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Diamanda Galás
24.184 Seguidores
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Artistas semelhantes em turnê
Merch (ad)
Diamanda Galas in Concert
$24.98
Diamanda Galás (1984)
$22.98
The Divine Punishment
$19.99
Litanies Of Satan Remaster
$17.99
Plague Mass
$14.12
Sporting Life
$8.00
All The Way
$19.99
Singer
$6.00
Litanies of Satan
$8.31
At Saint Thomas The Apostle Harlem
$36.00
Fotos ao vivo de Diamanda Galás
Ver todas as fotos
concerts and tour dates
Anteriores
JUL
24
2020
A transmissão ao vivo terminou.
Eu estive lá
ABR
26
2018
Los Angeles, CA
Palace Theater
Eu estive lá
NOV
26
2017
Toronto, Canada
The Danforth Music Hall
Eu estive lá
OUT
31
2017
Brooklyn, NY
Murrmrr Theatre
Eu estive lá
OUT
29
2017
Brooklyn, NY
Murrmrr Theatre
Eu estive lá
JUN
19
2017
London, United Kingdom
Barbican Hall
Eu estive lá
Ver mais eventos
Comentários de fãs
Hal
21 de março de 2017
Perennial classic anti-easy listening Singer, still doing justice to her "The-Mike-Tyson-of-the-voice" moniker.Fabulous!
London, United Kingdom@Barbican Hall
Ver Mais Avaliações de fãs
Sobre Diamanda Galás
Hailed as one of the most exceptional singers of our time, Diamanda Galás has earned international acclaim for her highly original and politically charged performance works. Notable among these are Plague Mass, Defixiones: Orders from the Dead, Vena Cava, Schrei X, and The Refugee.
In the past decade, Galas has continued to tour worldwide, presenting the work of living and dead poets who were imprisoned, exiled, or assassinated from/by their own countries and poets who lived in fear for their lives for real or perceived political/moral dissidence: César Vallejo, Ali Ahmad Said Asbar, Cesare Pavese, Constantine Cavafy, Miguel Huezo Mixco, Jose-Maria Cuellar, Pier Paolo Pasolini, and many others.
After years of lending her music to the films of directors such as Francis Ford, Oliver Stone, Wes Craven, Clive Barker, Derek Jarman, Hideo Nakata, Mercedes Moncada and others, in 2011 Galás collaborated with filmmaker Davide Pepe to create the experimental sound and film work, Schrei 27. The film, an unrelenting portrait of a body suffering torture in a medical facility, has gone on to be presented in museums, festivals and cinemas worldwide.
Currently, Galás is composing a concert-length performance work for electronics, voice, piano, and film, based on the poetry of Georg Heym. The first movement of which (Das Fieberspital, based on the Heym poem of the same name) recently premiered as a work-in-progress at the Dark Mofo festival in Tasmania. The work, including treatments of Heym’s Die Daemonen der Stadt and Das Blinde, will be further developed in residency at the Grotowski Theatre in Poland, beginning in Novmber 2014.
In addition to her continuing work in composition, performance, painting, political writing, and lecture-performance, Galás is completing a series new recordings as well as remastered and remixed versions of earlier works to be released in the upcoming year.
"Galás carries Stanislavsky's method of emotional truth to a logical extreme neither he nor Duse nor Lee Strasberg ever dreamed of. I have rarely heard such power of expression commanded by a single performer. ... Galas is an aesthetic revolutionary." (Mark N. Grant)
Visit www.diamandagalas.com and www.diamandagalas.com.mx (Diamanda’s Spanish language website), for essays, exclusive digital music downloads, and original artworks.
In the past decade, Galas has continued to tour worldwide, presenting the work of living and dead poets who were imprisoned, exiled, or assassinated from/by their own countries and poets who lived in fear for their lives for real or perceived political/moral dissidence: César Vallejo, Ali Ahmad Said Asbar, Cesare Pavese, Constantine Cavafy, Miguel Huezo Mixco, Jose-Maria Cuellar, Pier Paolo Pasolini, and many others.
After years of lending her music to the films of directors such as Francis Ford, Oliver Stone, Wes Craven, Clive Barker, Derek Jarman, Hideo Nakata, Mercedes Moncada and others, in 2011 Galás collaborated with filmmaker Davide Pepe to create the experimental sound and film work, Schrei 27. The film, an unrelenting portrait of a body suffering torture in a medical facility, has gone on to be presented in museums, festivals and cinemas worldwide.
Currently, Galás is composing a concert-length performance work for electronics, voice, piano, and film, based on the poetry of Georg Heym. The first movement of which (Das Fieberspital, based on the Heym poem of the same name) recently premiered as a work-in-progress at the Dark Mofo festival in Tasmania. The work, including treatments of Heym’s Die Daemonen der Stadt and Das Blinde, will be further developed in residency at the Grotowski Theatre in Poland, beginning in Novmber 2014.
In addition to her continuing work in composition, performance, painting, political writing, and lecture-performance, Galás is completing a series new recordings as well as remastered and remixed versions of earlier works to be released in the upcoming year.
"Galás carries Stanislavsky's method of emotional truth to a logical extreme neither he nor Duse nor Lee Strasberg ever dreamed of. I have rarely heard such power of expression commanded by a single performer. ... Galas is an aesthetic revolutionary." (Mark N. Grant)
Visit www.diamandagalas.com and www.diamandagalas.com.mx (Diamanda’s Spanish language website), for essays, exclusive digital music downloads, and original artworks.
