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Pallas
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Artistas semelhantes em turnê
concerts and tour dates
Anteriores
DEZ
14
2023
København SV, Denmark
Ideal Bar
Eu estive lá
NOV
25
2023
New York, NY
Mercury Lounge
Eu estive lá
MAR
23
2022
New York City, NY
The Map Room at The Bowery Electric
Eu estive lá
JAN
07
2022
New York City, NY
The Map Room at The Bowery Electric
Eu estive lá
SET
21
2021
Sheffield, United Kingdom
Corporation
Eu estive lá
SET
26
2020
Zoetermeer, Netherlands
Cultuurpodium Boerderij
Eu estive lá
Ver mais eventos
Sobre Pallas
Pallas is a rock band from Scotland
Pallas was one of the bands at the vanguard of what was termed the "neo-progressive" movement during progressive rock's second-wave revival in the early eighties (other major players included Marillion, IQ, Twelfth Night, and Pendragon).
After releasing a self-produced LP entitled Arrive Alive (recorded in Scotland in 1981), Pallas was courted by EMI records (who had just signed contemporaries Marillion) and thrust into the studio with none other than Yes/ELP wunderkind Eddie Offord to record the LP that would become The Sentinel.
All this boded well for Pallas, but EMI's initial interest in the band waned (EMI perhaps feeling that Marillion had the better potential for mass-market success, and the market may not sustain both bands), as did Offord's enthusiasm for producing the album properly, and when The Sentinel was released in 1984, it was regarded as a compromised affair by all involved (despite sporting what was widely regarded as one of the genre's most beautiful covers ever, illustrated by Patrick Woodroffe). Original singer, Euan Lowson left the band shortly after release.
Pallas recruited new singer, Alan Reed, recruited from Scottish contemporaries Abel Ganz, to mixed success in the late 80's, recording "The Knightmoves EP (1985) - featuring the epic "Sanctuary" - and album "The Wedge" the following year. Disagreements led to the band quitting EMI in 1987, and despite sporadic attempts the band effectively faded from view.
Eleven years later - much to everyone's surprise - the band reappeared with the album "Beat The Drum". Now signed to Germany's specialist prog label, Inside Out, there was also a tentative return to live work. Good reviews and a regular revenue stream meant a regular flow of material. 2001 saw the release of "The Cross and the Crucible", which heralded a return to more progressive stylings as well as a taste for the gothic. A live DVD/CD package "The Blinding Darkness" in 2003 served as an effective "greatest hits" collection, and included a surprise guest appearance by original singer, Lowson.
2005 saw the release of "The Dreams of Men", a harder-edged yet still more complex work that rates among the band's best. Hardly the most prolific of bands, they continue to write and perform regularly.
Pallas was one of the bands at the vanguard of what was termed the "neo-progressive" movement during progressive rock's second-wave revival in the early eighties (other major players included Marillion, IQ, Twelfth Night, and Pendragon).
After releasing a self-produced LP entitled Arrive Alive (recorded in Scotland in 1981), Pallas was courted by EMI records (who had just signed contemporaries Marillion) and thrust into the studio with none other than Yes/ELP wunderkind Eddie Offord to record the LP that would become The Sentinel.
All this boded well for Pallas, but EMI's initial interest in the band waned (EMI perhaps feeling that Marillion had the better potential for mass-market success, and the market may not sustain both bands), as did Offord's enthusiasm for producing the album properly, and when The Sentinel was released in 1984, it was regarded as a compromised affair by all involved (despite sporting what was widely regarded as one of the genre's most beautiful covers ever, illustrated by Patrick Woodroffe). Original singer, Euan Lowson left the band shortly after release.
Pallas recruited new singer, Alan Reed, recruited from Scottish contemporaries Abel Ganz, to mixed success in the late 80's, recording "The Knightmoves EP (1985) - featuring the epic "Sanctuary" - and album "The Wedge" the following year. Disagreements led to the band quitting EMI in 1987, and despite sporadic attempts the band effectively faded from view.
Eleven years later - much to everyone's surprise - the band reappeared with the album "Beat The Drum". Now signed to Germany's specialist prog label, Inside Out, there was also a tentative return to live work. Good reviews and a regular revenue stream meant a regular flow of material. 2001 saw the release of "The Cross and the Crucible", which heralded a return to more progressive stylings as well as a taste for the gothic. A live DVD/CD package "The Blinding Darkness" in 2003 served as an effective "greatest hits" collection, and included a surprise guest appearance by original singer, Lowson.
2005 saw the release of "The Dreams of Men", a harder-edged yet still more complex work that rates among the band's best. Hardly the most prolific of bands, they continue to write and perform regularly.
