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Shaela Miller
547 Seguidores
• 2 Próximos shows
2 Próximos shows
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Turnê de Shaela Miller
Comentários de fãs
Hilary
31 de março de 2024
The Velvet Olive venue was perfect for Shaela's show - intimate, personable and classy - as was Shaela and her band's show last nite. Red Deer was lucky to have that quality of musicianship in town and the full house knew it. Loving her 'new' musical direction but happy she knows we also love that 'big hair' sassiness....great nite out! Hilary
Red Deer, AB@The Velvet Olive Lounge
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Sobre Shaela Miller
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Ver mais
Géneros:
Alternative
Cidade natal:
Lethbridge, Canada
Não há shows marcados na sua cidade
Envie uma solicitação para Shaela Miller fazer um show na sua cidade
Solicitar um show
concerts and tour dates
Próximos
Anteriores
Todos os eventos e transmissões ao vivo
Turnê de Shaela Miller
Comentários de fãs
Hilary
31 de março de 2024
The Velvet Olive venue was perfect for Shaela's show - intimate, personable and classy - as was Shaela and her band's show last nite. Red Deer was lucky to have that quality of musicianship in town and the full house knew it. Loving her 'new' musical direction but happy she knows we also love that 'big hair' sassiness....great nite out! Hilary
Red Deer, AB@The Velvet Olive Lounge
Sobre Shaela Miller
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Ver mais
Géneros:
Alternative
Cidade natal:
Lethbridge, Canada
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