Ver mais
Géneros:
Classical
Não há shows marcados
Envie uma solicitação para Diamanda Galás fazer um show na sua cidade
Solicitar um show
Artistas semelhantes em turnê
Fotos ao vivo de Diamanda Galás
Ver todas as fotos
Merch (ad)
Diamanda Galas in Concert
$24.98
Diamanda Galás (1984)
$22.98
The Divine Punishment
$19.99
Litanies Of Satan Remaster
$17.99
Plague Mass
$14.12
Sporting Life
$8.00
All The Way
$19.99
Singer
$6.00
Litanies of Satan
$8.31
At Saint Thomas The Apostle Harlem
$36.00
concerts and tour dates
Anteriores
JUL
24
2020
A transmissão ao vivo terminou.
Eu estive lá
ABR
26
2018
Los Angeles, CA
Palace Theater
Eu estive lá
NOV
26
2017
Toronto, Canada
The Danforth Music Hall
Eu estive lá
OUT
31
2017
Brooklyn, NY
Murrmrr Theatre
Eu estive lá
OUT
29
2017
Brooklyn, NY
Murrmrr Theatre
Eu estive lá
JUN
19
2017
London, United Kingdom
Barbican Hall
Eu estive lá
Ver mais eventos
Comentários de fãs
Hal
21 de março de 2017
Perennial classic anti-easy listening Singer, still doing justice to her "The-Mike-Tyson-of-the-voice" moniker.Fabulous!
London, United Kingdom@Barbican Hall
Ver Mais Avaliações de fãs
Sobre Diamanda Galás
Hailed as one of the most exceptional singers of our time, Diamanda Galás has earned international acclaim for her highly original and politically charged performance works. Notable among these are Plague Mass, Defixiones: Orders from the Dead, Vena Cava, Schrei X, and The Refugee.
In the past decade, Galas has continued to tour worldwide, presenting the work of living and dead poets who were imprisoned, exiled, or assassinated from/by their own countries and poets who lived in fear for their lives for real or perceived political/moral dissidence: César Vallejo, Ali Ahmad Said Asbar, Cesare Pavese, Constantine Cavafy, Miguel Huezo Mixco, Jose-Maria Cuellar, Pier Paolo Pasolini, and many others.
After years of lending her music to the films of directors such as Francis Ford, Oliver Stone, Wes Craven, Clive Barker, Derek Jarman, Hideo Nakata, Mercedes Moncada and others, in 2011 Galás collaborated with filmmaker Davide Pepe to create the experimental sound and film work, Schrei 27. The film, an unrelenting portrait of a body suffering torture in a medical facility, has gone on to be presented in museums, festivals and cinemas worldwide.
Currently, Galás is composing a concert-length performance work for electronics, voice, piano, and film, based on the poetry of Georg Heym. The first movement of which (Das Fieberspital, based on the Heym poem of the same name) recently premiered as a work-in-progress at the Dark Mofo festival in Tasmania. The work, including treatments of Heym’s Die Daemonen der Stadt and Das Blinde, will be further developed in residency at the Grotowski Theatre in Poland, beginning in Novmber 2014.
In addition to her continuing work in composition, performance, painting, political writing, and lecture-performance, Galás is completing a series new recordings as well as remastered and remixed versions of earlier works to be released in the upcoming year.
"Galás carries Stanislavsky's method of emotional truth to a logical extreme neither he nor Duse nor Lee Strasberg ever dreamed of. I have rarely heard such power of expression commanded by a single performer. ... Galas is an aesthetic revolutionary." (Mark N. Grant)
Visit www.diamandagalas.com and www.diamandagalas.com.mx (Diamanda’s Spanish language website), for essays, exclusive digital music downloads, and original artworks.
In the past decade, Galas has continued to tour worldwide, presenting the work of living and dead poets who were imprisoned, exiled, or assassinated from/by their own countries and poets who lived in fear for their lives for real or perceived political/moral dissidence: César Vallejo, Ali Ahmad Said Asbar, Cesare Pavese, Constantine Cavafy, Miguel Huezo Mixco, Jose-Maria Cuellar, Pier Paolo Pasolini, and many others.
After years of lending her music to the films of directors such as Francis Ford, Oliver Stone, Wes Craven, Clive Barker, Derek Jarman, Hideo Nakata, Mercedes Moncada and others, in 2011 Galás collaborated with filmmaker Davide Pepe to create the experimental sound and film work, Schrei 27. The film, an unrelenting portrait of a body suffering torture in a medical facility, has gone on to be presented in museums, festivals and cinemas worldwide.
Currently, Galás is composing a concert-length performance work for electronics, voice, piano, and film, based on the poetry of Georg Heym. The first movement of which (Das Fieberspital, based on the Heym poem of the same name) recently premiered as a work-in-progress at the Dark Mofo festival in Tasmania. The work, including treatments of Heym’s Die Daemonen der Stadt and Das Blinde, will be further developed in residency at the Grotowski Theatre in Poland, beginning in Novmber 2014.
In addition to her continuing work in composition, performance, painting, political writing, and lecture-performance, Galás is completing a series new recordings as well as remastered and remixed versions of earlier works to be released in the upcoming year.
"Galás carries Stanislavsky's method of emotional truth to a logical extreme neither he nor Duse nor Lee Strasberg ever dreamed of. I have rarely heard such power of expression commanded by a single performer. ... Galas is an aesthetic revolutionary." (Mark N. Grant)
Visit www.diamandagalas.com and www.diamandagalas.com.mx (Diamanda’s Spanish language website), for essays, exclusive digital music downloads, and original artworks.
Ver mais
Géneros:
Classical
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