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アーティスト
BANKS
検証済み
フォロワー数 70.6万
近日開催予定の公演はありません
BANKS にお住いの地域での公演リクエストを送る
公演をリクエスト
ツアー中の同じテイストのアーティスト
公式物販

Serpentina Vinyl
$34.98 USD

Serpentina Hoodie - White
$39.00 USD

Eyes Tee
$25.00 USD

Tracklist Hoodie
$45.00 USD

Serpentina Portrait Tee
$25.00 USD

Meteorite Tee
$25.00 USD

Plant Eyes Beret
$15.00 USD

Plant Eyes Tee
$20.00 USD

New Name Long Sleeve
$30.00 USD

Meteorite Long Sleeve
$35.00 USD
BANKSのコンサートを二度と見逃すことはありません。
無料のBandsintownアカウントでツアーの発表、コンサートチケット、お近くのショーに関するアラートを受け取りましょう。
BANKS について

BANKS
A singer/songwriter who crafts moody, alternative pop with shades of contemporary R&B, Banks emerged in the early 2010s with a handful of downtempo, alt-R&B tracks that helped build a cross-genre audience. Her 2014 gold-certified debut, Goddess, peaked just outside the Top Ten on the Billboard 200, while her follow-up, The Altar, maintained her placement in the chart's upper reaches. In 2019, she expanded her sound palette with her adventurous third LP, III. She continued with 2022's Serpentina.
Jillian Rose Banks started writing as a teenager in her native Tarzana, California after a friend gave her a keyboard. For years, she wrote and played as a personal release, but she uploaded "Before I Ever Met You" -- a sleek, low-key track that sounded like the work of someone who had grown up listening to Fiona Apple and Massive Attack -- in early 2013. Within a matter of months, the Los Angeles native was releasing singles for Good Years (in the U.K.) and the reactivated Harvest (in the U.S.), including "Warm Water" (produced by Totally Enormous Extinct Dinosaurs) and "Fall Over." That September, she released a four-track EP, London, as she was opening for the Weeknd during a North American tour.
Her full-length debut, Goddess, which featured collaborations with producers Justin Parker and Shlohmo and additional work with Totally Enormous Extinct Dinosaurs, arrived in September 2014 and debuted at number 12 on the Billboard 200 chart. Harvest issued a large collection of remixes as a digital download in 2015. The following year saw the release of her much-anticipated sophomore full-length, The Altar, which featured the singles "Fuck with Myself," "Gemini Feed," and "Mind Games." The set peaked at number 17 on the Billboard 200. A fourth single, "Underdog," followed in 2017. Banks returned in early 2019 with the synth-heavy single "Gimme," produced by Hudson Mohawke. That track landed on her aptly titled third studio album, III, which was released in July. Additional contributors included Francis and the Lights on "Look What You're Doing to Me" and producer Paul Epworth (Adele, Rihanna) on the magical "Hawaiian Mazes." A short EP, Live and Stripped, arrived in 2020.
Banks soon kicked off her next album cycle with 2021's "The Devil" and "Skinnydipped," which landed on her fourth full-length, 2022's Serpentina. Tied to themes of shedding old skin and embracing the new, the album was recorded during her months of pandemic isolation. ~ Andy Kellman, Rovi
Jillian Rose Banks started writing as a teenager in her native Tarzana, California after a friend gave her a keyboard. For years, she wrote and played as a personal release, but she uploaded "Before I Ever Met You" -- a sleek, low-key track that sounded like the work of someone who had grown up listening to Fiona Apple and Massive Attack -- in early 2013. Within a matter of months, the Los Angeles native was releasing singles for Good Years (in the U.K.) and the reactivated Harvest (in the U.S.), including "Warm Water" (produced by Totally Enormous Extinct Dinosaurs) and "Fall Over." That September, she released a four-track EP, London, as she was opening for the Weeknd during a North American tour.
Her full-length debut, Goddess, which featured collaborations with producers Justin Parker and Shlohmo and additional work with Totally Enormous Extinct Dinosaurs, arrived in September 2014 and debuted at number 12 on the Billboard 200 chart. Harvest issued a large collection of remixes as a digital download in 2015. The following year saw the release of her much-anticipated sophomore full-length, The Altar, which featured the singles "Fuck with Myself," "Gemini Feed," and "Mind Games." The set peaked at number 17 on the Billboard 200. A fourth single, "Underdog," followed in 2017. Banks returned in early 2019 with the synth-heavy single "Gimme," produced by Hudson Mohawke. That track landed on her aptly titled third studio album, III, which was released in July. Additional contributors included Francis and the Lights on "Look What You're Doing to Me" and producer Paul Epworth (Adele, Rihanna) on the magical "Hawaiian Mazes." A short EP, Live and Stripped, arrived in 2020.
Banks soon kicked off her next album cycle with 2021's "The Devil" and "Skinnydipped," which landed on her fourth full-length, 2022's Serpentina. Tied to themes of shedding old skin and embracing the new, the album was recorded during her months of pandemic isolation. ~ Andy Kellman, Rovi
表示を増やす
ジャンル:
Electronic, Pop, Hip Hop
出身地:
Los Angeles, California
近日開催予定の公演はありません
BANKS にお住いの地域での公演リクエストを送る
公演をリクエスト
ツアー中の同じテイストのアーティスト
公式物販

