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artista
Jenny Kerr
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890 Seguidores
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Sobre Jenny Kerr

Jenny Kerr
Jenny Kerr is one of few active contemporary artists who fully embody the breadth of the Americana idiom, mining the roots of folk, blues, country, bluegrass and rock to produce a catalog of original work that is respectfully steeped in tradition while still fresh, modern and immediately identifiable as her own.
An accomplished multi-instrumentalist, Kerr deftly traverses guitar, dobro, banjo, piano and harmonica over the course of a show, but it’s her deeply soulful, powerhouse vocals that define her sound and connect with audiences worldwide.
Kerr’s musical education began in San Francisco, where she was exposed to the European classical tradition by her grandmother, a composer and the principal violist for the Cleveland Symphony. In her formative teenage years, Jimi Hendrix, Janis Joplin and Muddy Waters lured her away from the concert hall as she explored the vibrant Bay Area folk, blues and psychedelic rock scene of the late ‘60s and early ‘70s.
The music of The Haight led her on a journey of discovery of the foundations of Americana – artists such as Mississippi Fred McDowell, Little Walter and Dock Boggs who initially inspired her to pick up guitar, harmonica and banjo.
Kerr and musical partner/producer/guitarist Phil “Philbillie” Milner are the core of a rotating collective of the Bay Area’s top session players, so every live show is fresh and unique, centered around Kerr’s songwriting and vocal delivery and accentuated by some of the finest soloists and support musicians in the business. Milner, a highly sought-after producer and session guitarist, had an extended tenure as guitar tech for Bob Weir & Ratdog as well as Tracy Chapman, Bonnie Raitt and Primus.
Kerr’s previous releases include the critically-acclaimed “Head of Fire,” produced and performed collaboratively with Bill Bottrell (Sheryl Crow, Michael Jackson, George Harrison, Madonna, Tom Petty), and a highly-anticipated, self-produced album is soon to be released on the pair’s independent label, Okey Doke Records.
Kerr is as much at home in the local music scene of Marin County which she now calls home as she is on major festival stages nationally and worldwide, bringing the same power, energy, heart and rootsy soul to every performance.
—Joshua Zucker, SF Chronicle
An accomplished multi-instrumentalist, Kerr deftly traverses guitar, dobro, banjo, piano and harmonica over the course of a show, but it’s her deeply soulful, powerhouse vocals that define her sound and connect with audiences worldwide.
Kerr’s musical education began in San Francisco, where she was exposed to the European classical tradition by her grandmother, a composer and the principal violist for the Cleveland Symphony. In her formative teenage years, Jimi Hendrix, Janis Joplin and Muddy Waters lured her away from the concert hall as she explored the vibrant Bay Area folk, blues and psychedelic rock scene of the late ‘60s and early ‘70s.
The music of The Haight led her on a journey of discovery of the foundations of Americana – artists such as Mississippi Fred McDowell, Little Walter and Dock Boggs who initially inspired her to pick up guitar, harmonica and banjo.
Kerr and musical partner/producer/guitarist Phil “Philbillie” Milner are the core of a rotating collective of the Bay Area’s top session players, so every live show is fresh and unique, centered around Kerr’s songwriting and vocal delivery and accentuated by some of the finest soloists and support musicians in the business. Milner, a highly sought-after producer and session guitarist, had an extended tenure as guitar tech for Bob Weir & Ratdog as well as Tracy Chapman, Bonnie Raitt and Primus.
Kerr’s previous releases include the critically-acclaimed “Head of Fire,” produced and performed collaboratively with Bill Bottrell (Sheryl Crow, Michael Jackson, George Harrison, Madonna, Tom Petty), and a highly-anticipated, self-produced album is soon to be released on the pair’s independent label, Okey Doke Records.
Kerr is as much at home in the local music scene of Marin County which she now calls home as she is on major festival stages nationally and worldwide, bringing the same power, energy, heart and rootsy soul to every performance.
