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Banks
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フォロー
近日開催予定の公演はありません
Banks にお住いの地域での公演リクエストを送る
公演をリクエスト
ツアー中の同じテイストのアーティスト
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
Banks のライブ写真
すべての写真を表示
concerts and tour dates
ファンのレビュー
Clara
2022年10月14日
I've waited all my life to see Banks live, and it hurts me so much to give this performance three stars.
The two opening acts were each one hour long, which was annoying but it also gave me high expectations of what Banks' stage time would be. Boy, was I wrong; She left after 60 minutes on stage on the dot.
She performed very few songs, and although I loved hearing Brain live, she only did one song from III, and I was really looking forward to more.
Her performance of Better was subpar compared to the one from the San Diego show, and she even forgot the lyrics to the iconic Beggin for Thread, so at one point the audience was singing for her.
At the end of the show, Banks said: "I have been having (present perfect continuous) so much fun. I love you all", and she left. The whole audience was confused, and we waited for her for 30 minutes. It wasn’t even a real goodbye, but she never came back.
I went to see her all the way from Ecuador. I've loved her music since I was seven. Although I had so much fun singing along with her to the tracks from The Altar, this show really could have been so much more with a bit more effort.
I hope to see you again, Jill. Surprise me.
Lake Buena Vista, FL@House of Blues Orlando
Chloe
2022年9月22日
Banks had been unwell with a sickness bug and sinus infection and had cancelled the previous night in Manchester but managed to push through for her last night of tour in Glasgow. Even with a sinus infection Banks still sounded absolutely perfect. Her vocals were flawless. Such a great singer. Even though she still felt unwell she still put on a fantastic show. She is such a dedicated and talented performer. A truly beautiful and amazing artist. Had a fantastic night. Can’t wait to see her again.
Glasgow, United Kingdom@Galvanizers Yard
Emilie
2019年11月23日
Son charisme, le fanproject, sa capacité à mêler dance contemporaine puis reprendre comme si de rien était des notes magnifiques, son énergie sur scène et la manière dont elle hypnotise le public...une des artistes la plus douée, authentique et complète de sa génération! Mention spéciale à sa lecture de OTTGZ sur scène, épique!
Paris, France@Le Trianon
ファンからのレビューをもっと見る
Banks について
A singer/songwriter who crafts moody, alternative pop with shades of contemporary R&B, Banks emerged in the early 2010s with a handful of downtempo, alt-R&B tracks that helped build a cross-genre audience. Her 2014 gold-certified debut, Goddess, peaked just outside the Top Ten on the Billboard 200, while her follow-up, The Altar, maintained her placement in the chart's upper reaches. In 2019, she expanded her sound palette with her adventurous third LP, III. She continued with 2022's Serpentina.
Jillian Rose Banks started writing as a teenager in her native Tarzana, California after a friend gave her a keyboard. For years, she wrote and played as a personal release, but she uploaded "Before I Ever Met You" -- a sleek, low-key track that sounded like the work of someone who had grown up listening to Fiona Apple and Massive Attack -- in early 2013. Within a matter of months, the Los Angeles native was releasing singles for Good Years (in the U.K.) and the reactivated Harvest (in the U.S.), including "Warm Water" (produced by Totally Enormous Extinct Dinosaurs) and "Fall Over." That September, she released a four-track EP, London, as she was opening for the Weeknd during a North American tour.
Her full-length debut, Goddess, which featured collaborations with producers Justin Parker and Shlohmo and additional work with Totally Enormous Extinct Dinosaurs, arrived in September 2014 and debuted at number 12 on the Billboard 200 chart. Harvest issued a large collection of remixes as a digital download in 2015. The following year saw the release of her much-anticipated sophomore full-length, The Altar, which featured the singles "Fuck with Myself," "Gemini Feed," and "Mind Games." The set peaked at number 17 on the Billboard 200. A fourth single, "Underdog," followed in 2017. Banks returned in early 2019 with the synth-heavy single "Gimme," produced by Hudson Mohawke. That track landed on her aptly titled third studio album, III, which was released in July. Additional contributors included Francis and the Lights on "Look What You're Doing to Me" and producer Paul Epworth (Adele, Rihanna) on the magical "Hawaiian Mazes." A short EP, Live and Stripped, arrived in 2020.
