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Max Raptor
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フォロー
近日開催予定の公演はありません
Max Raptor にお住いの地域での公演リクエストを送る
公演をリクエスト
ツアー中の同じテイストのアーティスト
concerts and tour dates
過去
8月
25
2017
Sulingen, Germany
Reload Festival
行きました
8月
04
2017
Porta Westfalica, Germany
Festival Kult
行きました
6月
03
2017
London, United Kingdom Of Great Britain And Northern Ireland
Various Venues
行きました
4月
02
2017
Bochum, Germany
Zeche
行きました
4月
01
2017
Essen, Germany
Weststadthalle
行きました
3月
31
2017
Stuttgart, Germany
LKA-Longhorn
行きました
もっと見る
ファンのレビュー
Al
2016年8月9日
Great concert from the band! Good sound! But the location didn't fit the sound/band. Still Max Raptor are one of the best Live bands!
Zurich, Switzerland@Neo
Robert
2015年10月8日
One of their best yet. This band never fail to put on a show worth moving mountains to get to.
Camden, United Kingdom@Barfly
ファンからのレビューをもっと見る
Max Raptor について
The anthemic candour of Midlands four-piece Max Raptor fuses classic British punk attitude with an astute sensibility to a ballsy riff, forthright narrative and infectious hook-fuelled chant. Having spent the last year touring, playing live and writing and recording debut material, building up a head of steam, a reputation for raucous and energetic live shows and a fan base in the process, Max Raptor are to release their debut mini-album 'Portraits' through Naim Edge Records.
Max Raptor’s debut release 'Portraits', is exactly that: micro-sketches of society, framing scraps of the world around them, painting with ambition, arrogance, anger, disillusion, greed, joy, futility, violence and pride. Portraits is rammed full of short, sharp and snappy portrayals of modern existence. The King Is Dead, Beasts, Carolina and The Alarm chronicle a plethora of dysfunctions with a colour of inevitability, whilst Obey The Whips underscores the decline of our ‘empire’ with a wry nationalist cry. The unruly mob vocals of Patron Saint (Of Nothing) depict our embarrassing obsession with celebrity culture, the narcissism that it breeds in our youth and the decay it creates when we forget to live our real lives. The convulsive Ghosts is a sobering realisation that (surely) everyone has at least once in their life; ‘I am worthless’, whilst the infectious anthemia of The Great And The Good reduces totalitarian rhetoric to a clichéd moshpit mantra.
Having cut their carnivorous teeth on the live circuit with the likes of Billy Talent, Blood Red Shoes, Oceansize and Ash, Max Raptor supporting heroes The Stranglers on tour in 2010 was like a dream come true. Following on from main-support slot on the Red Bull Stage of Download Festival last year, the band return in 2011 after relentless touring to celebrate the eagerly awaited release of their Dan Weller produced (the Sikth icon who's credits include Enter Shikari and Gallows) debut recording.
Max Raptor’s debut release 'Portraits', is exactly that: micro-sketches of society, framing scraps of the world around them, painting with ambition, arrogance, anger, disillusion, greed, joy, futility, violence and pride. Portraits is rammed full of short, sharp and snappy portrayals of modern existence. The King Is Dead, Beasts, Carolina and The Alarm chronicle a plethora of dysfunctions with a colour of inevitability, whilst Obey The Whips underscores the decline of our ‘empire’ with a wry nationalist cry. The unruly mob vocals of Patron Saint (Of Nothing) depict our embarrassing obsession with celebrity culture, the narcissism that it breeds in our youth and the decay it creates when we forget to live our real lives. The convulsive Ghosts is a sobering realisation that (surely) everyone has at least once in their life; ‘I am worthless’, whilst the infectious anthemia of The Great And The Good reduces totalitarian rhetoric to a clichéd moshpit mantra.
Having cut their carnivorous teeth on the live circuit with the likes of Billy Talent, Blood Red Shoes, Oceansize and Ash, Max Raptor supporting heroes The Stranglers on tour in 2010 was like a dream come true. Following on from main-support slot on the Red Bull Stage of Download Festival last year, the band return in 2011 after relentless touring to celebrate the eagerly awaited release of their Dan Weller produced (the Sikth icon who's credits include Enter Shikari and Gallows) debut recording.
