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A Split-Second
フォロワー数 4,044
• 1 近日開催予定の公演
1 近日開催予定の公演
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あなたの都市で近日開催予定の公演はありません
A Split-Second にお住いの地域での公演リクエストを送る
公演をリクエスト
concerts and tour dates
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過去
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A Split-Secondのツアー
A Split-Second のライブ写真
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ファンのレビュー
Damon
2024年10月12日
Fun show. Always a great time with the old school Wax Trax bad asses.
Austin, TX@Elysium
Max
2023年9月22日
They put on an excellent show! Still can’t believe they toured and I got to see them!
Ridgewood, NY@TV Eye
おすすめアーティスト
A Split-Second について
A Split Second is a Belgian electronic and industrial band.
A Split Second is simply too good to be ignored, and from their conception in 1985 it didn't take the world long to acknowledge the importance of Marc ICKX's and Chrismar CHAYELL's unique musical vision.
Official website
A Split Second's first American release, the 1987 EP A Split Second, collected highlights from their early European releases, which included Ballistic Statues (which featured the tense masterpiece 'Close Combat', 'Smell of Buddah' as well as their innovative EBM classic, 'Flesh'.
The second album, 1988's ...From the Inside, remains one of the underappreciated classics of late-80s industrial music. Beginning with the rock-oriented "Bend My Body Armour", the album is remarkably varied for the genre, featuring post-funk-disco ("Choke"), ballads ("The Last Wave", the title track), and muscular club tracks (the dancefloor smash "Mambo Witch"). The album is notable for its peculiarly interesting lyrics, which feature odd, vaguely morbid phrasing ("muscles contorted in atrocity posture") that give the record a depth atypical of the genre. The subsequent single, "The Colosseum Crash" b/w "Muscle Machine", highlighted the Wax Trax! phase of the band's career.
While not as consistantly striking or varied, the followup Kiss of Fury has several songs worthy of its predecessor, notably the tense, moody 'Crimewave' and the single 'Firewalker' For the most part, the album picks up the rock-oriented direction of 'Bend My Body Armour' with tracks such as 'The Parallax View' and 'Cold War in the Brainbox' they contiune largely in this direction for their '90s records, Vengance C.O.D. and Megabyte.
Flesh and Fire, from 1991, collects some top-notch remixes of A Split-Second's 80s output. The Koen Tillie remix of "Flesh" is an ace example of early-90s techno; a piano-and-strings "Concerto" version of 'From the Inside', newly titled 'Taken In', mines the depth and emotion of the original; a dub-ish fusion of 'Close Combat' and 'Muscle Machine' further demonstrates the band's creativity.
Following a series of remix CD singles, Chrismarr Chayell left the band, while Mark Ickx continued recording under the A Split-Second moniker until this day!
A Split Second is simply too good to be ignored, and from their conception in 1985 it didn't take the world long to acknowledge the importance of Marc ICKX's and Chrismar CHAYELL's unique musical vision.
Official website
A Split Second's first American release, the 1987 EP A Split Second, collected highlights from their early European releases, which included Ballistic Statues (which featured the tense masterpiece 'Close Combat', 'Smell of Buddah' as well as their innovative EBM classic, 'Flesh'.
The second album, 1988's ...From the Inside, remains one of the underappreciated classics of late-80s industrial music. Beginning with the rock-oriented "Bend My Body Armour", the album is remarkably varied for the genre, featuring post-funk-disco ("Choke"), ballads ("The Last Wave", the title track), and muscular club tracks (the dancefloor smash "Mambo Witch"). The album is notable for its peculiarly interesting lyrics, which feature odd, vaguely morbid phrasing ("muscles contorted in atrocity posture") that give the record a depth atypical of the genre. The subsequent single, "The Colosseum Crash" b/w "Muscle Machine", highlighted the Wax Trax! phase of the band's career.
While not as consistantly striking or varied, the followup Kiss of Fury has several songs worthy of its predecessor, notably the tense, moody 'Crimewave' and the single 'Firewalker' For the most part, the album picks up the rock-oriented direction of 'Bend My Body Armour' with tracks such as 'The Parallax View' and 'Cold War in the Brainbox' they contiune largely in this direction for their '90s records, Vengance C.O.D. and Megabyte.
Flesh and Fire, from 1991, collects some top-notch remixes of A Split-Second's 80s output. The Koen Tillie remix of "Flesh" is an ace example of early-90s techno; a piano-and-strings "Concerto" version of 'From the Inside', newly titled 'Taken In', mines the depth and emotion of the original; a dub-ish fusion of 'Close Combat' and 'Muscle Machine' further demonstrates the band's creativity.
Following a series of remix CD singles, Chrismarr Chayell left the band, while Mark Ickx continued recording under the A Split-Second moniker until this day!
