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Exodus
383.100 Seguidores
• 27 Próximos shows
27 Próximos shows
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Latest Posts
Exodus
há um mês
Aftershock and South America coming up next!!!
https://bnds.us/f401m5
https://bnds.us/f401m5

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Merchandising oficial

Exodus - Flag BBB 40 Years (Limited)
$35.00 USD

Exodus - Philadelphia 40 Years Tee (L...
$25.00 USD

Exodus - Shovel Headed Kill Machine Pin
$10.00 USD

Exodus - Swarm WREX Tour Tee (Limited)
$25.00 USD

Exodus - Work Jacket 40 Years (Limited)
$99.99 USD

Exodus - Keep Honking Bumper Sticker ...
$12.00 USD

Exodus - Square Bonded By Blood Patch
$10.00 USD

Exodus - Bonded By Blood Pin
$10.00 USD

Exodus - Bonded By Blood Hat
$45.00 USD

Exodus - Bonded By Blood Back Patch
$35.00 USD
Turnê de Exodus
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Comentários de fãs

De
27 de abril de 2025
Geile Show am Geburtstag von Paul Baloff an prominenter Stelle in Berkeley. Mit Gastauftritten alter Weggefährten wie Rick Hunolt und einem ehemaligen Basser von 1981 (hab den Namen vergessen). 
Ich bin zuversichtlich, dass Rob in Zukunft Sätze sprechen kann bei denen er den Gebrauch der Wörter "fuck" und "motherfucker" etwas reduziert..... auf mich hat das echt etwas lächerlich gewirkt...
Live Stream@Live Stream

Steve
8 de dezembro de 2024
Exodus is the most underrated band in the world. They were awesome and gave us everything we wanted. If you love thrash metal and miss a proper mosh pit, go see Exodus. The Hawthorne Theatre is a great little club and the staff there are cool as fuck. Everybody in that show got their money's worth.
Portland, OR@Hawthorne Theatre

