About this concert
Cold Spring Presents:\nConsumer Electronics\nhttps://www.facebook.com/estuaryenglish\nSkullflower\nhttp://skullflower-skullflowertruth.blogspot.com\nIron Fist of the Sun\nhttps://www.facebook.com/IronFistOfTheSun/\nThursday 27th September\nFB Event Page: https://www.facebook.com/events/463999324077293/\nTickets: http://skiddle.com/e/13298480
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Glyn
2015年7月22日
not impressed at all, i don't think 25 minutes was good enough especially as they were in stage 10 minutes early
Manchester, United Kingdom@The Deaf Institute
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Skullflower Biography
Skullflower, one of the most important and influential British noise bands, formed in 1988. They are eternally led by Matthew Bower, the current lineup featuring Lee 'Culver' Stokoe and Samantha Davies. Recent studio recordings and one concert have featured original drummer Stuart Dennison.
The band originally evolved from a group of occasional, floating players working under various guises, which became Skullflower prior to the release of the debut "Birthdeath" EP on Broken Flag records in 1988. This first record featured the following line-up: Stefan Jaworzyn, Gary Mundy (of the seminal Ramleh), Matthew Bower and Stuart Dennison.
The first full-length Skullflower album "Form Destroyer" (released on Broken Flag records in 1989, re-released with extra tracks as "Ruins" on Shock records in 1990) featured the same central line up alongside additional musicians including Anthony Di Franco (Ramleh, Ax, Novatron) on bass & guitar and Stephen Thrower (Coil) on drums.
The follow-up album "Xaman" was released on Stefan Jaworzyn's Shock imprint in 1990. However, creative tensions within the band soon lead to Jaworzyn leaving following it's release.
In 1991 Skullflower entered the studio to record the "Third Gatekeeper" album, the line-up this time featuring Matthew Bower (Guitar), Stuart Dennison (Drums, Vocal) and Anthony Di Franco (Bass). The album was released in 1992 on HeadDirt, and re-released in 2007 on Crucial Blast records.
Over the years the group's style has changed considerably. Their earlier releases drew influence from industrial and psychedelic scenes, forming a minimalist wall of guitar squall, distorted vocals and tribal drumming. They later evolved into a free form noise/jazz/improv outfit, abandoning traditional song structure and including instruments like chinese horns.
In 1996 Bower ended Skullflower and got involved with other bands (mostly noise projects).
In 2002 Matthew Bower brought Skullflower out of retirement and released several new recordings. Styles range from early Skullflower (Exquisite Fucking Boredom) to drone-noise (Orange Canyon Mind and Tribulation).
The more recent recordings 'Desire for a Holy War', 'Pure Imperial Reform' and triple cd 'Circulus Vitiosus Deus' are blackened noisescapes situated between Wagnerian pomp and lofi blackmetal buzz dronemetal, but without of the portentous bass heavy drones a la Sunn O))) / Earth.
続きを読むThe band originally evolved from a group of occasional, floating players working under various guises, which became Skullflower prior to the release of the debut "Birthdeath" EP on Broken Flag records in 1988. This first record featured the following line-up: Stefan Jaworzyn, Gary Mundy (of the seminal Ramleh), Matthew Bower and Stuart Dennison.
The first full-length Skullflower album "Form Destroyer" (released on Broken Flag records in 1989, re-released with extra tracks as "Ruins" on Shock records in 1990) featured the same central line up alongside additional musicians including Anthony Di Franco (Ramleh, Ax, Novatron) on bass & guitar and Stephen Thrower (Coil) on drums.
The follow-up album "Xaman" was released on Stefan Jaworzyn's Shock imprint in 1990. However, creative tensions within the band soon lead to Jaworzyn leaving following it's release.
In 1991 Skullflower entered the studio to record the "Third Gatekeeper" album, the line-up this time featuring Matthew Bower (Guitar), Stuart Dennison (Drums, Vocal) and Anthony Di Franco (Bass). The album was released in 1992 on HeadDirt, and re-released in 2007 on Crucial Blast records.
Over the years the group's style has changed considerably. Their earlier releases drew influence from industrial and psychedelic scenes, forming a minimalist wall of guitar squall, distorted vocals and tribal drumming. They later evolved into a free form noise/jazz/improv outfit, abandoning traditional song structure and including instruments like chinese horns.
In 1996 Bower ended Skullflower and got involved with other bands (mostly noise projects).
In 2002 Matthew Bower brought Skullflower out of retirement and released several new recordings. Styles range from early Skullflower (Exquisite Fucking Boredom) to drone-noise (Orange Canyon Mind and Tribulation).
The more recent recordings 'Desire for a Holy War', 'Pure Imperial Reform' and triple cd 'Circulus Vitiosus Deus' are blackened noisescapes situated between Wagnerian pomp and lofi blackmetal buzz dronemetal, but without of the portentous bass heavy drones a la Sunn O))) / Earth.
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