表示を増やす
ジャンル:
Ebm, Electronic Rock, Industrial
あなたの都市で近日開催予定の公演はありません
A Split-Second にお住いの地域での公演リクエストを送る
公演をリクエスト
concerts and tour dates
近日予定
過去
すべてのイベントとライブ配信
A Split-Second のライブ写真
すべての写真を表示
A Split-Secondのツアー
ファンのレビュー
Damon
2024年10月12日
Fun show. Always a great time with the old school Wax Trax bad asses.
Austin, TX@Elysium
Max
2023年9月22日
They put on an excellent show! Still can’t believe they toured and I got to see them!
Ridgewood, NY@TV Eye
A Split-Second について
A Split Second is a Belgian electronic and industrial band.
A Split Second is simply too good to be ignored, and from their conception in 1985 it didn't take the world long to acknowledge the importance of Marc ICKX's and Chrismar CHAYELL's unique musical vision.
Official website
A Split Second's first American release, the 1987 EP A Split Second, collected highlights from their early European releases, which included Ballistic Statues (which featured the tense masterpiece 'Close Combat', 'Smell of Buddah' as well as their innovative EBM classic, 'Flesh'.
The second album, 1988's ...From the Inside, remains one of the underappreciated classics of late-80s industrial music. Beginning with the rock-oriented "Bend My Body Armour", the album is remarkably varied for the genre, featuring post-funk-disco ("Choke"), ballads ("The Last Wave", the title track), and muscular club tracks (the dancefloor smash "Mambo Witch"). The album is notable for its peculiarly interesting lyrics, which feature odd, vaguely morbid phrasing ("muscles contorted in atrocity posture") that give the record a depth atypical of the genre. The subsequent single, "The Colosseum Crash" b/w "Muscle Machine", highlighted the Wax Trax! phase of the band's career.
While not as consistantly striking or varied, the followup Kiss of Fury has several songs worthy of its predecessor, notably the tense, moody 'Crimewave' and the single 'Firewalker' For the most part, the album picks up the rock-oriented direction of 'Bend My Body Armour' with tracks such as 'The Parallax View' and 'Cold War in the Brainbox' they contiune largely in this direction for their '90s records, Vengance C.O.D. and Megabyte.
Flesh and Fire, from 1991, collects some top-notch remixes of A Split-Second's 80s output. The Koen Tillie remix of "Flesh" is an ace example of early-90s techno; a piano-and-strings "Concerto" version of 'From the Inside', newly titled 'Taken In', mines the depth and emotion of the original; a dub-ish fusion of 'Close Combat' and 'Muscle Machine' further demonstrates the band's creativity.
Following a series of remix CD singles, Chrismarr Chayell left the band, while Mark Ickx continued recording under the A Split-Second moniker until this day!
A Split Second is simply too good to be ignored, and from their conception in 1985 it didn't take the world long to acknowledge the importance of Marc ICKX's and Chrismar CHAYELL's unique musical vision.
Official website
A Split Second's first American release, the 1987 EP A Split Second, collected highlights from their early European releases, which included Ballistic Statues (which featured the tense masterpiece 'Close Combat', 'Smell of Buddah' as well as their innovative EBM classic, 'Flesh'.
The second album, 1988's ...From the Inside, remains one of the underappreciated classics of late-80s industrial music. Beginning with the rock-oriented "Bend My Body Armour", the album is remarkably varied for the genre, featuring post-funk-disco ("Choke"), ballads ("The Last Wave", the title track), and muscular club tracks (the dancefloor smash "Mambo Witch"). The album is notable for its peculiarly interesting lyrics, which feature odd, vaguely morbid phrasing ("muscles contorted in atrocity posture") that give the record a depth atypical of the genre. The subsequent single, "The Colosseum Crash" b/w "Muscle Machine", highlighted the Wax Trax! phase of the band's career.
While not as consistantly striking or varied, the followup Kiss of Fury has several songs worthy of its predecessor, notably the tense, moody 'Crimewave' and the single 'Firewalker' For the most part, the album picks up the rock-oriented direction of 'Bend My Body Armour' with tracks such as 'The Parallax View' and 'Cold War in the Brainbox' they contiune largely in this direction for their '90s records, Vengance C.O.D. and Megabyte.
Flesh and Fire, from 1991, collects some top-notch remixes of A Split-Second's 80s output. The Koen Tillie remix of "Flesh" is an ace example of early-90s techno; a piano-and-strings "Concerto" version of 'From the Inside', newly titled 'Taken In', mines the depth and emotion of the original; a dub-ish fusion of 'Close Combat' and 'Muscle Machine' further demonstrates the band's creativity.
Following a series of remix CD singles, Chrismarr Chayell left the band, while Mark Ickx continued recording under the A Split-Second moniker until this day!
表示を増やす
ジャンル:
Ebm, Electronic Rock, Industrial
おすすめアーティスト
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