Michael
6 de novembro de 2024
Excellent show though drink prices are absolutely ridiculous for what you get, nothing like trying to get rich over night,  thanks for the lack of alcohol to your absurd prices, and bartenders need an attitude adjustment,  can barely make and drink and give my friend crap about he can't do nothing about it, very poor attitude from bartenders and staff, id be happy to take there job and show how customer service is supposed to be handled, that is a no star for poor service.
Pensacola, FL@Vinyl Music Hall
Ver Mais Avaliações de fãs
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Ajude Exodus a continuar fazendo a música de que você gosta.
Suporte
Sobre Exodus
When we think of the phrase Bonded By Blood, we think of two things: a brotherhood that is meant to outlast the trials of war, pain, and time... and the almighty EXODUS. With a bond forged in youth and decades-old friendship, the undisputed masters of thrash metal return with their eleventh studio album: PERSONA NON GRATA due to be released early fall 2021 via Nuclear Blast Records. Literally translating to “an unwelcome” or “unacceptable” person, PERSONA NON GRATA touches on themes of modern societal disgust and degradation. “The people that disgust you - cut ‘em out like cancer,” explains guitarist Gary Holt. “Who is that person? It could be anybody. That’s up to the listener. Who is ‘Persona Non Grata’ to them?”
The underlying irony for many of these songs is the need for unity. “As we were working on these songs, things started happening around the world that ended up tying into it all, and we didn’t even know it! With the general divisiveness in the country today, and everyone being entitled to their opinions; I don’t agree with a lot of them, but I’m not here to be a preacher, either. We want people to listen to the lyrics and come up with their own meanings.”
For decades, EXODUS has impressed us with the ability to attract opposing factions to their music because of its intensity and versatility. A track like “The Beatings Will Continue Until Morale Improves” was inspired by the riots both in theme, and sound. “Without seeming insensitive to the riots, the song is tongue in cheek about what the people beating on the rioters were expecting to happen. Did you think you would beat a smile onto their face? At 3 minutes in length, it’s probably the shortest EXODUS song we’ve ever done. It gets in, gets out, and is just crushing,” describes Holt. While most of the songs do run on the shorter side, this album also comes equipped with crushing, epic tracks.
Whether it’s the music industry gossip sites, or the big players like CNN and FOX, we’re all aware of how news outlets love to set little rat traps; “Clickbait” discusses their methods of picking things out of context to grab your attention, add to their page views, and increase their revenue all while riling up your emotions. “It’s all journalistic dishonesty,” explains Holt, “it’s a modern-day version of Al Capone’s vault, everyone tunes in, and then there’s NOTHING.“ Evenly balanced with extraordinary speed and tremendous, catchy choruses, “Clickbait” is a song that explodes with vigorous energy. “As heavy as this album is, and it’s heavy as fuck, if times were different and there was still metal radio, this song, and probably over half the album, has single capabilities.”
Sitting as the second to last song on the album, “The Fires of Division” keeps PERSONA NON GRATA strong all the way through. “This album doesn’t operate on the normal parameters,” describes Holt, “we didn’t frontload this one, it’s strong right through to the end. It’s supposed to be a musical journey as the songs segway together.”
For the third time in the band’s history, EXODUS returned to Swedish artist Par Olofsson to create the album artwork PERSONA NON GRATA. “After this album, I feel like we probably won’t work with anyone else again, Par just gets it,” states Holt. A three-faced, winged creature sits atop a bloody pile of diseased and rotting humans as they scream in pain and reach their hands up desperately towards the beast. Undead riot cops beat mercilessly, and senselessly upon this pile of the dying and the world is red with fresh, sopping blood. “Is it an angel, a demon? Is the world being created or destroyed,” asks Holt, “you don’t really know.”
EXODUS don’t fall into the usual recording slump that most bands get stuck in. Gathering at Tom Hunting’s house up in the mountains, they avoided the need to book studio time or adhere to a certain schedule. “At first it was just Tom, myself, a half stack, and a drum kit; we call it jam camp. We lived there. We built the studio, we immersed ourselves in it. Number one, because we still enjoy each other’s company enough to do it. When we’re not actively rehearsing or recording, we’re still sitting there talking about the songs, working on them, plucking on acoustics until things really work,” explains Holt, “we’re not settling.” Working from three home-built studios, the band recorded PERSONA NON GRATA themselves with the help of Andy Sneap on mixing and mastering and with Steve Lagudi at the helm of engineering.
