センスが良いですね!
ログインしてお気に入りのアーティストをフォローしたり、イベントを保存したりしましょう。
あなたの街にやってくる大好きなバンドやアーティストのイベント日程を調べましょう。Bandsintownを使って、コンサートチケットや最新ニュースを入手してください。

アーティスト
Crobot
ツアー中検証済み
フォロワー数 4.56万•近日開催予定の公演12件
お住まいの地域のイベント
すべてのイベントとライブ配信
Crobot 物販

Obsidian
$26.38

Feel This
$13.29

Rat Child (Limited Etching+Poster)
$18.13

Motherbrain
$12.21

Welcome To Fat City
$25.44
すべてを表示Crobotのツアー
おすすめアーティスト
Crobotのコンサートを二度と見逃すことはありません。
無料のBandsintownアカウントでツアーの発表、コンサートチケット、お近くのショーに関するアラートを受け取りましょう。
Crobot について

Crobot
They’ve burned down the temple just to see what would crawl out of the ashes.
Crobot have always been the house band for the apocalypse — all sweat-stained riffs, swampy swagger, and enough grease under their fingernails to make the saints choke — but this time, the inferno’s aimed inward.
Frontman Brandon Yeagley sounds like he’s howling through a séance, summoning every demon he’s ever danced with and daring them to stay for the encore. Beside him, Christopher Bishop peels off guitar lines that swing somewhere between scripture and sin, his tone dirtier than a bar mat in a Texas roadhouse. The low end rumbles under the command of Willie Jansen, whose bass hits like a sermon in a steel mill, while his brother Nico Jansen drives the kit like a preacher possessed — a rhythm section born to baptize you in groove.
The new record was tracked between the hallowed boards of Willie Nelson’s Pedernales Studio and the Machine Shop in Dripping Springs, then mixed and mastered by Alberto de Icaza, who captured every ounce of holy delirium. But it wasn’t just a recording — it was a ritual. There were smoke cleansings, moon rites, gemstones humming on console tops, meditations between takes, and lyrics treated like spells. Every session felt like a sweat-lodged dream in which the band tried to drown their egos and come back clean.
Lyrically and philosophically, it’s a fever dream stitched from Buddhism, Taoism, Christianity, and Jung, with pages torn from Siddhartha, Reality Transurfing, Black Elk Speaks, and Castaneda’s Don Juan scattered on the studio floor. The result is a raw-nerve meditation on ego death, rebirth, and the dirt-under-your-nails work of becoming a whole human again — a trip through shadow and light, anchored in the red pulse of the root chakra but aiming for something far higher.
If the last few years found Crobot flirting with heavier metal machinery, this era drags the beast back to the groove pit — to the swamp funk and snarling riffs that made their early believers fall in line. It’s the sound of four weirdos rediscovering the primordial ooze beneath their boots and realizing that enlightenment still needs distortion.
Crobot have always preached the gospel of Dirty. Groove. Rock. Now they’re living it — leaner, meaner, and wired straight into the source.
Crobot have always been the house band for the apocalypse — all sweat-stained riffs, swampy swagger, and enough grease under their fingernails to make the saints choke — but this time, the inferno’s aimed inward.
Frontman Brandon Yeagley sounds like he’s howling through a séance, summoning every demon he’s ever danced with and daring them to stay for the encore. Beside him, Christopher Bishop peels off guitar lines that swing somewhere between scripture and sin, his tone dirtier than a bar mat in a Texas roadhouse. The low end rumbles under the command of Willie Jansen, whose bass hits like a sermon in a steel mill, while his brother Nico Jansen drives the kit like a preacher possessed — a rhythm section born to baptize you in groove.
The new record was tracked between the hallowed boards of Willie Nelson’s Pedernales Studio and the Machine Shop in Dripping Springs, then mixed and mastered by Alberto de Icaza, who captured every ounce of holy delirium. But it wasn’t just a recording — it was a ritual. There were smoke cleansings, moon rites, gemstones humming on console tops, meditations between takes, and lyrics treated like spells. Every session felt like a sweat-lodged dream in which the band tried to drown their egos and come back clean.
Lyrically and philosophically, it’s a fever dream stitched from Buddhism, Taoism, Christianity, and Jung, with pages torn from Siddhartha, Reality Transurfing, Black Elk Speaks, and Castaneda’s Don Juan scattered on the studio floor. The result is a raw-nerve meditation on ego death, rebirth, and the dirt-under-your-nails work of becoming a whole human again — a trip through shadow and light, anchored in the red pulse of the root chakra but aiming for something far higher.
If the last few years found Crobot flirting with heavier metal machinery, this era drags the beast back to the groove pit — to the swamp funk and snarling riffs that made their early believers fall in line. It’s the sound of four weirdos rediscovering the primordial ooze beneath their boots and realizing that enlightenment still needs distortion.
Crobot have always preached the gospel of Dirty. Groove. Rock. Now they’re living it — leaner, meaner, and wired straight into the source.
表示を増やす
ジャンル:
Dirty. Groove. Rock.
バンドメンバー:
Willie Jansen - Bass, Chris Bishop - Guitar, Brandon Yeagley - Lead Vocals, Nico Jansen - Drums
出身地:
Pottsville, Pennsylvania
寄付する
Crobotがあなたの大好きな曲を作り続けられるよう、支援してください。
お住まいの地域のイベント
すべてのイベントとライブ配信
Crobot 物販

