Idiotape
Clockenflap Festival
Central Harbourfront Event Space
9號 Lung Wo Rd
2019年11月24日
17:45 GMT+8
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About this concert
The Clockenflap Music & Arts Festival returns for its 12th edition from 22-24 November 2019 at Central Harbourfront, bringing together a sparkling array of talent, unique attractions and music-loving fans that all adds up to the best weekend of the year.
Official Ticket Seller
The only official Clockenflap ticket selling channel in Hong Kong and worldwide is Ticketflap (www.ticketflap.com). We highly encourage fans to only use this official channel to purchase tickets. Tickets bought via unauthorised sellers or from someone you do not know may ultimately be fraudulent and will not work on the door. Do not risk it, as there is nothing we or Ticketflap can do if you do not buy from the official source.
Important Note on Tickets
All ticket types:
All ticket types are available for the specified period and/or while stocks last.
Ticket holders are entitled to same day re-entry to the festival on the designated date(s) specified on the ticket and all the performances and activities at the festival are inclusive, subject to venue capacity limitations.
Lineup and schedule are subject to change.
General admission ticket holders are entitled to bring a maximum of 2 children (aged 12 years or under) for free.
Student ticket holders are required to present valid Hong Kong full-time student ID at the festival entrance to gain entry.
Door tickets are only available for purchase from the festival box office and include a handling fee (not applicable to online sales).
Festival Opening Hours
Friday, 22 Nov: 17:00 - 23:00
Saturday, 23 Nov & Sunday, 24 Nov: 12:00 - 23:00
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Idiotape Biography
In 2008, 6 synthesizers and 1 drum set formed an electronic band IDIOTAPE to create synth-based rock music. An influential DJ in Korean underground club scene, DGURU, along with electronic music producer ZEZE and a well-known power drummer with years of experience in various metal and punk bands, DR, complete the band.
Positioned somewhere between electronic, techno, rock, and heavy metal, IDIOTAPE’s unique musical identity is a harmonious blend of influences the members received in their childhood. Also, the sentiments influenced by 60’s and 70’s Korean rock music add to the melody lines, differentiating IDIOTAPE’s music from the rest. Only using synthesizers, rather than a guitar, is unique of this team. Nonetheless, IDIOTAPE is recognized as “an electronic band that is more band-like than a typical rock band.”
Over the years, IDIOTAPE has become one of the most desired artists in music festivals across genres. With powerful yet danceable grooves, IDIOTAPE was chosen as the Korean headliner of Pentaport Rock Festival and Valley Rock festival. The band has also performed at Korea’s biggest electronic music festivals such as Ultra Music Festival and GlobalGathering Korea.
Going beyond the local scene, the band has toured across continents by performing at world-renowned music festivals such as Glastonbury, Exit Festival, SXSW, Paris Electronic Week, Fusion Festival, Paleo Festival, Trans Musicales, Future Music Festival Asia, and Summer Sonic. Further, they were the support act of Jason Mraz, Phoenix, and Squarepusher.
IDIOTAPE made its debut through ‘0805’ EP in 2010, which was followed by a full album '11111101' in 2011, 'Tours' in 2014, and a remix album ‘Tours The Remixes.’ Later in 2016, they released ‘RE,’ which was highly praised for reinterpreting Korean old and contemporary rock music to their style.
'111111101' won ‘Best Dance Electronic Album’ at the prestigious Korean Music Awards and ‘Tours’ was also nominated in the same category. The tracks were used in FIFA Online 3 of EA Sports and Korean cable channel TvN’s popular tv show ‘The Genius’ as a theme song, gaining fans from teens to 20s.
IDIOTAPE participated in KBS’ (Korea’s national public broadcaster) one-act drama ‘Last Puzzle’ as a music director. They were chosen as the Korean Creator by Intel & Vice Magazine’s The Creators Project, which led to collaborations and events with the world’s most innovative brands such as Adidas, Fred Perry, MINI, AUDI and Jeep.
Reinterpreting rock and electronic music to their color, IDIOTAPE may have its roots in Korea, but is not regarded K-Pop. Rather, they are considered to be creating a genre of their own. With plans for tours around Europe and North America as well as a new album release in 2017, IDIOTAPE will continue to build a strong name internationally.
---
“Seoul's Idiotape have been making waves internationally with their live mix of analog synthesizers and bombastic drumming. It's hard not to imagine a sea of people dancing to their forward- leaning energetic live electronic/EDM.”
– SXSW.com
“If Cut Copy, Daft Punk, and Chromeo had a South Korean baby, they would beget the SXSW-bound, funkatastic, celebratory disco house trio Idiotape ...
