Compared to her other projects, Masha solo is mostly concerned with amplifying those aspects of her musical output that don’t originate in the dynamics of a band (which is vital in her other projects), but make audible a feeling of the private.

Here memories, hopes, disappointments, joy and regret are translated into songs, which sometimes are concrete enough to be intersubjectively comprehensible, but often point poetically into the private of the singing voice and cannot be decoded directly, only be felt with intuitively.

A dialogue emerges: Between Masha and the listener, between the “I” and the “you” of her lyrics, between her doubled voices on the two poles of the stereo panorama. And the question of how far the person of the songwriter reaches into the songs, how much she hides in them.