Obsidian
$26.38

Feel This
$13.29

Rat Child (Limited Etching+Poster)
$18.13

Motherbrain
$12.21

Welcome To Fat City
$25.44
すべてを表示Crobotのツアー
Crobot について

Crobot
They’ve burned down the temple just to see what would crawl out of the ashes.
Crobot have always been the house band for the apocalypse — all sweat-stained riffs, swampy swagger, and enough grease under their fingernails to make the saints choke — but this time, the inferno’s aimed inward.
Frontman Brandon Yeagley sounds like he’s howling through a séance, summoning every demon he’s ever danced with and daring them to stay for the encore. Beside him, Christopher Bishop peels off guitar lines that swing somewhere between scripture and sin, his tone dirtier than a bar mat in a Texas roadhouse. The low end rumbles under the command of Willie Jansen, whose bass hits like a sermon in a steel mill, while his brother Nico Jansen drives the kit like a preacher possessed — a rhythm section born to baptize you in groove.
The new record was tracked between the hallowed boards of Willie Nelson’s Pedernales Studio and the Machine Shop in Dripping Springs, then mixed and mastered by Alberto de Icaza, who captured every ounce of holy delirium. But it wasn’t just a recording — it was a ritual. There were smoke cleansings, moon rites, gemstones humming on console tops, meditations between takes, and lyrics treated like spells. Every session felt like a sweat-lodged dream in which the band tried to drown their egos and come back clean.
Lyrically and philosophically, it’s a fever dream stitched from Buddhism, Taoism, Christianity, and Jung, with pages torn from Siddhartha, Reality Transurfing, Black Elk Speaks, and Castaneda’s Don Juan scattered on the studio floor. The result is a raw-nerve meditation on ego death, rebirth, and the dirt-under-your-nails work of becoming a whole human again — a trip through shadow and light, anchored in the red pulse of the root chakra but aiming for something far higher.
If the last few years found Crobot flirting with heavier metal machinery, this era drags the beast back to the groove pit — to the swamp funk and snarling riffs that made their early believers fall in line. It’s the sound of four weirdos rediscovering the primordial ooze beneath their boots and realizing that enlightenment still needs distortion.
Crobot have always preached the gospel of Dirty. Groove. Rock. Now they’re living it — leaner, meaner, and wired straight into the source.
Crobot have always been the house band for the apocalypse — all sweat-stained riffs, swampy swagger, and enough grease under their fingernails to make the saints choke — but this time, the inferno’s aimed inward.
Frontman Brandon Yeagley sounds like he’s howling through a séance, summoning every demon he’s ever danced with and daring them to stay for the encore. Beside him, Christopher Bishop peels off guitar lines that swing somewhere between scripture and sin, his tone dirtier than a bar mat in a Texas roadhouse. The low end rumbles under the command of Willie Jansen, whose bass hits like a sermon in a steel mill, while his brother Nico Jansen drives the kit like a preacher possessed — a rhythm section born to baptize you in groove.
The new record was tracked between the hallowed boards of Willie Nelson’s Pedernales Studio and the Machine Shop in Dripping Springs, then mixed and mastered by Alberto de Icaza, who captured every ounce of holy delirium. But it wasn’t just a recording — it was a ritual. There were smoke cleansings, moon rites, gemstones humming on console tops, meditations between takes, and lyrics treated like spells. Every session felt like a sweat-lodged dream in which the band tried to drown their egos and come back clean.
Lyrically and philosophically, it’s a fever dream stitched from Buddhism, Taoism, Christianity, and Jung, with pages torn from Siddhartha, Reality Transurfing, Black Elk Speaks, and Castaneda’s Don Juan scattered on the studio floor. The result is a raw-nerve meditation on ego death, rebirth, and the dirt-under-your-nails work of becoming a whole human again — a trip through shadow and light, anchored in the red pulse of the root chakra but aiming for something far higher.
If the last few years found Crobot flirting with heavier metal machinery, this era drags the beast back to the groove pit — to the swamp funk and snarling riffs that made their early believers fall in line. It’s the sound of four weirdos rediscovering the primordial ooze beneath their boots and realizing that enlightenment still needs distortion.
Crobot have always preached the gospel of Dirty. Groove. Rock. Now they’re living it — leaner, meaner, and wired straight into the source.
表示を増やす
ジャンル:
Dirty. Groove. Rock.
バンドメンバー:
Willie Jansen - Bass, Chris Bishop - Guitar, Brandon Yeagley - Lead Vocals, Nico Jansen - Drums
出身地:
Pottsville, Pennsylvania
寄付する
Crobotがあなたの大好きな曲を作り続けられるよう、支援してください。
おすすめアーティスト
Crobotのコンサートを二度と見逃すことはありません。
無料のBandsintownアカウントでツアーの発表、コンサートチケット、お近くのショーに関するアラートを受け取りましょう。
Bandsintown アプリで最高の体験をお楽しみください。
ライブ写真