表示を増やす
ジャンル:
Punk, Punk Rock, Punk Rock & Roll
バンドメンバー:
Ben Winnington, Matt Stevenson, Pete Reisner, Wil Ray
出身地:
London, United Kingdom
近日開催予定の公演はありません
Max Raptor にお住いの地域での公演リクエストを送る
公演をリクエスト
ツアー中の同じテイストのアーティスト
concerts and tour dates
過去
8月
25
2017
Sulingen, Germany
Reload Festival
行きました
8月
04
2017
Porta Westfalica, Germany
Festival Kult
行きました
6月
03
2017
London, United Kingdom Of Great Britain And Northern Ireland
Various Venues
行きました
4月
02
2017
Bochum, Germany
Zeche
行きました
4月
01
2017
Essen, Germany
Weststadthalle
行きました
3月
31
2017
Stuttgart, Germany
LKA-Longhorn
行きました
もっと見る
ファンのレビュー
Al
2016年8月9日
Great concert from the band! Good sound! But the location didn't fit the sound/band. Still Max Raptor are one of the best Live bands!
Zurich, Switzerland@Neo
Robert
2015年10月8日
One of their best yet. This band never fail to put on a show worth moving mountains to get to.
Camden, United Kingdom@Barfly
ファンからのレビューをもっと見る
Max Raptor について
The anthemic candour of Midlands four-piece Max Raptor fuses classic British punk attitude with an astute sensibility to a ballsy riff, forthright narrative and infectious hook-fuelled chant. Having spent the last year touring, playing live and writing and recording debut material, building up a head of steam, a reputation for raucous and energetic live shows and a fan base in the process, Max Raptor are to release their debut mini-album 'Portraits' through Naim Edge Records.
Max Raptor’s debut release 'Portraits', is exactly that: micro-sketches of society, framing scraps of the world around them, painting with ambition, arrogance, anger, disillusion, greed, joy, futility, violence and pride. Portraits is rammed full of short, sharp and snappy portrayals of modern existence. The King Is Dead, Beasts, Carolina and The Alarm chronicle a plethora of dysfunctions with a colour of inevitability, whilst Obey The Whips underscores the decline of our ‘empire’ with a wry nationalist cry. The unruly mob vocals of Patron Saint (Of Nothing) depict our embarrassing obsession with celebrity culture, the narcissism that it breeds in our youth and the decay it creates when we forget to live our real lives. The convulsive Ghosts is a sobering realisation that (surely) everyone has at least once in their life; ‘I am worthless’, whilst the infectious anthemia of The Great And The Good reduces totalitarian rhetoric to a clichéd moshpit mantra.
Having cut their carnivorous teeth on the live circuit with the likes of Billy Talent, Blood Red Shoes, Oceansize and Ash, Max Raptor supporting heroes The Stranglers on tour in 2010 was like a dream come true. Following on from main-support slot on the Red Bull Stage of Download Festival last year, the band return in 2011 after relentless touring to celebrate the eagerly awaited release of their Dan Weller produced (the Sikth icon who's credits include Enter Shikari and Gallows) debut recording.
Max Raptor’s debut release 'Portraits', is exactly that: micro-sketches of society, framing scraps of the world around them, painting with ambition, arrogance, anger, disillusion, greed, joy, futility, violence and pride. Portraits is rammed full of short, sharp and snappy portrayals of modern existence. The King Is Dead, Beasts, Carolina and The Alarm chronicle a plethora of dysfunctions with a colour of inevitability, whilst Obey The Whips underscores the decline of our ‘empire’ with a wry nationalist cry. The unruly mob vocals of Patron Saint (Of Nothing) depict our embarrassing obsession with celebrity culture, the narcissism that it breeds in our youth and the decay it creates when we forget to live our real lives. The convulsive Ghosts is a sobering realisation that (surely) everyone has at least once in their life; ‘I am worthless’, whilst the infectious anthemia of The Great And The Good reduces totalitarian rhetoric to a clichéd moshpit mantra.
Having cut their carnivorous teeth on the live circuit with the likes of Billy Talent, Blood Red Shoes, Oceansize and Ash, Max Raptor supporting heroes The Stranglers on tour in 2010 was like a dream come true. Following on from main-support slot on the Red Bull Stage of Download Festival last year, the band return in 2011 after relentless touring to celebrate the eagerly awaited release of their Dan Weller produced (the Sikth icon who's credits include Enter Shikari and Gallows) debut recording.
表示を増やす
ジャンル:
Punk, Punk Rock, Punk Rock & Roll
バンドメンバー:
Ben Winnington, Matt Stevenson, Pete Reisner, Wil Ray
出身地:
London, United Kingdom
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