When most people think of ninja, they think of heartless human weapons for hire, door to door deliverers of death, medieval mailmen gone bloody postal for a price. Its true, some people who practiced ninjutsu in feudal Japan did this and profited by it, and gave birth to the modern image of the ninja in all their violent hilarity. But in the beginning the skills for which ninja have become radical and revered arose out of necessity. The ruling samurai class prized honour above all else, even life. The peasant class often reaped the deadly benefit of this disregard for life. But some of them rejected this devaluation of their lives and sought ways to survive in spite of it. They were creative, skilled and deadly in their pursuit of a way of peace. They removed the hindrance of ego and status and instead let a reverence for life shape their approach. Unbound by the protocols of oppression, they invented unprecedented survival methods that have become legend. They unified mind, body and spirit in their art, they used what they had, they broke all the rules.

Ninjaspy takes this approach and applies it to music.

Music and dancing are the means for survival. Without them life is less than it should be, some life is lost. Ninjaspy uses everything they have in their creative arsenal to make music that moves people. Music that is inventive, unfettered by ego­driven posturing or attempts at conformity to social or stylistic norms. Music that attacks and recoils combining violence with peace. Music that allows both silly and serious to interweave.

Music that breaks down the imaginary barriers between mind, body and spirit, reuniting people with themselves in moments of pure freedom. Freedom in which one can laugh, cry, dance, puke, scream, unleash, let go, be, live, survive.

NINJASPY, a trio of blood brothers have been experimenting with metal fusion since 2006. Hard, heavy, hook-laden music that runs the gamut of reggae, surf, metal and more make up the band’s rule-breaking formula for notoriety. All this combined with an explosive and powerfully unhinged live show got NINJASPY off the ground in a hurry. Releasing their 2007 debut 'Pi Nature' and their 2013 EP 'No Kata' with a graphic novel, the band of brothers have teamed up once again with prolific producers GGGarth Richardson (Rage Against the Machine, Red Hot Chili Peppers, Mudvayne, Gallows) and Ben Kaplan (Biffy Clyro, Atreyu, Haste the Day) for their next full length 'Spüken' due out April 14, 2017.

Years in the making since spring 2014 when NINJASPY launched the "Jump Ya Bones" and crowd funding Campaign, the band was able to raise $15,000 to fund the new full length. They began recording in November 2014, taking their culmination of nearly a decade of songs and narrowing them down to an epic 10 track experience to demonstrate all their downbeats to breakdowns to their weaving of reggae, hardcore, metal and much more.

"These 10 songs span a decade, so there are a lot of different feels happening from song to song that represent what we got into over the years. It's like we spent 10 years swallowing everything life threw at us, then we threw it all back up again, and are now able to listen to the blended, half-digested version of it." says vocalist / guitarist Joel Parent.

'Spüken' was recorded and mixed sporadically over the next two years at in Vancouver BC and in the spring of 2016 between recording sessions, the band teased fans with a filmed and recorded live acoustic performance of their track 'Azaria', a song that is included with full metal instrumentation on the new genre-bending album. It showed the true diversity of the band and their ability to take manic and intense music and make it tender and raw.