Banks soon kicked off her next album cycle with 2021's "The Devil" and "Skinnydipped," which landed on her fourth full-length, 2022's Serpentina. Tied to themes of shedding old skin and embracing the new, the album was recorded during her months of pandemic isolation. ~ Andy Kellman, Rovi
Jillian Rose Banks started writing as a teenager in her native Tarzana, California after a friend gave her a keyboard. For years, she wrote and played as a personal release, but she uploaded "Before I Ever Met You" -- a sleek, low-key track that sounded like the work of someone who had grown up listening to Fiona Apple and Massive Attack -- in early 2013. Within a matter of months, the Los Angeles native was releasing singles for Good Years (in the U.K.) and the reactivated Harvest (in the U.S.), including "Warm Water" (produced by Totally Enormous Extinct Dinosaurs) and "Fall Over." That September, she released a four-track EP, London, as she was opening for the Weeknd during a North American tour.
Her full-length debut, Goddess, which featured collaborations with producers Justin Parker and Shlohmo and additional work with Totally Enormous Extinct Dinosaurs, arrived in September 2014 and debuted at number 12 on the Billboard 200 chart. Harvest issued a large collection of remixes as a digital download in 2015. The following year saw the release of her much-anticipated sophomore full-length, The Altar, which featured the singles "Fuck with Myself," "Gemini Feed," and "Mind Games." The set peaked at number 17 on the Billboard 200. A fourth single, "Underdog," followed in 2017. Banks returned in early 2019 with the synth-heavy single "Gimme," produced by Hudson Mohawke. That track landed on her aptly titled third studio album, III, which was released in July. Additional contributors included Francis and the Lights on "Look What You're Doing to Me" and producer Paul Epworth (Adele, Rihanna) on the magical "Hawaiian Mazes." A short EP, Live and Stripped, arrived in 2020.
Banks soon kicked off her next album cycle with 2021's "The Devil" and "Skinnydipped," which landed on her fourth full-length, 2022's Serpentina. Tied to themes of shedding old skin and embracing the new, the album was recorded during her months of pandemic isolation. ~ Andy Kellman, Rovi
表示を増やす
ジャンル:
Hip Hop, Pop, Electronic
出身地:
Los Angeles, California
近日開催予定の公演はありません
Banks にお住いの地域での公演リクエストを送る
公演をリクエスト
ツアー中の同じテイストのアーティスト
Banks のライブ写真
すべての写真を表示
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts and tour dates
ファンのレビュー
Clara
2022年10月14日
I've waited all my life to see Banks live, and it hurts me so much to give this performance three stars.
The two opening acts were each one hour long, which was annoying but it also gave me high expectations of what Banks' stage time would be. Boy, was I wrong; She left after 60 minutes on stage on the dot.
She performed very few songs, and although I loved hearing Brain live, she only did one song from III, and I was really looking forward to more.
Her performance of Better was subpar compared to the one from the San Diego show, and she even forgot the lyrics to the iconic Beggin for Thread, so at one point the audience was singing for her.
At the end of the show, Banks said: "I have been having (present perfect continuous) so much fun. I love you all", and she left. The whole audience was confused, and we waited for her for 30 minutes. It wasn’t even a real goodbye, but she never came back.
I went to see her all the way from Ecuador. I've loved her music since I was seven. Although I had so much fun singing along with her to the tracks from The Altar, this show really could have been so much more with a bit more effort.
I hope to see you again, Jill. Surprise me.
Lake Buena Vista, FL@House of Blues Orlando
Chloe
2022年9月22日
Banks had been unwell with a sickness bug and sinus infection and had cancelled the previous night in Manchester but managed to push through for her last night of tour in Glasgow. Even with a sinus infection Banks still sounded absolutely perfect. Her vocals were flawless. Such a great singer. Even though she still felt unwell she still put on a fantastic show. She is such a dedicated and talented performer. A truly beautiful and amazing artist. Had a fantastic night. Can’t wait to see her again.
Glasgow, United Kingdom@Galvanizers Yard
Emilie
2019年11月23日
Son charisme, le fanproject, sa capacité à mêler dance contemporaine puis reprendre comme si de rien était des notes magnifiques, son énergie sur scène et la manière dont elle hypnotise le public...une des artistes la plus douée, authentique et complète de sa génération! Mention spéciale à sa lecture de OTTGZ sur scène, épique!
