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Jona Lewie
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フォロー
近日開催予定の公演はありません
Jona Lewie にお住いの地域での公演リクエストを送る
公演をリクエスト
ツアー中の同じテイストのアーティスト
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts and tour dates
過去
12月
13
2019
London, United Kingdom
The SSE Arena Wembley
行きました
12月
11
2019
Glasgow, United Kingdom
The SSE Hydro
行きました
12月
17
2017
Hale Barns, United Kingdom
Holy Angels Church
行きました
12月
14
2017
London, United Kingdom
SSE Arena, Wembley
行きました
12月
07
2017
London, United Kingdom
Royal Albert Hall
行きました
12月
03
2016
Norwich, United Kingdom
OPEN Club Room
行きました
もっと見る
Jona Lewie について
After being a member of the amateur group Dramatis Personae while still at school, Jona Lewie (born John Lewis) started in the music business as a session pianist, before joining the cult pub rock band, Brett Marvin & The Thunderbolts, in the late 1960s. The group was a popular live act for several years, but their only mainstream hit single was "Seaside Shuffle" (1972), released under the one-off nom de disque Terry Dactyl & The Dinosaurs. Borrowing heavily from Mungo Jerry's 1970 chart-topper "In The Summertime", "Seaside Shuffle" was an unashamedly commercial disc quite at odds with the Thunderbolts' usual style, but reached number 2 in the UK Singles Chart.
However, Lewie looked likely to remain a one-hit wonder until he was signed up by Stiff Records in 1977. Following appearances on the Stiff package tours, he finally scored a solo hit with the humorous synthpop number, "You'll Always Find Me in the Kitchen at Parties" (1980) - (right) which made the British Top 20. Although his next single "Big Shot - Momentarily" failed to make any impact, by the end of the year he was back in the charts with what became his biggest (and, to date, last) UK hit, "Stop The Cavalry". He was, however, to reach No 2 on the Australian charts in 1981 with "Louise (We Get It Right)".
Although now one of Britain's (and, incidentally, Germany's) most familiar Christmas singles, "Stop The Cavalry" was not originally intended as a Christmas song – it was released in late November after the record company spotted the line referring to the festival: 'I wish I was at home, for Christmas' . Not only this but the specific style of the brass instruments and bells in the chorus are very noticable as a "Christmas" style theme.
Lewie has since been able to live comfortably on the continuing proceeds which Christmas airplay of "Stop The Cavalry" has annually brought him, as well as the proceeds from some wise property investments.
The tune and style of "Stop The Cavalry" was later parodied for a series of catchy and humorous TV adverts for John Smith's beer.
In December 2005, Jona was recruited by Channel 4 to record a new Christmas record with other old stars who had Christmas hits, on "Bring Back The Christmas Number One".
However, Lewie looked likely to remain a one-hit wonder until he was signed up by Stiff Records in 1977. Following appearances on the Stiff package tours, he finally scored a solo hit with the humorous synthpop number, "You'll Always Find Me in the Kitchen at Parties" (1980) - (right) which made the British Top 20. Although his next single "Big Shot - Momentarily" failed to make any impact, by the end of the year he was back in the charts with what became his biggest (and, to date, last) UK hit, "Stop The Cavalry". He was, however, to reach No 2 on the Australian charts in 1981 with "Louise (We Get It Right)".
Although now one of Britain's (and, incidentally, Germany's) most familiar Christmas singles, "Stop The Cavalry" was not originally intended as a Christmas song – it was released in late November after the record company spotted the line referring to the festival: 'I wish I was at home, for Christmas' . Not only this but the specific style of the brass instruments and bells in the chorus are very noticable as a "Christmas" style theme.
Lewie has since been able to live comfortably on the continuing proceeds which Christmas airplay of "Stop The Cavalry" has annually brought him, as well as the proceeds from some wise property investments.
The tune and style of "Stop The Cavalry" was later parodied for a series of catchy and humorous TV adverts for John Smith's beer.
In December 2005, Jona was recruited by Channel 4 to record a new Christmas record with other old stars who had Christmas hits, on "Bring Back The Christmas Number One".
