Charles Christopher "Bird" Parker, Jr. (August 29, 1920 – March 12, 1955) was an American jazz saxophonist and composer. Early in his career Parker was dubbed Yardbird; this was later shortened to 'Bird' (or sometimes 'Yard') and remained Parker's nickname for the rest of his life and inspiration for the titles of his works e.g. Yardbird Suite.

Parker is commonly considered the greatest bebop jazz musician. In terms of influence and impact, his contribution to jazz was so great that Charles Mingus commented that if Bird were alive today, he would think he was living in a hall of mirrors. Bird's talent is compared almost without argument to such legendary musicians as Louis Armstrong and Duke Ellington, and his reputation and legend as one of the best saxophonists is such that some critics say he was unsurpassed; jazz critic Scott Yanow speaks for many jazz fans and musicians when he suggests that "Parker was arguably the greatest saxophonist of all time."[1]

A founding figure of bebop, Parker's innovative approach to melody, rhythm and harmony have exerted an incalculable influence on jazz. Several of Parker's songs have become standards of the repertoire, and innumerable musicians have studied Parker's music and absorbed elements of his style.

Parker became an icon for the Beat generation, and was a pivotal figure in the evolving conception of the jazz musician as an uncompromising artist and intellectual, rather than just a popular entertainer. At various times, Parker fused jazz with other musical styles, from classical (seeking to study with Edgard Varèse and Stefan Wolpe) to latin music (recordings with Machito), blazing paths followed later by others.

Parker was known for often showing up to performances without an instrument and borrowing someone else's at the last moment. At more than one venue he played on a plastic Grafton saxophone; later, saxophonist Ornette Coleman used this brand of plastic sax in his early career. On one particular occasion before a concert in Toronto, Canada, he had sold his saxophone to buy drugs, and at the last minute, he, Dizzy Gillespie and other members of Charlie's entourage went running around Toronto trying to find a saxophone. After scouring all the downtown pawnshops open at the time, they were only able to find a Grafton, which Parker proceeded to use at the concert that night. This concert is documented on the album Jazz at Massey Hall. The album is considered one of the greatest live recordings in Jazz history.

Parker's battles with alcoholism and heroin addiction ranged from his teenage years until his death from pneumonia and a bleeding ulcer at 34.

During his lifetime, tribute was paid to Parker when a new nightclub in New York was named Birdland in his honor in 1949.

Three years later, George Shearing wrote "Lullaby of Birdland," which was named for both Parker and the nightclub.

The legend "Bird Lives" first appeared as graffiti in New York City subways a few hours after Parker's passing. For this, the poet Ted Joans is usually credited.

Charlie Parker has been an inspiration to countless jazz musicians, non-jazz musicians (such as the classical cellist Yo-Yo Ma and the Rolling Stones' drummer Charlie Watts), painters, poets, and writers throughout the world.