Paris, France@Le Trianon
ファンからのレビューをもっと見る
Banks について
A singer/songwriter who crafts moody, alternative pop with shades of contemporary R&B, Banks emerged in the early 2010s with a handful of downtempo, alt-R&B tracks that helped build a cross-genre audience. Her 2014 gold-certified debut, Goddess, peaked just outside the Top Ten on the Billboard 200, while her follow-up, The Altar, maintained her placement in the chart's upper reaches. In 2019, she expanded her sound palette with her adventurous third LP, III. She continued with 2022's Serpentina.
Jillian Rose Banks started writing as a teenager in her native Tarzana, California after a friend gave her a keyboard. For years, she wrote and played as a personal release, but she uploaded "Before I Ever Met You" -- a sleek, low-key track that sounded like the work of someone who had grown up listening to Fiona Apple and Massive Attack -- in early 2013. Within a matter of months, the Los Angeles native was releasing singles for Good Years (in the U.K.) and the reactivated Harvest (in the U.S.), including "Warm Water" (produced by Totally Enormous Extinct Dinosaurs) and "Fall Over." That September, she released a four-track EP, London, as she was opening for the Weeknd during a North American tour.
Her full-length debut, Goddess, which featured collaborations with producers Justin Parker and Shlohmo and additional work with Totally Enormous Extinct Dinosaurs, arrived in September 2014 and debuted at number 12 on the Billboard 200 chart. Harvest issued a large collection of remixes as a digital download in 2015. The following year saw the release of her much-anticipated sophomore full-length, The Altar, which featured the singles "Fuck with Myself," "Gemini Feed," and "Mind Games." The set peaked at number 17 on the Billboard 200. A fourth single, "Underdog," followed in 2017. Banks returned in early 2019 with the synth-heavy single "Gimme," produced by Hudson Mohawke. That track landed on her aptly titled third studio album, III, which was released in July. Additional contributors included Francis and the Lights on "Look What You're Doing to Me" and producer Paul Epworth (Adele, Rihanna) on the magical "Hawaiian Mazes." A short EP, Live and Stripped, arrived in 2020.
Banks soon kicked off her next album cycle with 2021's "The Devil" and "Skinnydipped," which landed on her fourth full-length, 2022's Serpentina. Tied to themes of shedding old skin and embracing the new, the album was recorded during her months of pandemic isolation. ~ Andy Kellman, Rovi
Jillian Rose Banks started writing as a teenager in her native Tarzana, California after a friend gave her a keyboard. For years, she wrote and played as a personal release, but she uploaded "Before I Ever Met You" -- a sleek, low-key track that sounded like the work of someone who had grown up listening to Fiona Apple and Massive Attack -- in early 2013. Within a matter of months, the Los Angeles native was releasing singles for Good Years (in the U.K.) and the reactivated Harvest (in the U.S.), including "Warm Water" (produced by Totally Enormous Extinct Dinosaurs) and "Fall Over." That September, she released a four-track EP, London, as she was opening for the Weeknd during a North American tour.
Her full-length debut, Goddess, which featured collaborations with producers Justin Parker and Shlohmo and additional work with Totally Enormous Extinct Dinosaurs, arrived in September 2014 and debuted at number 12 on the Billboard 200 chart. Harvest issued a large collection of remixes as a digital download in 2015. The following year saw the release of her much-anticipated sophomore full-length, The Altar, which featured the singles "Fuck with Myself," "Gemini Feed," and "Mind Games." The set peaked at number 17 on the Billboard 200. A fourth single, "Underdog," followed in 2017. Banks returned in early 2019 with the synth-heavy single "Gimme," produced by Hudson Mohawke. That track landed on her aptly titled third studio album, III, which was released in July. Additional contributors included Francis and the Lights on "Look What You're Doing to Me" and producer Paul Epworth (Adele, Rihanna) on the magical "Hawaiian Mazes." A short EP, Live and Stripped, arrived in 2020.
Banks soon kicked off her next album cycle with 2021's "The Devil" and "Skinnydipped," which landed on her fourth full-length, 2022's Serpentina. Tied to themes of shedding old skin and embracing the new, the album was recorded during her months of pandemic isolation. ~ Andy Kellman, Rovi
表示を増やす
ジャンル:
Hip Hop, Pop, Electronic
出身地:
Los Angeles, California
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