“As a band, I’m super grateful. I’ve seen a lot of things around the world and we’re still a band that loves each other, have each other’s back, and we genuinely like to hang out with each other,” explains Holt. “Take it how you will, but I’m this band’s biggest fan. We write songs that are designed to make us feel fired up - that’s why it’s still heavy.”
Line-up:
Gary Holt | Guitar
Tom Hunting | Drums
Rob Dukes | Vocals
Jack Gibson | Bass
Lee Altus | Guitar
The underlying irony for many of these songs is the need for unity. “As we were working on these songs, things started happening around the world that ended up tying into it all, and we didn’t even know it! With the general divisiveness in the country today, and everyone being entitled to their opinions; I don’t agree with a lot of them, but I’m not here to be a preacher, either. We want people to listen to the lyrics and come up with their own meanings.”
For decades, EXODUS has impressed us with the ability to attract opposing factions to their music because of its intensity and versatility. A track like “The Beatings Will Continue Until Morale Improves” was inspired by the riots both in theme, and sound. “Without seeming insensitive to the riots, the song is tongue in cheek about what the people beating on the rioters were expecting to happen. Did you think you would beat a smile onto their face? At 3 minutes in length, it’s probably the shortest EXODUS song we’ve ever done. It gets in, gets out, and is just crushing,” describes Holt. While most of the songs do run on the shorter side, this album also comes equipped with crushing, epic tracks.
Whether it’s the music industry gossip sites, or the big players like CNN and FOX, we’re all aware of how news outlets love to set little rat traps; “Clickbait” discusses their methods of picking things out of context to grab your attention, add to their page views, and increase their revenue all while riling up your emotions. “It’s all journalistic dishonesty,” explains Holt, “it’s a modern-day version of Al Capone’s vault, everyone tunes in, and then there’s NOTHING.“ Evenly balanced with extraordinary speed and tremendous, catchy choruses, “Clickbait” is a song that explodes with vigorous energy. “As heavy as this album is, and it’s heavy as fuck, if times were different and there was still metal radio, this song, and probably over half the album, has single capabilities.”
Sitting as the second to last song on the album, “The Fires of Division” keeps PERSONA NON GRATA strong all the way through. “This album doesn’t operate on the normal parameters,” describes Holt, “we didn’t frontload this one, it’s strong right through to the end. It’s supposed to be a musical journey as the songs segway together.”
For the third time in the band’s history, EXODUS returned to Swedish artist Par Olofsson to create the album artwork PERSONA NON GRATA. “After this album, I feel like we probably won’t work with anyone else again, Par just gets it,” states Holt. A three-faced, winged creature sits atop a bloody pile of diseased and rotting humans as they scream in pain and reach their hands up desperately towards the beast. Undead riot cops beat mercilessly, and senselessly upon this pile of the dying and the world is red with fresh, sopping blood. “Is it an angel, a demon? Is the world being created or destroyed,” asks Holt, “you don’t really know.”
EXODUS don’t fall into the usual recording slump that most bands get stuck in. Gathering at Tom Hunting’s house up in the mountains, they avoided the need to book studio time or adhere to a certain schedule. “At first it was just Tom, myself, a half stack, and a drum kit; we call it jam camp. We lived there. We built the studio, we immersed ourselves in it. Number one, because we still enjoy each other’s company enough to do it. When we’re not actively rehearsing or recording, we’re still sitting there talking about the songs, working on them, plucking on acoustics until things really work,” explains Holt, “we’re not settling.” Working from three home-built studios, the band recorded PERSONA NON GRATA themselves with the help of Andy Sneap on mixing and mastering and with Steve Lagudi at the helm of engineering.
“As a band, I’m super grateful. I’ve seen a lot of things around the world and we’re still a band that loves each other, have each other’s back, and we genuinely like to hang out with each other,” explains Holt. “Take it how you will, but I’m this band’s biggest fan. We write songs that are designed to make us feel fired up - that’s why it’s still heavy.”
Line-up:
Gary Holt | Guitar
Tom Hunting | Drums
Rob Dukes | Vocals
Jack Gibson | Bass
Lee Altus | Guitar
Ver mais
Géneros: 
Metal, Thrash Metal
Membros da banda: 
Jack Gibson - Bass, Lee Altus - Guitars, Gary Holt - Guitars, Tom Hunting - Drums
Cidade natal: 
Smithflat, California
Contribuir
Ajude Exodus a continuar fazendo a música de que você gosta.
Suporte
Não há shows marcados na sua cidade
Envie uma solicitação para Exodus fazer um show na sua cidade
Solicitar um show
shows e datas da turnê
Próximos
Anteriores
Todos os eventos e transmissões ao vivo
Ver mais eventos (27)
Latest Posts
Exodus
há um mês
Aftershock and South America coming up next!!!
https://bnds.us/f401m5
https://bnds.us/f401m5