Serpentina Vinyl
$34.98 USD

Serpentina Hoodie - White
$39.00 USD

Eyes Tee
$25.00 USD

Tracklist Hoodie
$45.00 USD

Serpentina Portrait Tee
$25.00 USD

Meteorite Tee
$25.00 USD

Plant Eyes Beret
$15.00 USD

Plant Eyes Tee
$20.00 USD

New Name Long Sleeve
$30.00 USD

Meteorite Long Sleeve
$35.00 USD
BANKS について

BANKS
A singer/songwriter who crafts moody, alternative pop with shades of contemporary R&B, Banks emerged in the early 2010s with a handful of downtempo, alt-R&B tracks that helped build a cross-genre audience. Her 2014 gold-certified debut, Goddess, peaked just outside the Top Ten on the Billboard 200, while her follow-up, The Altar, maintained her placement in the chart's upper reaches. In 2019, she expanded her sound palette with her adventurous third LP, III. She continued with 2022's Serpentina.
Jillian Rose Banks started writing as a teenager in her native Tarzana, California after a friend gave her a keyboard. For years, she wrote and played as a personal release, but she uploaded "Before I Ever Met You" -- a sleek, low-key track that sounded like the work of someone who had grown up listening to Fiona Apple and Massive Attack -- in early 2013. Within a matter of months, the Los Angeles native was releasing singles for Good Years (in the U.K.) and the reactivated Harvest (in the U.S.), including "Warm Water" (produced by Totally Enormous Extinct Dinosaurs) and "Fall Over." That September, she released a four-track EP, London, as she was opening for the Weeknd during a North American tour.
Her full-length debut, Goddess, which featured collaborations with producers Justin Parker and Shlohmo and additional work with Totally Enormous Extinct Dinosaurs, arrived in September 2014 and debuted at number 12 on the Billboard 200 chart. Harvest issued a large collection of remixes as a digital download in 2015. The following year saw the release of her much-anticipated sophomore full-length, The Altar, which featured the singles "Fuck with Myself," "Gemini Feed," and "Mind Games." The set peaked at number 17 on the Billboard 200. A fourth single, "Underdog," followed in 2017. Banks returned in early 2019 with the synth-heavy single "Gimme," produced by Hudson Mohawke. That track landed on her aptly titled third studio album, III, which was released in July. Additional contributors included Francis and the Lights on "Look What You're Doing to Me" and producer Paul Epworth (Adele, Rihanna) on the magical "Hawaiian Mazes." A short EP, Live and Stripped, arrived in 2020.
Banks soon kicked off her next album cycle with 2021's "The Devil" and "Skinnydipped," which landed on her fourth full-length, 2022's Serpentina. Tied to themes of shedding old skin and embracing the new, the album was recorded during her months of pandemic isolation. ~ Andy Kellman, Rovi
Jillian Rose Banks started writing as a teenager in her native Tarzana, California after a friend gave her a keyboard. For years, she wrote and played as a personal release, but she uploaded "Before I Ever Met You" -- a sleek, low-key track that sounded like the work of someone who had grown up listening to Fiona Apple and Massive Attack -- in early 2013. Within a matter of months, the Los Angeles native was releasing singles for Good Years (in the U.K.) and the reactivated Harvest (in the U.S.), including "Warm Water" (produced by Totally Enormous Extinct Dinosaurs) and "Fall Over." That September, she released a four-track EP, London, as she was opening for the Weeknd during a North American tour.
Her full-length debut, Goddess, which featured collaborations with producers Justin Parker and Shlohmo and additional work with Totally Enormous Extinct Dinosaurs, arrived in September 2014 and debuted at number 12 on the Billboard 200 chart. Harvest issued a large collection of remixes as a digital download in 2015. The following year saw the release of her much-anticipated sophomore full-length, The Altar, which featured the singles "Fuck with Myself," "Gemini Feed," and "Mind Games." The set peaked at number 17 on the Billboard 200. A fourth single, "Underdog," followed in 2017. Banks returned in early 2019 with the synth-heavy single "Gimme," produced by Hudson Mohawke. That track landed on her aptly titled third studio album, III, which was released in July. Additional contributors included Francis and the Lights on "Look What You're Doing to Me" and producer Paul Epworth (Adele, Rihanna) on the magical "Hawaiian Mazes." A short EP, Live and Stripped, arrived in 2020.
Banks soon kicked off her next album cycle with 2021's "The Devil" and "Skinnydipped," which landed on her fourth full-length, 2022's Serpentina. Tied to themes of shedding old skin and embracing the new, the album was recorded during her months of pandemic isolation. ~ Andy Kellman, Rovi
表示を増やす
ジャンル:
Electronic, Pop, Hip Hop
出身地:
Los Angeles, California
BANKSのコンサートを二度と見逃すことはありません。
無料のBandsintownアカウントでツアーの発表、コンサートチケット、お近くのショーに関するアラートを受け取りましょう。
Bandsintown アプリで最高の体験をお楽しみください。
ライブ写真






