‘ Helena Basilova played sensitively and with flair ’ – The New York Times
Rooted in a deep understanding of tradition and interpretation, Basilova collaborates with composers and artists all over the world and is dedicated to finding new interfaces between performer and audience. The continual longing for alternatives to the familiar makes Helena go places, see people and try things – for therein lies the possibility of finding a new insight, composition, sound or way of expressing herself.
Ever curious, Helena embraces extra-musical aspects that fit the context of a particular programme. As did Alexander Scriabin a century ago, when he combined sounds and colours. In 2016 Helena developed a visual-musical performance inspired by Scriabin together with video artists from DEFRAME collective. From this experience new collaborations followed and projects evolved with visual artists Vincent Rang, Boris Acket, Vladimir Grafov, Jurjen Alkema and Nick Verstand.

In 2018 Helena presented and published music by her late father Alexander Basilov. His personal history drew a line from his teachers Alfred Schnittke and Lev Naumov all the way back to the famous Russian piano school of Heinrich Neuhaus. Helena’s recording and publication of Basilov’s music received international media attention.

Having music written for her from when she was seven years old, Helena feels a natural connection to contemporary music. It is something of a personal calling to lead the public to the most interesting works and enjoy exploring new territory together. Helena performed, among others, at Carnegie Hall (Weill Recital Hall, New York City), Hyogo Performing Arts Centre (Japan), Rachmaninov Hall (Moscow), Concertgebouw Amsterdam, the NCPA in Mumbai, Banff Centre (Canada) and the Amsterdam Dance Event.