The bespectacled crew has been getting audiences jumping manically on their feet in Korea for awhile, and now they’re prepping for global domination.”
– MTV Iggy
Trax Magazine request to Jean-Louis brossard his heart:
"To return to program this year, could you give us a few strokes of heart?" " in electronic music, there's IDIOTAPE a group South Korean. A frigging killing in live! A drummer and two guys on the keyboard: it's so clutch. I put them on the best spot of the festival, the Hall 9 OF 1 h45 to 2 h45.”
- Trax Magazine
We feel the influence of assumed Daft Punk, the room is packed, the audience sways. They even allow to resume " Sabotage " the Beastie Boys. Ovation for this group whose instrumental techno managed to give me fishing
- Trend Hustler
“(Idiotape’s) beats are tailor-made for both clubs and the mosh pit. Their success on the festival circuit suggests that there is plenty of demand for their sound at home and abroad.”
– The Korea Times
続きを読むPositioned somewhere between electronic, techno, rock, and heavy metal, IDIOTAPE’s unique musical identity is a harmonious blend of influences the members received in their childhood. Also, the sentiments influenced by 60’s and 70’s Korean rock music add to the melody lines, differentiating IDIOTAPE’s music from the rest. Only using synthesizers, rather than a guitar, is unique of this team. Nonetheless, IDIOTAPE is recognized as “an electronic band that is more band-like than a typical rock band.”
Over the years, IDIOTAPE has become one of the most desired artists in music festivals across genres. With powerful yet danceable grooves, IDIOTAPE was chosen as the Korean headliner of Pentaport Rock Festival and Valley Rock festival. The band has also performed at Korea’s biggest electronic music festivals such as Ultra Music Festival and GlobalGathering Korea.
Going beyond the local scene, the band has toured across continents by performing at world-renowned music festivals such as Glastonbury, Exit Festival, SXSW, Paris Electronic Week, Fusion Festival, Paleo Festival, Trans Musicales, Future Music Festival Asia, and Summer Sonic. Further, they were the support act of Jason Mraz, Phoenix, and Squarepusher.
IDIOTAPE made its debut through ‘0805’ EP in 2010, which was followed by a full album '11111101' in 2011, 'Tours' in 2014, and a remix album ‘Tours The Remixes.’ Later in 2016, they released ‘RE,’ which was highly praised for reinterpreting Korean old and contemporary rock music to their style.
'111111101' won ‘Best Dance Electronic Album’ at the prestigious Korean Music Awards and ‘Tours’ was also nominated in the same category. The tracks were used in FIFA Online 3 of EA Sports and Korean cable channel TvN’s popular tv show ‘The Genius’ as a theme song, gaining fans from teens to 20s.
IDIOTAPE participated in KBS’ (Korea’s national public broadcaster) one-act drama ‘Last Puzzle’ as a music director. They were chosen as the Korean Creator by Intel & Vice Magazine’s The Creators Project, which led to collaborations and events with the world’s most innovative brands such as Adidas, Fred Perry, MINI, AUDI and Jeep.
Reinterpreting rock and electronic music to their color, IDIOTAPE may have its roots in Korea, but is not regarded K-Pop. Rather, they are considered to be creating a genre of their own. With plans for tours around Europe and North America as well as a new album release in 2017, IDIOTAPE will continue to build a strong name internationally.
---
“Seoul's Idiotape have been making waves internationally with their live mix of analog synthesizers and bombastic drumming. It's hard not to imagine a sea of people dancing to their forward- leaning energetic live electronic/EDM.”
– SXSW.com
“If Cut Copy, Daft Punk, and Chromeo had a South Korean baby, they would beget the SXSW-bound, funkatastic, celebratory disco house trio Idiotape ...
The bespectacled crew has been getting audiences jumping manically on their feet in Korea for awhile, and now they’re prepping for global domination.”
– MTV Iggy
Trax Magazine request to Jean-Louis brossard his heart:
"To return to program this year, could you give us a few strokes of heart?" " in electronic music, there's IDIOTAPE a group South Korean. A frigging killing in live! A drummer and two guys on the keyboard: it's so clutch. I put them on the best spot of the festival, the Hall 9 OF 1 h45 to 2 h45.”
- Trax Magazine
We feel the influence of assumed Daft Punk, the room is packed, the audience sways. They even allow to resume " Sabotage " the Beastie Boys. Ovation for this group whose instrumental techno managed to give me fishing
- Trend Hustler
“(Idiotape’s) beats are tailor-made for both clubs and the mosh pit. Their success on the festival circuit suggests that there is plenty of demand for their sound at home and abroad.”
– The Korea Times
Rock
Electronica
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