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Jim White (Drummer)
183 Seguidores
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SET
21
2024
Dundalk, Ireland
Roe River Books
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Clonakilty, Ireland
Clonakilty International Guitar Festival
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Prague, Czech Republic
MeetFactory
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Barcelos, Portugal
Barcelos
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Lisboa, Portugal
Zé dos Bois gallery
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Copenhagen, Denmark
Global Copenhagen
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Sobre Jim White (Drummer)
There are drummers and there are drummers. And then there is Jim White. Having first commanded international attention in the mid-1990s with the acclaimed Australian instrumental trio Dirty Three, the New York-based virtuoso is now the go-to guy for alt-A-list vocalists with collaboration in mind. Those who’ve worked with him – and all those he’s mesmerised as he plays - testify to his deft way with a rhythm, a downbeat, a jazz-fuelled wig out.
His is a unique playing style forged in the then isolated Melbourne; a style that can sound like a full band one moment, and something stark and beautiful the next.
PJ Harvey has said there is ballet in White’s light, precise touch;. Will Oldham once remarked on White’s ability to dismantle a song, bit by bit, and rebuild it with his parts incorporated. The likes of Smog, Nick Cave, White Magic, Bonnie Prince Billy and Cat Power all know that there’s more to White’s drumming than mere accompaniment. His intuitive beats and singular approach have complimented the repertoire of the iconic Cretan lyra player, Psarantonis, and created sparks in his collaborations with the Cretan lute player George Xylouris. Whoever White is playing with, he is right there, present in the most inspirational sense.
With a career this long and varied, credits are too numerous to list. There have been projects with filmmakers, collaborations with visual artists; and an album of duets with the singer Nina Nastasia. A founding member of the now-defunct Australian avante-rock outfit Venom P-Stinger, White has curated the leftfield UK music festival All Tomorrow’s Parties. In his spare moments, he’s drumming. White never rests on his laurels.
His is a unique playing style forged in the then isolated Melbourne; a style that can sound like a full band one moment, and something stark and beautiful the next.
PJ Harvey has said there is ballet in White’s light, precise touch;. Will Oldham once remarked on White’s ability to dismantle a song, bit by bit, and rebuild it with his parts incorporated. The likes of Smog, Nick Cave, White Magic, Bonnie Prince Billy and Cat Power all know that there’s more to White’s drumming than mere accompaniment. His intuitive beats and singular approach have complimented the repertoire of the iconic Cretan lyra player, Psarantonis, and created sparks in his collaborations with the Cretan lute player George Xylouris. Whoever White is playing with, he is right there, present in the most inspirational sense.
With a career this long and varied, credits are too numerous to list. There have been projects with filmmakers, collaborations with visual artists; and an album of duets with the singer Nina Nastasia. A founding member of the now-defunct Australian avante-rock outfit Venom P-Stinger, White has curated the leftfield UK music festival All Tomorrow’s Parties. In his spare moments, he’s drumming. White never rests on his laurels.
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Não há shows marcados
Envie uma solicitação para Jim White (Drummer) fazer um show na sua cidade
Solicitar um show
Artistas semelhantes em turnê
concerts and tour dates
Anteriores
SET
21
2024
Dundalk, Ireland
Roe River Books
Eu estive lá
SET
20
2024
Clonakilty, Ireland
Clonakilty International Guitar Festival
Eu estive lá
SET
16
2024
Prague, Czech Republic
MeetFactory
Eu estive lá
SET
14
2024
Barcelos, Portugal
Barcelos
Eu estive lá
SET
13
2024
Lisboa, Portugal
Zé dos Bois gallery
Eu estive lá
SET
11
2024
Copenhagen, Denmark
Global Copenhagen
Eu estive lá
Ver mais eventos
Sobre Jim White (Drummer)
There are drummers and there are drummers. And then there is Jim White. Having first commanded international attention in the mid-1990s with the acclaimed Australian instrumental trio Dirty Three, the New York-based virtuoso is now the go-to guy for alt-A-list vocalists with collaboration in mind. Those who’ve worked with him – and all those he’s mesmerised as he plays - testify to his deft way with a rhythm, a downbeat, a jazz-fuelled wig out.
His is a unique playing style forged in the then isolated Melbourne; a style that can sound like a full band one moment, and something stark and beautiful the next.
PJ Harvey has said there is ballet in White’s light, precise touch;. Will Oldham once remarked on White’s ability to dismantle a song, bit by bit, and rebuild it with his parts incorporated. The likes of Smog, Nick Cave, White Magic, Bonnie Prince Billy and Cat Power all know that there’s more to White’s drumming than mere accompaniment. His intuitive beats and singular approach have complimented the repertoire of the iconic Cretan lyra player, Psarantonis, and created sparks in his collaborations with the Cretan lute player George Xylouris. Whoever White is playing with, he is right there, present in the most inspirational sense.
With a career this long and varied, credits are too numerous to list. There have been projects with filmmakers, collaborations with visual artists; and an album of duets with the singer Nina Nastasia. A founding member of the now-defunct Australian avante-rock outfit Venom P-Stinger, White has curated the leftfield UK music festival All Tomorrow’s Parties. In his spare moments, he’s drumming. White never rests on his laurels.
His is a unique playing style forged in the then isolated Melbourne; a style that can sound like a full band one moment, and something stark and beautiful the next.
PJ Harvey has said there is ballet in White’s light, precise touch;. Will Oldham once remarked on White’s ability to dismantle a song, bit by bit, and rebuild it with his parts incorporated. The likes of Smog, Nick Cave, White Magic, Bonnie Prince Billy and Cat Power all know that there’s more to White’s drumming than mere accompaniment. His intuitive beats and singular approach have complimented the repertoire of the iconic Cretan lyra player, Psarantonis, and created sparks in his collaborations with the Cretan lute player George Xylouris. Whoever White is playing with, he is right there, present in the most inspirational sense.
With a career this long and varied, credits are too numerous to list. There have been projects with filmmakers, collaborations with visual artists; and an album of duets with the singer Nina Nastasia. A founding member of the now-defunct Australian avante-rock outfit Venom P-Stinger, White has curated the leftfield UK music festival All Tomorrow’s Parties. In his spare moments, he’s drumming. White never rests on his laurels.
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