—Joshua Zucker, SF Chronicle
Ver mais
Géneros:
Blues, Country Blues, Swamp Blues, Rock, Alternative Country, Americana, Country Rock, Songwriter, Other, Country, Folk, Singer
Membros da banda:
Jenny Kerr (vocals delta fingerstyle guitar, clawhammer banjo, harmonica, slide guitar) Phil Milner (acoustic, electric guitar, vocals)
Cidade natal:
San Francisco, California
Não há shows marcados
Envie uma solicitação para Jenny Kerr fazer um show na sua cidade
Solicitar um show
Artistas semelhantes em turnê
Sobre Jenny Kerr

Jenny Kerr
Jenny Kerr is one of few active contemporary artists who fully embody the breadth of the Americana idiom, mining the roots of folk, blues, country, bluegrass and rock to produce a catalog of original work that is respectfully steeped in tradition while still fresh, modern and immediately identifiable as her own.
An accomplished multi-instrumentalist, Kerr deftly traverses guitar, dobro, banjo, piano and harmonica over the course of a show, but it’s her deeply soulful, powerhouse vocals that define her sound and connect with audiences worldwide.
Kerr’s musical education began in San Francisco, where she was exposed to the European classical tradition by her grandmother, a composer and the principal violist for the Cleveland Symphony. In her formative teenage years, Jimi Hendrix, Janis Joplin and Muddy Waters lured her away from the concert hall as she explored the vibrant Bay Area folk, blues and psychedelic rock scene of the late ‘60s and early ‘70s.
The music of The Haight led her on a journey of discovery of the foundations of Americana – artists such as Mississippi Fred McDowell, Little Walter and Dock Boggs who initially inspired her to pick up guitar, harmonica and banjo.
Kerr and musical partner/producer/guitarist Phil “Philbillie” Milner are the core of a rotating collective of the Bay Area’s top session players, so every live show is fresh and unique, centered around Kerr’s songwriting and vocal delivery and accentuated by some of the finest soloists and support musicians in the business. Milner, a highly sought-after producer and session guitarist, had an extended tenure as guitar tech for Bob Weir & Ratdog as well as Tracy Chapman, Bonnie Raitt and Primus.
Kerr’s previous releases include the critically-acclaimed “Head of Fire,” produced and performed collaboratively with Bill Bottrell (Sheryl Crow, Michael Jackson, George Harrison, Madonna, Tom Petty), and a highly-anticipated, self-produced album is soon to be released on the pair’s independent label, Okey Doke Records.
Kerr is as much at home in the local music scene of Marin County which she now calls home as she is on major festival stages nationally and worldwide, bringing the same power, energy, heart and rootsy soul to every performance.
—Joshua Zucker, SF Chronicle
An accomplished multi-instrumentalist, Kerr deftly traverses guitar, dobro, banjo, piano and harmonica over the course of a show, but it’s her deeply soulful, powerhouse vocals that define her sound and connect with audiences worldwide.
Kerr’s musical education began in San Francisco, where she was exposed to the European classical tradition by her grandmother, a composer and the principal violist for the Cleveland Symphony. In her formative teenage years, Jimi Hendrix, Janis Joplin and Muddy Waters lured her away from the concert hall as she explored the vibrant Bay Area folk, blues and psychedelic rock scene of the late ‘60s and early ‘70s.
The music of The Haight led her on a journey of discovery of the foundations of Americana – artists such as Mississippi Fred McDowell, Little Walter and Dock Boggs who initially inspired her to pick up guitar, harmonica and banjo.
Kerr and musical partner/producer/guitarist Phil “Philbillie” Milner are the core of a rotating collective of the Bay Area’s top session players, so every live show is fresh and unique, centered around Kerr’s songwriting and vocal delivery and accentuated by some of the finest soloists and support musicians in the business. Milner, a highly sought-after producer and session guitarist, had an extended tenure as guitar tech for Bob Weir & Ratdog as well as Tracy Chapman, Bonnie Raitt and Primus.
Kerr’s previous releases include the critically-acclaimed “Head of Fire,” produced and performed collaboratively with Bill Bottrell (Sheryl Crow, Michael Jackson, George Harrison, Madonna, Tom Petty), and a highly-anticipated, self-produced album is soon to be released on the pair’s independent label, Okey Doke Records.
Kerr is as much at home in the local music scene of Marin County which she now calls home as she is on major festival stages nationally and worldwide, bringing the same power, energy, heart and rootsy soul to every performance.
