あなたの街にやってくる大好きなバンドやアーティストのイベント日程を調べましょう。Bandsintownを使って、コンサートチケットや最新ニュースを入手してください。
Silent Poets
フォロワー数 2,963
Never miss another Silent Poets concert. Get alerts about tour announcements, concert tickets, and shows near you with a free Bandsintown account.
フォロー
近日開催予定の公演はありません
Silent Poets にお住いの地域での公演リクエストを送る
公演をリクエスト
ツアー中の同じテイストのアーティスト
concerts and tour dates
Silent Poets について
Silent Poets made approximately six albums between 1994 and 1999, not counting the remix projects that sometimes seemed to garner more attention than the original releases.
Our rap-featuring playlist notwithstanding, Michiharu Shimoda (programming, keyboard, sampler, turntable) and Takahiro Haruno (programming, sax, keyboard) were far from what you and I understand to be hip-hop producers. But I guess you could say they approached the matter more serious than others outside of hip-hop who every now and then guest-feature rappers. I derive that from the fact that they worked with the very godfathers of rap, the Last Poets, as early as 1994, when hip-hop's young generation was as self-absorbed as ever.
Like their countryman DJ Krush, the Silent Poets turned more abstract over the '90s, as indicated by their guests on "Prisons" (off 1999's "To Come..."), New York underground crew the Anomolies. But where Krush has wandered off into realms of abstractness beyond anything remotely catchy, the Poets, on their journey from dub to downbeat and back, managed to keep up the groovy appearances, at least in parts.
While that is all I have to report on the Silent Poets, you're not to be lost in translation altogether. The Silent Poets speak the universal language of music, whether amongst themselves on the instrumental "Mass" (off 1996's "Firm Roots") or supported by guests such as Last Poets Jalaluddin Mansur Nuriddin and Sulieman El-Hadi on "Inquizative, Derivative" (off 1994's "Words and Silence").
Our rap-featuring playlist notwithstanding, Michiharu Shimoda (programming, keyboard, sampler, turntable) and Takahiro Haruno (programming, sax, keyboard) were far from what you and I understand to be hip-hop producers. But I guess you could say they approached the matter more serious than others outside of hip-hop who every now and then guest-feature rappers. I derive that from the fact that they worked with the very godfathers of rap, the Last Poets, as early as 1994, when hip-hop's young generation was as self-absorbed as ever.
Like their countryman DJ Krush, the Silent Poets turned more abstract over the '90s, as indicated by their guests on "Prisons" (off 1999's "To Come..."), New York underground crew the Anomolies. But where Krush has wandered off into realms of abstractness beyond anything remotely catchy, the Poets, on their journey from dub to downbeat and back, managed to keep up the groovy appearances, at least in parts.
While that is all I have to report on the Silent Poets, you're not to be lost in translation altogether. The Silent Poets speak the universal language of music, whether amongst themselves on the instrumental "Mass" (off 1996's "Firm Roots") or supported by guests such as Last Poets Jalaluddin Mansur Nuriddin and Sulieman El-Hadi on "Inquizative, Derivative" (off 1994's "Words and Silence").
表示を増やす
近日開催予定の公演はありません
Silent Poets にお住いの地域での公演リクエストを送る
公演をリクエスト
ツアー中の同じテイストのアーティスト
concerts and tour dates
Silent Poets について
Silent Poets made approximately six albums between 1994 and 1999, not counting the remix projects that sometimes seemed to garner more attention than the original releases.
Our rap-featuring playlist notwithstanding, Michiharu Shimoda (programming, keyboard, sampler, turntable) and Takahiro Haruno (programming, sax, keyboard) were far from what you and I understand to be hip-hop producers. But I guess you could say they approached the matter more serious than others outside of hip-hop who every now and then guest-feature rappers. I derive that from the fact that they worked with the very godfathers of rap, the Last Poets, as early as 1994, when hip-hop's young generation was as self-absorbed as ever.
Like their countryman DJ Krush, the Silent Poets turned more abstract over the '90s, as indicated by their guests on "Prisons" (off 1999's "To Come..."), New York underground crew the Anomolies. But where Krush has wandered off into realms of abstractness beyond anything remotely catchy, the Poets, on their journey from dub to downbeat and back, managed to keep up the groovy appearances, at least in parts.
While that is all I have to report on the Silent Poets, you're not to be lost in translation altogether. The Silent Poets speak the universal language of music, whether amongst themselves on the instrumental "Mass" (off 1996's "Firm Roots") or supported by guests such as Last Poets Jalaluddin Mansur Nuriddin and Sulieman El-Hadi on "Inquizative, Derivative" (off 1994's "Words and Silence").
Our rap-featuring playlist notwithstanding, Michiharu Shimoda (programming, keyboard, sampler, turntable) and Takahiro Haruno (programming, sax, keyboard) were far from what you and I understand to be hip-hop producers. But I guess you could say they approached the matter more serious than others outside of hip-hop who every now and then guest-feature rappers. I derive that from the fact that they worked with the very godfathers of rap, the Last Poets, as early as 1994, when hip-hop's young generation was as self-absorbed as ever.
Like their countryman DJ Krush, the Silent Poets turned more abstract over the '90s, as indicated by their guests on "Prisons" (off 1999's "To Come..."), New York underground crew the Anomolies. But where Krush has wandered off into realms of abstractness beyond anything remotely catchy, the Poets, on their journey from dub to downbeat and back, managed to keep up the groovy appearances, at least in parts.
While that is all I have to report on the Silent Poets, you're not to be lost in translation altogether. The Silent Poets speak the universal language of music, whether amongst themselves on the instrumental "Mass" (off 1996's "Firm Roots") or supported by guests such as Last Poets Jalaluddin Mansur Nuriddin and Sulieman El-Hadi on "Inquizative, Derivative" (off 1994's "Words and Silence").
表示を増やす
Bandsintown アプリで最高の体験をお楽しみください。
