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“I feel we’re all fortunate to be living in a time in history where we have access to technology that can keep us connected despite physical limits.” So wrote Sydney Wright, checking in with the Chronicle during the pandemic. Snyder, Texas, journeywoman to UNT for ethnomusicology and now veteran ATX pop genie, the singer and live music engineer continues fusing a digital roots matrix locally. March single “Fly” soars her breathy electro vulnerability over thick Lone Star grounding from homegrown Graham Wilkinson and Kalu James. Stylish and intimate, Wright’s urbane realness feels ready-made for Hotel Van Zandt’s swanky listening/dining room. – Raoul Hernandez
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Sydney Wright Biography
Sydney Wright has been writing songs for over a decade. While her huge voice often gets her compared to pop darlings like Sara Bareilles, there’s a darker, more experimental edge to her work. Drawing heavily from hip-hop rhythms, with loops of piano, guitar, beatbox, and doo-wops, Wright creates a sonically complex, live-looping, one-woman show all her own. With bandmates, she can range from a duo to quartet with an amalgamation of live-loops and fully produced arrangements representing her first solo album, ‘Seiche’. Years in the making and ever delayed by the detours of life and creative growth, Sydney Wright’s debut full-length amounts to a greatest-hits-so-far for the Austin pop polymath, whose lush, layered compositions are hallmarked by slow-burning verses erupting into gargantuan hooks.
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