—Joshua Zucker, SF Chronicle
Ver mais
Géneros:
Blues, Country Blues, Swamp Blues, Rock, Alternative Country, Americana, Country Rock, Songwriter, Other, Country, Folk, Singer
Membros da banda:
Jenny Kerr (vocals delta fingerstyle guitar, clawhammer banjo, harmonica, slide guitar) Phil Milner (acoustic, electric guitar, vocals)
Cidade natal:
San Francisco, California
Nunca perca outro show de Jenny Kerr.
Receba alertas sobre anúncios de turnês, ingressos para show e shows perto de você com uma conta gratuita do Bandsintown.
O que os fãs estão dizendo
You were outstanding and I am now a new fan! Outstanding musicianship even though there wasn't enough guitar/banjo "in your ear" 5 stars
20 de março de 2026·Santa Cruz, CA
Jenny Kerr? "I just saw her yesterday, they went inside and they begged her to play. Do you know I mean?" I had a comfortable seat on the front lawn hearing a porch full of heroes weave in and out, there must have been 15? Everyone got quiet and started to point when Eric McFadden arrived. They put the biggest, baddest bass on the skinniest part of the porch, and a hunched over rocker was on keys. Kind of sad I don't remember all their names, I remember the jams. Josh Zee from Mother Truckers sang Italian opera and heavy guitar. The concert started with Jenny Kerr playing some serious slide. A dozen musicians made cameos carrying and passing the Americana music torch. (The back-up singer from the Sticky Fingers re-enactment at Terrapin Crossroads, she was there. And how.) After the Lee Michaels 1971 cover, the three guitar power line-up decided upon "Down in the Hole." For that they were going to need blues harmonica. They begged Jenny to return to the stage. The harmonica/guitar interplay was the highlight of the night. I'm jaded, but that made my chin drop. It was unbelievable. Where did those notes come from? Jenny Kerrr.
4 de novembro de 2025·San Rafael, CA
Dale
Jenny Kerr is the real deal! A powerful blues performer who always surrounds herself with the best pickers. Her rhythm guitar, Phil Milner, next to to her, had a beautiful mysterious sound while Jenny sounded great on her hammer claw banjo and slide guitar. There was a nice Season of the Witch Donovan cover thrown in as a special treat. She threw in her seldom played live classic "Big Wheels." The Madrone Art Bar is a friendly comfortable venue at Fell and Divisarado. I won't miss her next monthly visit. She's the real deal.
31 de outubro de 2025·San Francisco, CA
Dale
O que os fãs estão dizendo
You were outstanding and I am now a new fan! Outstanding musicianship even though there wasn't enough guitar/banjo "in your ear" 5 stars
20 de março de 2026·Santa Cruz, CA
Jenny Kerr? "I just saw her yesterday, they went inside and they begged her to play. Do you know I mean?" I had a comfortable seat on the front lawn hearing a porch full of heroes weave in and out, there must have been 15? Everyone got quiet and started to point when Eric McFadden arrived. They put the biggest, baddest bass on the skinniest part of the porch, and a hunched over rocker was on keys. Kind of sad I don't remember all their names, I remember the jams. Josh Zee from Mother Truckers sang Italian opera and heavy guitar. The concert started with Jenny Kerr playing some serious slide. A dozen musicians made cameos carrying and passing the Americana music torch. (The back-up singer from the Sticky Fingers re-enactment at Terrapin Crossroads, she was there. And how.) After the Lee Michaels 1971 cover, the three guitar power line-up decided upon "Down in the Hole." For that they were going to need blues harmonica. They begged Jenny to return to the stage. The harmonica/guitar interplay was the highlight of the night. I'm jaded, but that made my chin drop. It was unbelievable. Where did those notes come from? Jenny Kerrr.
4 de novembro de 2025·San Rafael, CA
Dale
Jenny Kerr is the real deal! A powerful blues performer who always surrounds herself with the best pickers. Her rhythm guitar, Phil Milner, next to to her, had a beautiful mysterious sound while Jenny sounded great on her hammer claw banjo and slide guitar. There was a nice Season of the Witch Donovan cover thrown in as a special treat. She threw in her seldom played live classic "Big Wheels." The Madrone Art Bar is a friendly comfortable venue at Fell and Divisarado. I won't miss her next monthly visit. She's the real deal.
31 de outubro de 2025·San Francisco, CA
Dale