ファンの声
Its banks, shes always amazing.
5 stars however is for the venue, high stage so you can get a good view anywhere, huge bathrooms that not once did i have to que in.
The only negative is the small drinks menu but that still had something for most people.
2025年10月26日·London, United Kingdom
Paul
An amazing experience! Her stage presence is unmatched literally made sure to make the audience leave without their heads. She’s so sweet too had the meet and greet experience and she’s so sweet and funny very open about how she’s feeling and such. This was such an amazing experience literally first concert ever and she made me leave speechless and wanting more!
2025年6月12日·Tempe, AZ
Tony
I feel more energy from Banks than any other artist I've seen live. The dancing, the vocals, the fit, the story.... all of it comes together as an amazing performance. The use of the piano to slow down the show takes along for a ride of arts and emotion. Her vocals are somehow better live especially her riffs, it really shows her depth as an artist. Must see performance
2025年6月11日·San Diego, CA
Worth The Wait
ライブ写真






ファンの声
Its banks, shes always amazing.
5 stars however is for the venue, high stage so you can get a good view anywhere, huge bathrooms that not once did i have to que in.
The only negative is the small drinks menu but that still had something for most people.
2025年10月26日·London, United Kingdom
Paul
An amazing experience! Her stage presence is unmatched literally made sure to make the audience leave without their heads. She’s so sweet too had the meet and greet experience and she’s so sweet and funny very open about how she’s feeling and such. This was such an amazing experience literally first concert ever and she made me leave speechless and wanting more!
2025年6月12日·Tempe, AZ
Tony
I feel more energy from Banks than any other artist I've seen live. The dancing, the vocals, the fit, the story.... all of it comes together as an amazing performance. The use of the piano to slow down the show takes along for a ride of arts and emotion. Her vocals are somehow better live especially her riffs, it really shows her depth as an artist. Must see performance
2025年6月11日·San Diego, CA
Worth The Wait
