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Mausoleum
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30
2022
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Reggies’ Music Joint
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Sobre Mausoleum
MAUSOLEUM “Tales of the Zombiecult” by Doc Holocausto During the dark, sultry days of August of 2001, a new living dead nightmare arose from the already zombie-cursed hinterland of western Pennsylvania that George A. Romero had made utterly infamous in the abhorrent, grue-dripping annals of horror cinema in 1968. It was then that, amidst the almost post-apocalyptic atmosphere of Johnstown – that dreary and now rust-devoured “Furnace of Hell” of years past, which had fulfilled 19th-century America’s ravening hunger for steel – was begotten the filthy and foetid monstrosity that is … MAUSOLEUM. Born out of the worship of the primordial Gods of Death Metal, those savage and stripped-down death cults like DEATH, NECROPHAGIA, ENTOMBED, OBITUARY, and, of corpse, AUTOPSY, and raised upon a steady, and steadily unwholesome, diet of Horror in any and all of its appalling incarnations, from novels and comics to films, in particular gut-munching zombie chunkblowers, MAUSOLEUM exists simply to vomit forth hideous death-reeking sickness into the very face of the stale and sterile “technical death metal” drivel of today. The macabre death-rattling morbidity that is scraped off their mortician’s slab, with its loathsome gore-shrieking vocals, its doomful cacophony of down-tuned guitars, and its barbarous drum bludgeoning, is a disdainful anachronism: a throwback to those fiendish days of yore when death metal was new and noisome and nasty. As vocalist and drummer Rick “Slim” Boast had proclaimed, “We just want to make heavy fucking music that is fun to listen to!” And so, after two years of rehearsals and recordings, the zombie horde’s debut offering of lumbering undead rot, “Cadaveric Displays of Ghoulish Ghastliness,” nine hacking cuts of old school death metal, was unleashed in 2003 by Rot Island’s very own “Horror Hive,” Razorback Records. Despite its raw production, the album was well received and was even re-released in 2007 by Goryfied Productions for European death-freaks. But the years after “Cadaveric Displays …” witnessed MAUSOLEUM abandoning two years of work for an outrageously horrid sophomore opus as well as hammering out some personnel shifts within its ranks. Finally, after all of that tumult had settled, the ghoul-corps descended upon Horned Moon Music’s recording facility, “The Funeral Home,” and, with the unholy support of producer and engineer Xul, unearthed yet another nine revoltingly dread-filled rituals of death. Together, those songs resurrected not simply the sound but the sinfully foul soul of early ‘90s metal of death, of which MAUSOLEUM assembles in adulation. Together, those songs would become the band’s second album, “Back from the Funeral,” released in 2011 through a renewed black covenant with Razorback Records. And so now, as MAUSOLEUM consumes audiences of unsuspecting victims with their very first live massacres, you can no longer escape the question … Are you prepared to worship before the altar of Zombiecult Death Metal?!? The Undead Undertakers of ZombieCult Death Metal
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Géneros:
Metal, Punk, Death Metal, Hardcore Punk
Membros da banda:
Rob Yench - Bass, Craig Stiles - Guitars, Adam Kegg - Guitars
Cidade natal:
Johnstown, Pennsylvania
Não há shows marcados
Envie uma solicitação para Mausoleum fazer um show na sua cidade
Solicitar um show
Artistas semelhantes em turnê
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts and tour dates
Anteriores
OUT
30
2022
Austin, TX
Come and Take It Live
Eu estive lá
JUL
06
2019
Chicago, IL
Reggies’ Music Joint
Eu estive lá
MAR
01
2018
Graz, Austria
Mausoleum Graz
Eu estive lá
NOV
16
2014
Brooklyn, NY
Saint Vitus
Eu estive lá
OUT
20
2014
Brooklyn, NY
Saint Vitus
Eu estive lá
DEZ
07
2013
Brooklyn, NY
Saint Vitus
Eu estive lá
Ver mais eventos
Sobre Mausoleum
MAUSOLEUM “Tales of the Zombiecult” by Doc Holocausto During the dark, sultry days of August of 2001, a new living dead nightmare arose from the already zombie-cursed hinterland of western Pennsylvania that George A. Romero had made utterly infamous in the abhorrent, grue-dripping annals of horror cinema in 1968. It was then that, amidst the almost post-apocalyptic atmosphere of Johnstown – that dreary and now rust-devoured “Furnace of Hell” of years past, which had fulfilled 19th-century America’s ravening hunger for steel – was begotten the filthy and foetid monstrosity that is … MAUSOLEUM. Born out of the worship of the primordial Gods of Death Metal, those savage and stripped-down death cults like DEATH, NECROPHAGIA, ENTOMBED, OBITUARY, and, of corpse, AUTOPSY, and raised upon a steady, and steadily unwholesome, diet of Horror in any and all of its appalling incarnations, from novels and comics to films, in particular gut-munching zombie chunkblowers, MAUSOLEUM exists simply to vomit forth hideous death-reeking sickness into the very face of the stale and sterile “technical death metal” drivel of today. The macabre death-rattling morbidity that is scraped off their mortician’s slab, with its loathsome gore-shrieking vocals, its doomful cacophony of down-tuned guitars, and its barbarous drum bludgeoning, is a disdainful anachronism: a throwback to those fiendish days of yore when death metal was new and noisome and nasty. As vocalist and drummer Rick “Slim” Boast had proclaimed, “We just want to make heavy fucking music that is fun to listen to!” And so, after two years of rehearsals and recordings, the zombie horde’s debut offering of lumbering undead rot, “Cadaveric Displays of Ghoulish Ghastliness,” nine hacking cuts of old school death metal, was unleashed in 2003 by Rot Island’s very own “Horror Hive,” Razorback Records. Despite its raw production, the album was well received and was even re-released in 2007 by Goryfied Productions for European death-freaks. But the years after “Cadaveric Displays …” witnessed MAUSOLEUM abandoning two years of work for an outrageously horrid sophomore opus as well as hammering out some personnel shifts within its ranks. Finally, after all of that tumult had settled, the ghoul-corps descended upon Horned Moon Music’s recording facility, “The Funeral Home,” and, with the unholy support of producer and engineer Xul, unearthed yet another nine revoltingly dread-filled rituals of death. Together, those songs resurrected not simply the sound but the sinfully foul soul of early ‘90s metal of death, of which MAUSOLEUM assembles in adulation. Together, those songs would become the band’s second album, “Back from the Funeral,” released in 2011 through a renewed black covenant with Razorback Records. And so now, as MAUSOLEUM consumes audiences of unsuspecting victims with their very first live massacres, you can no longer escape the question … Are you prepared to worship before the altar of Zombiecult Death Metal?!? The Undead Undertakers of ZombieCult Death Metal
Ver mais
Géneros:
Metal, Punk, Death Metal, Hardcore Punk
Membros da banda:
Rob Yench - Bass, Craig Stiles - Guitars, Adam Kegg - Guitars
Cidade natal:
Johnstown, Pennsylvania
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