Surprising is the word that perhaps best describes Grammy® nominated and Downbeat cover artist, Thana Alexa, an extraordinarily creative force in music. An awe-inspiring vocalist, composer, arranger and producer – for whom the voice is both a lyrical and experimental instrument – her music pushes the boundaries of the genre into new and unexplored territory with deep seeded roots in jazz and overtones of contemporary soul and world music.

Her latest album, ONA (self-release, March 2020), which earned her two Grammy® nominations (Best Jazz Vocal Album and Best Instrumental Jazz Solo for Regina Carter’s performance), is Alexa’s focus, her mission statement. Translated to "SHE" from her family's native Croatian, ONA was inspired by the cross generational and cross-cultural stories of the immigrant women in her family and evolved into an exploration of the experiences of contemporary women everywhere. Its premise crystalized in 2017 after her attendance at the Women's March on Washington, D.C. after which she was inspired to learn more about the stories of the women in her own family and the influences that their life experiences have had on her own existence, growth and sense of freedom. The album speaks to us musically about every facet of womanhood, conveying a message of strength and empowerment.

ONA has spawned more female-focused projects: Alexa, together with Grammy® nominated artist, Nicole Zuraitis and bassist, Julia Adamy formed SONICA, a trio that fuses electronics, three-part harmonies, electric bass, keyboards and percussion into their unique original music and arrangements. Alexa also created the project Founding Mothers of Jazz in conjunction with MusicTalks Concerts to celebrate and honor the powerhouse women who helped build the jazz genre from the ground up, many of whom are not historically recognized for their contributions because of their gender.

Perhaps Alexa’s most important and ongoing collaboration has been with her husband, five-time Grammy® winner Antonio Sanchez (composer for the Oscar winning Birdman film and drummer with Pat Metheny for 20 years). Together with his band Migration they have recorded three critically acclaimed albums including the most recent CAM Jazz recording Lines in the Sand, a protest record about the immigrant experience. The group has toured worldwide and electrified audiences throughout North and South America, Europe, Asia, and Australia.