Raised In Virginia, and based in Nashville, Amelia White cut her musical teeth in the New England area, in the same scene that produced Mary Gauthier, Lori McKenna, and Aimee Mann. Her music has been described as hard rocking -folkin -alt-art country… Her Albums BLUE SOUVENIRS and BLACK DOVES (funzalo Records 2006) put her on the map with critical acclaims nationwide, steady non-com radio play, appearances on E-Town and NPR’s All Songs Considered and various TV placements. ... the most current being a spot on FX JUSTIFIED ...an episode which features Dave Alvin.....Amelia's latest album release, OLD POSTCARD ( Produced by Mike Poole) is available now at http://www.ameliawhite.com
"The songs come out of me hard and heavy-- regularly. They walk the line between Neo Folk, raw well made rock, and rootsy pop. They have a lot of heart, and a good dose of intellect, and every few songs have a political and social consciousness....sometimes you have to listen twice to get em, though some can easily grab hold of you like an old hank williams. Some call them Indie Country, some Americana, Some Folk Rock. To me they are the stories of my life and love and what I see in my friends eyes, strangers stories. they are miniature 3-3and1/2 minute films. Writing to music comes to me like breathing and or eating, and its as pleasurable upon completion as great sex."

For more info about OLD POSTCARD and Amelia's large catalogue of material ( country, pop, folk, and rock) VISIT
http://www.ameliawhite.com
http://www.facebook.com/ameliawhitemusic

ARTIST PRESS ITEMS

As good as alt-country can get."
-XPN

“Features haunting melodies reminiscent of White’s past”
-USA Today

"I think we're entering a great new era of alternative country music. If you need an example, look no further than Amelia White."
-The Bluegrass Situation

"If Lucinda ever fronted Fleetwood Mac, this might be the outcome."
-No Depression

"Impressed the heck out of us with her latest album, the rootsy, gritty Old Postcard.”
-American Songwriter

"['Big Blue Sun' is] pensive yet propulsive....White fills out her lonely imagery with chilly harmonies and a weaving, staggering guitar melody."
-CMT Edge

“A pleasure, the kind of seasoned and reflective album that could only come from a singer-songwriter who’s been plying her trade steadily.”
-Nashville Scene


“Ebullient choruses and complicated moods Literate verse and ravaged guitars and a level of composition and craftsmanship that brings to mind Lucinda Williams, Tom Petty, and Ryan Adams.”
Joan Anderman - Boston Globe

“Literate and raw…White’s spirited live shows are unique and unadulterated…hard to resist”
Seattle Stranger

“Love songs give way to landscapes, both confesstional and wider than herself, with details that never intrude on the sonic thrust.”
Roy Kasten - No Depression

“Its no wonder that Amelia White is being touted as the next Lucinda Williams…but White has her own strong songs, and strong style”
Washington Post

“Her natural delivery seems from such a personal place and the songs so well written that White proves to be an artist of great distinction.”
Miles Of Music

“Nashville songwriter Amelia White sings with the grace and ease of a seasoned star”
Harp

“Fiery topical ideas and emotional stories that name-check places such as Tupelo, as good country songs do. She sings ‘em with a hint of Virginia-bred twang that’s natural and charming”
The Tennessean

“A great Unknown.”
NPR's All Songs Considered

“I can’t get Amelia White’s song BLACK DOVES outta my head…as with any great song it actually hits the heart more deeply with it’s melody than with it’s words”
Peter Blackstock - No Depression

“Rumor has it Morning Song is getting pitched to Tim and Faith but it’s plenty charming here as a frayed-edged pedal steel washed ballad.”
Jewly Hight - Nashville Scene

“Smart and catchy and tuneful in a way that recalls Steve Earle’s mesh of power chords, jangle and meaty rhythm section”
Roy Kaston - No Depression

“White has emerged as one of the best local up-and comers since moving to Music City four years ago”