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The legendary Halloween edition of Terminal V is back this Saturday November 1st for a huge day to night techno experience on the most sinister day of the year.
Arguably the most large scale Terminal V Halloween production ever, the main stage will sit in a huge electrifying arena, which can hold over 10,000 people alone.
As a strictly indoors affair for the stages, expect a transformed site into a haunted playground for a 12 hour dance marathon, soundtracked by a trailblazing lineup of international artists with outdoors funfairs, bars, immersive experiences & much more.
Check for our Platinum Pass Upgrades also, which gives you access to our backstage platforms / priority entry + access to the VIP area(more bars/ seating/toilets)
Featuring
Afem Syko
Alycia Bezgo
Cloudy
CLTX (A/V show)
Diffrent
Entasia
Franck
Holy Priest
Inafekt
I Hate Models
KUKO x Vendex
Mika Heggemann
Onlynumbers
Prada2000
VTSS
+ more
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https://terminalv.co.uk/halloween/
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I Hate Models の経歴
I Hate Models - DJ, Producer and owner of the Label Disco Inferno
In a scene choked by formulae, we need voices that cut through the noise to present something unapologetically true and devoutly non-conformist. In his singular path as an artist, I Hate Models swerves standardised structures and instead focuses on emotional response. The energy of club music serves as a vessel for his own feelings and a tool to manipulate others with. The spectrum of moods expressed – in his productions, DJ sets and on his label Disco Inferno – veers from nostalgia and passion to loneliness, melancholia and brutality, often juxtaposing darkness and light in the same pulse as an authentic conduit of his own artistic self-assessment. On his journey thus far, IHM has released music on labels ranging from Arts to Perc Trax, who carried his 2019 album L’Âge Des Métamorphoses. He’s also remixed Depeche Mode. At every turn, his disregard for expectations and conventions has resulted in dynamic, ambitious music that feasts on the flesh of techno, industrial and trance without ever becoming beholden to one source. Within the microcosm of one track, the energy can shift from bruising rhythm to swooning ambience and back again – cascades of pearlescent melody giving way to shards of sheet metal, thunderous percussion offset by softly sculpted sine waves. That the further adventures of I Hate Models feel entirely open-ended is completely by design – generic constriction is the enemy of genuine catharsis.
続きを読むIn a scene choked by formulae, we need voices that cut through the noise to present something unapologetically true and devoutly non-conformist. In his singular path as an artist, I Hate Models swerves standardised structures and instead focuses on emotional response. The energy of club music serves as a vessel for his own feelings and a tool to manipulate others with. The spectrum of moods expressed – in his productions, DJ sets and on his label Disco Inferno – veers from nostalgia and passion to loneliness, melancholia and brutality, often juxtaposing darkness and light in the same pulse as an authentic conduit of his own artistic self-assessment. On his journey thus far, IHM has released music on labels ranging from Arts to Perc Trax, who carried his 2019 album L’Âge Des Métamorphoses. He’s also remixed Depeche Mode. At every turn, his disregard for expectations and conventions has resulted in dynamic, ambitious music that feasts on the flesh of techno, industrial and trance without ever becoming beholden to one source. Within the microcosm of one track, the energy can shift from bruising rhythm to swooning ambience and back again – cascades of pearlescent melody giving way to shards of sheet metal, thunderous percussion offset by softly sculpted sine waves. That the further adventures of I Hate Models feel entirely open-ended is completely by design – generic constriction is the enemy of genuine catharsis.
Techno
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