Kel Valhaal is the name of the logical agency of faith and acephalic becoming in the The Ark Work, a gesamtkunstwerk which lives at the threshold between philosophical materialism and religion. It is also the moniker for the electronic project I’ve had going since 2010, though I’ve never done an official release until now. The aim of the project is to activate transcendental catharsis using the elements of sound design, and to gnaw on formal and cultural deadlocks between electronic music, rock, rap and classical music. Ultimately these are means of activating a creative-emotive state of divine intuition that is attuned to the object of ultimate concern: what the mystics call the “gift of tears”. “If Liturgy is a vehicle for grand rock albums, Kel Valhaal is more low key, more of an ongoing flicker; less finely wrought, with more frequent and shorter releases, more variation, less consistency, more experimentation. “This music should be approached as one of three wings of a rotating vortex of music, thought and drama called The Perichoresis. Taking up the legacy of American Transcendentalism and German Romanticism with all its contradictory attraction and repulsion to/from underground music culture, the project has a horizon that is ethical, political, and eschatological. Kel Valhaal in part functions to ground Transcendental Qabala (a system of thought) as is also in part the manifestation of Aesthethics (an art practice). These three wings of the Perichoresis propel the ongoing drama of The Ark Work, which is a messianic intervention into global destiny.