Ver mais
Géneros:
Rock, Progressive Rock, Progressive
Membros da banda:
Colin Fraser: Drums, Niall Mathewson: Guitars, Paul Mackie: Vocals, Ronnie Brown: Keyboards, Taurus pedals, Graeme Murray: Bass
Não há shows marcados
Envie uma solicitação para Pallas fazer um show na sua cidade
Solicitar um show
Artistas semelhantes em turnê
concerts and tour dates
Anteriores
DEZ
14
2023
København SV, Denmark
Ideal Bar
Eu estive lá
NOV
25
2023
New York, NY
Mercury Lounge
Eu estive lá
MAR
23
2022
New York City, NY
The Map Room at The Bowery Electric
Eu estive lá
JAN
07
2022
New York City, NY
The Map Room at The Bowery Electric
Eu estive lá
SET
21
2021
Sheffield, United Kingdom
Corporation
Eu estive lá
SET
26
2020
Zoetermeer, Netherlands
Cultuurpodium Boerderij
Eu estive lá
Ver mais eventos
Sobre Pallas
Pallas is a rock band from Scotland
Pallas was one of the bands at the vanguard of what was termed the "neo-progressive" movement during progressive rock's second-wave revival in the early eighties (other major players included Marillion, IQ, Twelfth Night, and Pendragon).
After releasing a self-produced LP entitled Arrive Alive (recorded in Scotland in 1981), Pallas was courted by EMI records (who had just signed contemporaries Marillion) and thrust into the studio with none other than Yes/ELP wunderkind Eddie Offord to record the LP that would become The Sentinel.
All this boded well for Pallas, but EMI's initial interest in the band waned (EMI perhaps feeling that Marillion had the better potential for mass-market success, and the market may not sustain both bands), as did Offord's enthusiasm for producing the album properly, and when The Sentinel was released in 1984, it was regarded as a compromised affair by all involved (despite sporting what was widely regarded as one of the genre's most beautiful covers ever, illustrated by Patrick Woodroffe). Original singer, Euan Lowson left the band shortly after release.
Pallas recruited new singer, Alan Reed, recruited from Scottish contemporaries Abel Ganz, to mixed success in the late 80's, recording "The Knightmoves EP (1985) - featuring the epic "Sanctuary" - and album "The Wedge" the following year. Disagreements led to the band quitting EMI in 1987, and despite sporadic attempts the band effectively faded from view.
Eleven years later - much to everyone's surprise - the band reappeared with the album "Beat The Drum". Now signed to Germany's specialist prog label, Inside Out, there was also a tentative return to live work. Good reviews and a regular revenue stream meant a regular flow of material. 2001 saw the release of "The Cross and the Crucible", which heralded a return to more progressive stylings as well as a taste for the gothic. A live DVD/CD package "The Blinding Darkness" in 2003 served as an effective "greatest hits" collection, and included a surprise guest appearance by original singer, Lowson.
2005 saw the release of "The Dreams of Men", a harder-edged yet still more complex work that rates among the band's best. Hardly the most prolific of bands, they continue to write and perform regularly.
Pallas was one of the bands at the vanguard of what was termed the "neo-progressive" movement during progressive rock's second-wave revival in the early eighties (other major players included Marillion, IQ, Twelfth Night, and Pendragon).
After releasing a self-produced LP entitled Arrive Alive (recorded in Scotland in 1981), Pallas was courted by EMI records (who had just signed contemporaries Marillion) and thrust into the studio with none other than Yes/ELP wunderkind Eddie Offord to record the LP that would become The Sentinel.
All this boded well for Pallas, but EMI's initial interest in the band waned (EMI perhaps feeling that Marillion had the better potential for mass-market success, and the market may not sustain both bands), as did Offord's enthusiasm for producing the album properly, and when The Sentinel was released in 1984, it was regarded as a compromised affair by all involved (despite sporting what was widely regarded as one of the genre's most beautiful covers ever, illustrated by Patrick Woodroffe). Original singer, Euan Lowson left the band shortly after release.
Pallas recruited new singer, Alan Reed, recruited from Scottish contemporaries Abel Ganz, to mixed success in the late 80's, recording "The Knightmoves EP (1985) - featuring the epic "Sanctuary" - and album "The Wedge" the following year. Disagreements led to the band quitting EMI in 1987, and despite sporadic attempts the band effectively faded from view.
Eleven years later - much to everyone's surprise - the band reappeared with the album "Beat The Drum". Now signed to Germany's specialist prog label, Inside Out, there was also a tentative return to live work. Good reviews and a regular revenue stream meant a regular flow of material. 2001 saw the release of "The Cross and the Crucible", which heralded a return to more progressive stylings as well as a taste for the gothic. A live DVD/CD package "The Blinding Darkness" in 2003 served as an effective "greatest hits" collection, and included a surprise guest appearance by original singer, Lowson.
2005 saw the release of "The Dreams of Men", a harder-edged yet still more complex work that rates among the band's best. Hardly the most prolific of bands, they continue to write and perform regularly.
Ver mais
Géneros:
Rock, Progressive Rock, Progressive
Membros da banda:
Colin Fraser: Drums, Niall Mathewson: Guitars, Paul Mackie: Vocals, Ronnie Brown: Keyboards, Taurus pedals, Graeme Murray: Bass
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