay-knee—was actually born to rock. “Growing up in Detroit, I spent a lot of time not necessarily knowing where to fit in.” Her mom is black, her dad white. “So I ended up hanging out with all cultures.” Hanging out with her musician dad in the studio was Mayaeni’s form of grooming, with Chuck Berry, Bob Dylan and Hendrix records serving both as musical surrogates and soundtracks to her life. “I’ve always had this rock-soul thing going. I can’t escape it.” Not seeing many black women rocking out with a guitar, Mayaeni put herself on that stage. The instrumentally rich and electric songs she creates now are extensions of her rocker past. Her earliest material was recorded on her dad’s 8-track tapes. “I would see him rocking out as a kid, and I would get instrumentals from his tape singles and record over those.” Seeking independence at age 17, Mayaeni headed to London, where she made money under the tables selling clothes at Camden Markets. The cost-of-living struggle persisted when Mayaeni moved to New York, but those survival years turned out to be perfect preparation. “London was my first eye opener to being in the city. I didn’t have a plan beyond the two grand I saved. It was hard, but I had so much ambition. I didn’t want to go back home.” “I wrote a lot about struggle, not being able to pay rent and having a bunch of jobs, a lot about coping with pain. Hard times, heartbreak.” In New York, Mayaeni worked the open mic circuit, up to five times a week, hopping in and out of places like Village Underground, The Grove and Café Wha. The music is as edgy and raw as it is emotional, like the sounds of a guitar crying out, whether it’s the yearning in the mid-tempo anthem “Million N1” or the angst in the clamorous rock-out garage jam “Too Late.” It's the sound of progress. "I like to think it’s classic." Detroit Bred Rock & Soul
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Géneros:
Pop, Soul, Rock, R&b/soul, Rnb-soul
Cidade natal:
Detroit, Michigan
Não há shows marcados
Envie uma solicitação para Mayaeni fazer um show na sua cidade
Solicitar um show
Artistas semelhantes em turnê
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts and tour dates
Anteriores
AGO
29
2022
Detroit, MI
The Alley Deck
Eu estive lá
AGO
08
2022
Detroit, MI
The Alley Deck
Eu estive lá
JUL
31
2019
Detroit, MI
Saint Andrews Hall
Eu estive lá
ABR
13
2019
Detroit, MI
The Fillmore Detroit
Eu estive lá
ABR
12
2019
Chicago, IL
House of Blues Chicago presented by Cricket Wireless
Eu estive lá
JUN
29
2017
Houston, TX
Studio @ Warehouse Live
Eu estive lá
Ver mais eventos
Sobre Mayaeni
Mayaeni (mah-yay-knee) Early on, the self-professed shy hippie kid saw her future self filling a void. “I don’t know why that lane hasn’t been filled, at least mainstream wise. Why there hasn’t been a female black John Mayer or Gary Clark Jr. I became it, because I wanted to see it so bad.” Raised in a suburb just outside Detroit that she describes as racially “pretty segregated,” Mayaeni—pronounced mah-yay-knee—was actually born to rock. “Growing up in Detroit, I spent a lot of time not necessarily knowing where to fit in.” Her mom is black, her dad white. “So I ended up hanging out with all cultures.” Hanging out with her musician dad in the studio was Mayaeni’s form of grooming, with Chuck Berry, Bob Dylan and Hendrix records serving both as musical surrogates and soundtracks to her life. “I’ve always had this rock-soul thing going. I can’t escape it.” Not seeing many black women rocking out with a guitar, Mayaeni put herself on that stage. The instrumentally rich and electric songs she creates now are extensions of her rocker past. Her earliest material was recorded on her dad’s 8-track tapes. “I would see him rocking out as a kid, and I would get instrumentals from his tape singles and record over those.” Seeking independence at age 17, Mayaeni headed to London, where she made money under the tables selling clothes at Camden Markets. The cost-of-living struggle persisted when Mayaeni moved to New York, but those survival years turned out to be perfect preparation. “London was my first eye opener to being in the city. I didn’t have a plan beyond the two grand I saved. It was hard, but I had so much ambition. I didn’t want to go back home.” “I wrote a lot about struggle, not being able to pay rent and having a bunch of jobs, a lot about coping with pain. Hard times, heartbreak.” In New York, Mayaeni worked the open mic circuit, up to five times a week, hopping in and out of places like Village Underground, The Grove and Café Wha. The music is as edgy and raw as it is emotional, like the sounds of a guitar crying out, whether it’s the yearning in the mid-tempo anthem “Million N1” or the angst in the clamorous rock-out garage jam “Too Late.” It's the sound of progress. "I like to think it’s classic." Detroit Bred Rock & Soul
Ver mais
Géneros:
Pop, Soul, Rock, R&b/soul, Rnb-soul
Cidade natal:
Detroit, Michigan
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