Ver mais postagens
Fotos ao vivo de Exodus

Ver todas as fotos
Merchandising oficial

Exodus - Flag BBB 40 Years (Limited)
$35.00 USD

Exodus - Philadelphia 40 Years Tee (L...
$25.00 USD

Exodus - Shovel Headed Kill Machine Pin
$10.00 USD

Exodus - Swarm WREX Tour Tee (Limited)
$25.00 USD

Exodus - Work Jacket 40 Years (Limited)
$99.99 USD

Exodus - Keep Honking Bumper Sticker ...
$12.00 USD

Exodus - Square Bonded By Blood Patch
$10.00 USD

Exodus - Bonded By Blood Pin
$10.00 USD

Exodus - Bonded By Blood Hat
$45.00 USD

Exodus - Bonded By Blood Back Patch
$35.00 USD
Turnê de Exodus
Comentários de fãs

De
27 de abril de 2025
Geile Show am Geburtstag von Paul Baloff an prominenter Stelle in Berkeley. Mit Gastauftritten alter Weggefährten wie Rick Hunolt und einem ehemaligen Basser von 1981 (hab den Namen vergessen). 
Ich bin zuversichtlich, dass Rob in Zukunft Sätze sprechen kann bei denen er den Gebrauch der Wörter "fuck" und "motherfucker" etwas reduziert..... auf mich hat das echt etwas lächerlich gewirkt...
Live Stream@Live Stream

Steve
8 de dezembro de 2024
Exodus is the most underrated band in the world. They were awesome and gave us everything we wanted. If you love thrash metal and miss a proper mosh pit, go see Exodus. The Hawthorne Theatre is a great little club and the staff there are cool as fuck. Everybody in that show got their money's worth.
Portland, OR@Hawthorne Theatre

