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Graham Van Pelt
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Artistas semelhantes em turnê
concerts and tour dates
Anteriores
JUN
11
2020
Toronto, Canada
Virtual Event
Eu estive lá
FEV
15
2020
Toronto, Canada
Bambi's
Eu estive lá
JAN
04
2020
Victoria, Canada
Copper Owl
Eu estive lá
DEZ
18
2019
Bristol, United Kingdom
Rough Trade Bristol
Eu estive lá
DEZ
16
2019
Leeds, United Kingdom
Brudenell Social Club
Eu estive lá
DEZ
15
2019
Glasgow, United Kingdom
The Hug and Pint
Eu estive lá
Ver mais eventos
Sobre Graham Van Pelt
“I’d like to be as un-mysterious as I possibly can,” Graham Van Pelt says. He’s about to release Time Travel, his first record in the four years since he moved from Montreal to Toronto, and he’s no longer Miracle Fortress, or Inside Touch, or any of the aliases he’s used to record over the years. He’s just Graham Van Pelt.
With the perspective of leaving a longtime home, of watching old friends change and familiar places become unrecognizable, came a recommitment to an emotional honesty in Van Pelt’s songwriting. Time Travel’s eight songs are a tangle of friendships and feelings. Moving backwards and forwards in time, they occupy a space of elegant melancholy.
Immersing himself in the work of house music legends like Larry Heard, Vincent Floyd and Maurizio and the fragile disco of Arthur Russell, along with contemporaries like Jessy Lanza and Kelly Lee Owens, Van Pelt built the album from the bottom up, rooting every track in the crude sequencer of the Roland SH-101 synth, a decades-old dance music totem. The result are melodies that are simple but affecting, anchored to deep, wandering basslines. Time Travels was engineered by twin brothers Mark and Matt Thibideau, whose techno roots deepened the grooves throughout the record.
There’s a comfort to operating in the world of dance music, which is, in Van Pelt’s words, more of a “team sport” than the competitive atmosphere of indie rock. “I feel like one person participating in a community,” he says, “and less of a person trying to rise above.” The album is also Van Pelt’s first release on Arbutus, which he describes as his “dream outcome” for the record. “Their catalog intersects at a place that feels like home to me,” he says. “Music for late night, atmospheric music, really honest and unvarnished truthful stuff that never compromises.”
Time Travel is a renewal of Van Pelt’s vows with dance music, and with the genre’s pulse of synthesized melancholy. It’s a heartrending rush, as emotionally direct as a sweaty, jaw-clenching 3am hug.
With the perspective of leaving a longtime home, of watching old friends change and familiar places become unrecognizable, came a recommitment to an emotional honesty in Van Pelt’s songwriting. Time Travel’s eight songs are a tangle of friendships and feelings. Moving backwards and forwards in time, they occupy a space of elegant melancholy.
Immersing himself in the work of house music legends like Larry Heard, Vincent Floyd and Maurizio and the fragile disco of Arthur Russell, along with contemporaries like Jessy Lanza and Kelly Lee Owens, Van Pelt built the album from the bottom up, rooting every track in the crude sequencer of the Roland SH-101 synth, a decades-old dance music totem. The result are melodies that are simple but affecting, anchored to deep, wandering basslines. Time Travels was engineered by twin brothers Mark and Matt Thibideau, whose techno roots deepened the grooves throughout the record.
There’s a comfort to operating in the world of dance music, which is, in Van Pelt’s words, more of a “team sport” than the competitive atmosphere of indie rock. “I feel like one person participating in a community,” he says, “and less of a person trying to rise above.” The album is also Van Pelt’s first release on Arbutus, which he describes as his “dream outcome” for the record. “Their catalog intersects at a place that feels like home to me,” he says. “Music for late night, atmospheric music, really honest and unvarnished truthful stuff that never compromises.”
Time Travel is a renewal of Van Pelt’s vows with dance music, and with the genre’s pulse of synthesized melancholy. It’s a heartrending rush, as emotionally direct as a sweaty, jaw-clenching 3am hug.