表示を増やす
ジャンル:
Alternative, Electro Swamp, New Wave Alternative
出身地:
London, United Kingdom
近日開催予定の公演はありません
Jona Lewie にお住いの地域での公演リクエストを送る
公演をリクエスト
ツアー中の同じテイストのアーティスト
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts and tour dates
過去
12月
13
2019
London, United Kingdom
The SSE Arena Wembley
行きました
12月
11
2019
Glasgow, United Kingdom
The SSE Hydro
行きました
12月
17
2017
Hale Barns, United Kingdom
Holy Angels Church
行きました
12月
14
2017
London, United Kingdom
SSE Arena, Wembley
行きました
12月
07
2017
London, United Kingdom
Royal Albert Hall
行きました
12月
03
2016
Norwich, United Kingdom
OPEN Club Room
行きました
もっと見る
Jona Lewie について
After being a member of the amateur group Dramatis Personae while still at school, Jona Lewie (born John Lewis) started in the music business as a session pianist, before joining the cult pub rock band, Brett Marvin & The Thunderbolts, in the late 1960s. The group was a popular live act for several years, but their only mainstream hit single was "Seaside Shuffle" (1972), released under the one-off nom de disque Terry Dactyl & The Dinosaurs. Borrowing heavily from Mungo Jerry's 1970 chart-topper "In The Summertime", "Seaside Shuffle" was an unashamedly commercial disc quite at odds with the Thunderbolts' usual style, but reached number 2 in the UK Singles Chart.
However, Lewie looked likely to remain a one-hit wonder until he was signed up by Stiff Records in 1977. Following appearances on the Stiff package tours, he finally scored a solo hit with the humorous synthpop number, "You'll Always Find Me in the Kitchen at Parties" (1980) - (right) which made the British Top 20. Although his next single "Big Shot - Momentarily" failed to make any impact, by the end of the year he was back in the charts with what became his biggest (and, to date, last) UK hit, "Stop The Cavalry". He was, however, to reach No 2 on the Australian charts in 1981 with "Louise (We Get It Right)".
Although now one of Britain's (and, incidentally, Germany's) most familiar Christmas singles, "Stop The Cavalry" was not originally intended as a Christmas song – it was released in late November after the record company spotted the line referring to the festival: 'I wish I was at home, for Christmas' . Not only this but the specific style of the brass instruments and bells in the chorus are very noticable as a "Christmas" style theme.
Lewie has since been able to live comfortably on the continuing proceeds which Christmas airplay of "Stop The Cavalry" has annually brought him, as well as the proceeds from some wise property investments.
The tune and style of "Stop The Cavalry" was later parodied for a series of catchy and humorous TV adverts for John Smith's beer.
In December 2005, Jona was recruited by Channel 4 to record a new Christmas record with other old stars who had Christmas hits, on "Bring Back The Christmas Number One".
However, Lewie looked likely to remain a one-hit wonder until he was signed up by Stiff Records in 1977. Following appearances on the Stiff package tours, he finally scored a solo hit with the humorous synthpop number, "You'll Always Find Me in the Kitchen at Parties" (1980) - (right) which made the British Top 20. Although his next single "Big Shot - Momentarily" failed to make any impact, by the end of the year he was back in the charts with what became his biggest (and, to date, last) UK hit, "Stop The Cavalry". He was, however, to reach No 2 on the Australian charts in 1981 with "Louise (We Get It Right)".
Although now one of Britain's (and, incidentally, Germany's) most familiar Christmas singles, "Stop The Cavalry" was not originally intended as a Christmas song – it was released in late November after the record company spotted the line referring to the festival: 'I wish I was at home, for Christmas' . Not only this but the specific style of the brass instruments and bells in the chorus are very noticable as a "Christmas" style theme.
Lewie has since been able to live comfortably on the continuing proceeds which Christmas airplay of "Stop The Cavalry" has annually brought him, as well as the proceeds from some wise property investments.
The tune and style of "Stop The Cavalry" was later parodied for a series of catchy and humorous TV adverts for John Smith's beer.
In December 2005, Jona was recruited by Channel 4 to record a new Christmas record with other old stars who had Christmas hits, on "Bring Back The Christmas Number One".
表示を増やす
ジャンル:
Alternative, Electro Swamp, New Wave Alternative
出身地:
London, United Kingdom
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