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Александр Николаевич Скрябин
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Anteriores
NOV
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Sobre Александр Николаевич Скрябин
Александр Николаевич Скрябин (1872-1915) was a Russian composer and pianist.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory, the last five being written with no key signature. Many passages in them can be said to be atonal.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another, it is most likely Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Alternative artist tag: http://www.last.fm/music/Alexander+Scriabin
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory, the last five being written with no key signature. Many passages in them can be said to be atonal.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another, it is most likely Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Alternative artist tag: http://www.last.fm/music/Alexander+Scriabin
Ver mais
Géneros:
Classical
Não há shows marcados
Envie uma solicitação para Александр Николаевич Скрябин fazer um show na sua cidade
Solicitar um show
Artistas semelhantes em turnê
concerts and tour dates
Anteriores
NOV
27
2017
Paradise Place, United Kingdom
Birmingham Conservatoire
Eu estive lá
MAI
11
2017
Oslo, Norway
Oslo-Filharmonien
Eu estive lá
SET
19
2015
Chicago, IL
Copernicus Center
Eu estive lá
AGO
07
2015
Chicago, IL
Copernicus Center
Eu estive lá
FEV
27
2015
Napoli, Italy
Largo S. Marcellino, 10
Eu estive lá
AGO
23
2014
Chicago, IL
Park West
Eu estive lá
Ver mais eventos
Sobre Александр Николаевич Скрябин
Александр Николаевич Скрябин (1872-1915) was a Russian composer and pianist.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory, the last five being written with no key signature. Many passages in them can be said to be atonal.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another, it is most likely Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Alternative artist tag: http://www.last.fm/music/Alexander+Scriabin
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory, the last five being written with no key signature. Many passages in them can be said to be atonal.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another, it is most likely Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Alternative artist tag: http://www.last.fm/music/Alexander+Scriabin
Ver mais
Géneros:
Classical
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