Ver mais
Membros da banda:
Graham Van Pelt
Não há shows marcados
Envie uma solicitação para Graham Van Pelt fazer um show na sua cidade
Solicitar um show
Artistas semelhantes em turnê
concerts and tour dates
Anteriores
JUN
11
2020
Toronto, Canada
Virtual Event
Eu estive lá
FEV
15
2020
Toronto, Canada
Bambi's
Eu estive lá
JAN
04
2020
Victoria, Canada
Copper Owl
Eu estive lá
DEZ
18
2019
Bristol, United Kingdom
Rough Trade Bristol
Eu estive lá
DEZ
16
2019
Leeds, United Kingdom
Brudenell Social Club
Eu estive lá
DEZ
15
2019
Glasgow, United Kingdom
The Hug and Pint
Eu estive lá
Ver mais eventos
Sobre Graham Van Pelt
“I’d like to be as un-mysterious as I possibly can,” Graham Van Pelt says. He’s about to release Time Travel, his first record in the four years since he moved from Montreal to Toronto, and he’s no longer Miracle Fortress, or Inside Touch, or any of the aliases he’s used to record over the years. He’s just Graham Van Pelt.
With the perspective of leaving a longtime home, of watching old friends change and familiar places become unrecognizable, came a recommitment to an emotional honesty in Van Pelt’s songwriting. Time Travel’s eight songs are a tangle of friendships and feelings. Moving backwards and forwards in time, they occupy a space of elegant melancholy.
Immersing himself in the work of house music legends like Larry Heard, Vincent Floyd and Maurizio and the fragile disco of Arthur Russell, along with contemporaries like Jessy Lanza and Kelly Lee Owens, Van Pelt built the album from the bottom up, rooting every track in the crude sequencer of the Roland SH-101 synth, a decades-old dance music totem. The result are melodies that are simple but affecting, anchored to deep, wandering basslines. Time Travels was engineered by twin brothers Mark and Matt Thibideau, whose techno roots deepened the grooves throughout the record.
There’s a comfort to operating in the world of dance music, which is, in Van Pelt’s words, more of a “team sport” than the competitive atmosphere of indie rock. “I feel like one person participating in a community,” he says, “and less of a person trying to rise above.” The album is also Van Pelt’s first release on Arbutus, which he describes as his “dream outcome” for the record. “Their catalog intersects at a place that feels like home to me,” he says. “Music for late night, atmospheric music, really honest and unvarnished truthful stuff that never compromises.”
Time Travel is a renewal of Van Pelt’s vows with dance music, and with the genre’s pulse of synthesized melancholy. It’s a heartrending rush, as emotionally direct as a sweaty, jaw-clenching 3am hug.
With the perspective of leaving a longtime home, of watching old friends change and familiar places become unrecognizable, came a recommitment to an emotional honesty in Van Pelt’s songwriting. Time Travel’s eight songs are a tangle of friendships and feelings. Moving backwards and forwards in time, they occupy a space of elegant melancholy.
Immersing himself in the work of house music legends like Larry Heard, Vincent Floyd and Maurizio and the fragile disco of Arthur Russell, along with contemporaries like Jessy Lanza and Kelly Lee Owens, Van Pelt built the album from the bottom up, rooting every track in the crude sequencer of the Roland SH-101 synth, a decades-old dance music totem. The result are melodies that are simple but affecting, anchored to deep, wandering basslines. Time Travels was engineered by twin brothers Mark and Matt Thibideau, whose techno roots deepened the grooves throughout the record.
There’s a comfort to operating in the world of dance music, which is, in Van Pelt’s words, more of a “team sport” than the competitive atmosphere of indie rock. “I feel like one person participating in a community,” he says, “and less of a person trying to rise above.” The album is also Van Pelt’s first release on Arbutus, which he describes as his “dream outcome” for the record. “Their catalog intersects at a place that feels like home to me,” he says. “Music for late night, atmospheric music, really honest and unvarnished truthful stuff that never compromises.”
Time Travel is a renewal of Van Pelt’s vows with dance music, and with the genre’s pulse of synthesized melancholy. It’s a heartrending rush, as emotionally direct as a sweaty, jaw-clenching 3am hug.
Ver mais
Membros da banda:
Graham Van Pelt
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