ファンの声
Awesome show. The lead singer's stage presence was the best part of the night. I will definitely be going next time they come to town.
2026年7月15日·San Francisco, CA
Big Daddy
If you have never seen them is they are true performers. I told Brandon last night that he needs to put on a Master Class on how to be a frontman for a band. Because you can stand up and sing all you want but to do that and entertain the way they do is why we go back. I love watching their stage presence. They always bring it 100% energy, whether it's 50 people, 100 people, or 2,000 people. They're always on point and I'm happy to get to see them every time.
2024年11月22日·Orlando, FL

Alison
What a blast watching Crobot on Shiprocked. So glad they were on this cruise. Definitely enjoy watching them.
Brandon is awesome singing and moving on stage. Love Bishop swinging the guitar around and catching picks. Dan is great beating the drums. Pat is cool playing the bass and bouncing around. Cousin Dave does a great job working with the crew.
2024年2月27日·Miami Gardens, FL
James
ライブ写真






ファンの声
Awesome show. The lead singer's stage presence was the best part of the night. I will definitely be going next time they come to town.
2026年7月15日·San Francisco, CA
Big Daddy
If you have never seen them is they are true performers. I told Brandon last night that he needs to put on a Master Class on how to be a frontman for a band. Because you can stand up and sing all you want but to do that and entertain the way they do is why we go back. I love watching their stage presence. They always bring it 100% energy, whether it's 50 people, 100 people, or 2,000 people. They're always on point and I'm happy to get to see them every time.
2024年11月22日·Orlando, FL

Alison
What a blast watching Crobot on Shiprocked. So glad they were on this cruise. Definitely enjoy watching them.
Brandon is awesome singing and moving on stage. Love Bishop swinging the guitar around and catching picks. Dan is great beating the drums. Pat is cool playing the bass and bouncing around. Cousin Dave does a great job working with the crew.
2024年2月27日·Miami Gardens, FL
James