Michael
6 de novembro de 2024
Excellent show though drink prices are absolutely ridiculous for what you get, nothing like trying to get rich over night,  thanks for the lack of alcohol to your absurd prices, and bartenders need an attitude adjustment,  can barely make and drink and give my friend crap about he can't do nothing about it, very poor attitude from bartenders and staff, id be happy to take there job and show how customer service is supposed to be handled, that is a no star for poor service.
Pensacola, FL@Vinyl Music Hall
Ver Mais Avaliações de fãs
Sobre Exodus
When we think of the phrase Bonded By Blood, we think of two things: a brotherhood that is meant to outlast the trials of war, pain, and time... and the almighty EXODUS. With a bond forged in youth and decades-old friendship, the undisputed masters of thrash metal return with their eleventh studio album: PERSONA NON GRATA due to be released early fall 2021 via Nuclear Blast Records. Literally translating to “an unwelcome” or “unacceptable” person, PERSONA NON GRATA touches on themes of modern societal disgust and degradation. “The people that disgust you - cut ‘em out like cancer,” explains guitarist Gary Holt. “Who is that person? It could be anybody. That’s up to the listener. Who is ‘Persona Non Grata’ to them?”
The underlying irony for many of these songs is the need for unity. “As we were working on these songs, things started happening around the world that ended up tying into it all, and we didn’t even know it! With the general divisiveness in the country today, and everyone being entitled to their opinions; I don’t agree with a lot of them, but I’m not here to be a preacher, either. We want people to listen to the lyrics and come up with their own meanings.”
For decades, EXODUS has impressed us with the ability to attract opposing factions to their music because of its intensity and versatility. A track like “The Beatings Will Continue Until Morale Improves” was inspired by the riots both in theme, and sound. “Without seeming insensitive to the riots, the song is tongue in cheek about what the people beating on the rioters were expecting to happen. Did you think you would beat a smile onto their face? At 3 minutes in length, it’s probably the shortest EXODUS song we’ve ever done. It gets in, gets out, and is just crushing,” describes Holt. While most of the songs do run on the shorter side, this album also comes equipped with crushing, epic tracks.
Whether it’s the music industry gossip sites, or the big players like CNN and FOX, we’re all aware of how news outlets love to set little rat traps; “Clickbait” discusses their methods of picking things out of context to grab your attention, add to their page views, and increase their revenue all while riling up your emotions. “It’s all journalistic dishonesty,” explains Holt, “it’s a modern-day version of Al Capone’s vault, everyone tunes in, and then there’s NOTHING.“ Evenly balanced with extraordinary speed and tremendous, catchy choruses, “Clickbait” is a song that explodes with vigorous energy. “As heavy as this album is, and it’s heavy as fuck, if times were different and there was still metal radio, this song, and probably over half the album, has single capabilities.”
Sitting as the second to last song on the album, “The Fires of Division” keeps PERSONA NON GRATA strong all the way through. “This album doesn’t operate on the normal parameters,” describes Holt, “we didn’t frontload this one, it’s strong right through to the end. It’s supposed to be a musical journey as the songs segway together.”
For the third time in the band’s history, EXODUS returned to Swedish artist Par Olofsson to create the album artwork PERSONA NON GRATA. “After this album, I feel like we probably won’t work with anyone else again, Par just gets it,” states Holt. A three-faced, winged creature sits atop a bloody pile of diseased and rotting humans as they scream in pain and reach their hands up desperately towards the beast. Undead riot cops beat mercilessly, and senselessly upon this pile of the dying and the world is red with fresh, sopping blood. “Is it an angel, a demon? Is the world being created or destroyed,” asks Holt, “you don’t really know.”
EXODUS don’t fall into the usual recording slump that most bands get stuck in. Gathering at Tom Hunting’s house up in the mountains, they avoided the need to book studio time or adhere to a certain schedule. “At first it was just Tom, myself, a half stack, and a drum kit; we call it jam camp. We lived there. We built the studio, we immersed ourselves in it. Number one, because we still enjoy each other’s company enough to do it. When we’re not actively rehearsing or recording, we’re still sitting there talking about the songs, working on them, plucking on acoustics until things really work,” explains Holt, “we’re not settling.” Working from three home-built studios, the band recorded PERSONA NON GRATA themselves with the help of Andy Sneap on mixing and mastering and with Steve Lagudi at the helm of engineering.
“As a band, I’m super grateful. I’ve seen a lot of things around the world and we’re still a band that loves each other, have each other’s back, and we genuinely like to hang out with each other,” explains Holt. “Take it how you will, but I’m this band’s biggest fan. We write songs that are designed to make us feel fired up - that’s why it’s still heavy.”
Line-up:
Gary Holt | Guitar
Tom Hunting | Drums
Rob Dukes | Vocals
Jack Gibson | Bass
Lee Altus | Guitar
The underlying irony for many of these songs is the need for unity. “As we were working on these songs, things started happening around the world that ended up tying into it all, and we didn’t even know it! With the general divisiveness in the country today, and everyone being entitled to their opinions; I don’t agree with a lot of them, but I’m not here to be a preacher, either. We want people to listen to the lyrics and come up with their own meanings.”
For decades, EXODUS has impressed us with the ability to attract opposing factions to their music because of its intensity and versatility. A track like “The Beatings Will Continue Until Morale Improves” was inspired by the riots both in theme, and sound. “Without seeming insensitive to the riots, the song is tongue in cheek about what the people beating on the rioters were expecting to happen. Did you think you would beat a smile onto their face? At 3 minutes in length, it’s probably the shortest EXODUS song we’ve ever done. It gets in, gets out, and is just crushing,” describes Holt. While most of the songs do run on the shorter side, this album also comes equipped with crushing, epic tracks.
Whether it’s the music industry gossip sites, or the big players like CNN and FOX, we’re all aware of how news outlets love to set little rat traps; “Clickbait” discusses their methods of picking things out of context to grab your attention, add to their page views, and increase their revenue all while riling up your emotions. “It’s all journalistic dishonesty,” explains Holt, “it’s a modern-day version of Al Capone’s vault, everyone tunes in, and then there’s NOTHING.“ Evenly balanced with extraordinary speed and tremendous, catchy choruses, “Clickbait” is a song that explodes with vigorous energy. “As heavy as this album is, and it’s heavy as fuck, if times were different and there was still metal radio, this song, and probably over half the album, has single capabilities.”
Sitting as the second to last song on the album, “The Fires of Division” keeps PERSONA NON GRATA strong all the way through. “This album doesn’t operate on the normal parameters,” describes Holt, “we didn’t frontload this one, it’s strong right through to the end. It’s supposed to be a musical journey as the songs segway together.”
For the third time in the band’s history, EXODUS returned to Swedish artist Par Olofsson to create the album artwork PERSONA NON GRATA. “After this album, I feel like we probably won’t work with anyone else again, Par just gets it,” states Holt. A three-faced, winged creature sits atop a bloody pile of diseased and rotting humans as they scream in pain and reach their hands up desperately towards the beast. Undead riot cops beat mercilessly, and senselessly upon this pile of the dying and the world is red with fresh, sopping blood. “Is it an angel, a demon? Is the world being created or destroyed,” asks Holt, “you don’t really know.”
EXODUS don’t fall into the usual recording slump that most bands get stuck in. Gathering at Tom Hunting’s house up in the mountains, they avoided the need to book studio time or adhere to a certain schedule. “At first it was just Tom, myself, a half stack, and a drum kit; we call it jam camp. We lived there. We built the studio, we immersed ourselves in it. Number one, because we still enjoy each other’s company enough to do it. When we’re not actively rehearsing or recording, we’re still sitting there talking about the songs, working on them, plucking on acoustics until things really work,” explains Holt, “we’re not settling.” Working from three home-built studios, the band recorded PERSONA NON GRATA themselves with the help of Andy Sneap on mixing and mastering and with Steve Lagudi at the helm of engineering.
“As a band, I’m super grateful. I’ve seen a lot of things around the world and we’re still a band that loves each other, have each other’s back, and we genuinely like to hang out with each other,” explains Holt. “Take it how you will, but I’m this band’s biggest fan. We write songs that are designed to make us feel fired up - that’s why it’s still heavy.”
Line-up:
Gary Holt | Guitar
Tom Hunting | Drums
Rob Dukes | Vocals
Jack Gibson | Bass
Lee Altus | Guitar
Ver mais
Géneros: 
Metal, Thrash Metal
Membros da banda: 
Jack Gibson - Bass, Lee Altus - Guitars, Gary Holt - Guitars, Tom Hunting - Drums
Cidade natal: 
Smithflat, California
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