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The Houston Press If theres a choir in heaven, someday the exquisite vocalist Karrin Allyson will lead it. Shes such an otherworldly talent that the creator probably already has her on heavy rotation. Well, no worries, mate, Karrin Allyson will be part of this earthly choir for a very long time. But she is moving on, after a jam-packed career with Concord Jazz thirteen albums, five Grammy nominations, and a recent self-produced holiday album, Yuletide Hideaway that won four stars from Downbeat.In May of 2015, as part of a new agreement with Motema Records, Karrin heads back into the recording studio with for a very intimate look at the music of Rodgers and Hammerstein. For Karrin, who actually played Nelly Forbush in a production of South Pacific as a teenager this album is a return. Ive been all around the world musically, from bop and bossa and chanson to blues and singersongwriters. And now, I feel like coming home. I find myself powerfully drawn to the world of Rodgers and Hammerstein.Why? Well, the tunes for starters, gorgeous melodies, near perfect lyrics, music that begs to be sung. Music filled with innocence, optimism, a confident can-do response to any problem, an appealing wiseguy humor, a sense that we all belong together on this wonderful planet. So, Rodgers just a singer, telling the story with two masterful partners, the magisterial pianist Kenny Barron and the superb bassist John Pattituci, underlining and extending. Karrin lives in New York City, following a childhood in the midwest, schooling in the Bay Area, a degree in classical piano performance and important stints in Minneapolis and Kansas City, where she began her recording career with Concord Jazz. Karrin currently spends two days out of three on tour, playing the major jazz festivals, concert venues and clubs of the U.S. and making repeated tours overseas to Brazil, Japan, Australia and the great cities of Europe. Throughout 2014 Allyson was featured as solo vocalist in the Newport Now 60 Tour which played in thirty cities across the US and Canada before concluding the 2014 Newport Festival.
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Karrin Allyson Biography
Karrin Allyson is a Grammy-nominated jazz vocalist for Concord Records.
Allyson projects an instantly recognizable tonal personality, illuminating hidden layers of emotion within songs that are drawn from a vast well of styles and genres—from the blues, contemporary pop, and the American Songbook, to the bossa nova, chanson, and the more specialized jazz and bebop repertoire.
What really separates Allyson from her peers is her ability to communicate oceanic emotions with minimal artifice. “The idea of craft permeates her music,” wrote Richard Cook, author of the “Penguin Guide to Jazz Records,” in a 2004 performance review that admirably encapsulates Allyson’s qualities. “One of the most appealing things about her singing is its lack of mannerism. There are no dopey melismas, nothing of that afflicted gospel soul feel that a lot of younger singers depend on. She doesn’t try anything foolishly acrobatic. Yet in her way, she’s an ambitious and adventurous performer. She sometimes puts in a scat chorus which is done almost diffidently, without showoff contours. She’ll take over a familiar lyric and make it sound fresh by use of quiet touches—sitting back on certain beats, turning away from a big line and highlighting a different one.”
続きを読むAllyson projects an instantly recognizable tonal personality, illuminating hidden layers of emotion within songs that are drawn from a vast well of styles and genres—from the blues, contemporary pop, and the American Songbook, to the bossa nova, chanson, and the more specialized jazz and bebop repertoire.
What really separates Allyson from her peers is her ability to communicate oceanic emotions with minimal artifice. “The idea of craft permeates her music,” wrote Richard Cook, author of the “Penguin Guide to Jazz Records,” in a 2004 performance review that admirably encapsulates Allyson’s qualities. “One of the most appealing things about her singing is its lack of mannerism. There are no dopey melismas, nothing of that afflicted gospel soul feel that a lot of younger singers depend on. She doesn’t try anything foolishly acrobatic. Yet in her way, she’s an ambitious and adventurous performer. She sometimes puts in a scat chorus which is done almost diffidently, without showoff contours. She’ll take over a familiar lyric and make it sound fresh by use of quiet touches—sitting back on certain beats, turning away from a big line and highlighting a different one.”
Jazz
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