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Ven. 18 sept. 2026
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Marchandise de The Strumbellas

My Father and the Hunter
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RATTLESNAKE
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HOPE
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We Still Move on Dance Floors
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Artist bio
The Strumbellas know that misery loves company, and that if we’re together, even in dark times, there’s some joy in that. Their songs of suffering and celebration date back to their 2012 debut My Father And The Hunter, and the band have obsessively chased big hooks, group vocal exuberance, and folk-rock propulsion through their 2016 breakthrough Hope to 2024’s Part Time Believer. The Juno and iHeartRadio Music Award-winning group’s new song Hard Lines gives listeners an urgent, new take on their iconic mix of intimate feelings with stadium folk sounds.
Determined to use every tool in their arsenal to write a good song, The Strumbellas started by looking inward: random song titles, non-sequitur ideas, scraps of paper, and voice memos of half-sung melodies came from everyone in the band. From their home in Toronto, they reached out to favourite collaborators — songwriters and producers in Vancouver, Nashville, LA, and beyond — to create demos that ranged from campfire-chord whispers to radio-ready productions. The group then connected with producer Chad Copelin (LANY, Sasha Sloan, Colony House), and headed for his studio in Norman, Oklahoma. Copelin’s finely honed sonic instincts bring out a newly textured, insistently edgy side to The Strumbellas’ alt-folk stomp.
“We’re living in a lonely world,” says keyboardist Dave Ritter. “Whether it’s work or our home life or our screens, life seems cut up into smaller and smaller pieces all disconnected from each other. Hard Lines is about picking your way through the rubble of contemporary life and the hope that we can build things together again. It’s something we’re reminded of when we gather to write or rehearse songs, and when we get to play for people, that music brings us together, gives us some moments of connection that are hard to find these days.”
Feeling disconnected? Call 1-855-HRD-LINE.
Plus d'infoDetermined to use every tool in their arsenal to write a good song, The Strumbellas started by looking inward: random song titles, non-sequitur ideas, scraps of paper, and voice memos of half-sung melodies came from everyone in the band. From their home in Toronto, they reached out to favourite collaborators — songwriters and producers in Vancouver, Nashville, LA, and beyond — to create demos that ranged from campfire-chord whispers to radio-ready productions. The group then connected with producer Chad Copelin (LANY, Sasha Sloan, Colony House), and headed for his studio in Norman, Oklahoma. Copelin’s finely honed sonic instincts bring out a newly textured, insistently edgy side to The Strumbellas’ alt-folk stomp.
“We’re living in a lonely world,” says keyboardist Dave Ritter. “Whether it’s work or our home life or our screens, life seems cut up into smaller and smaller pieces all disconnected from each other. Hard Lines is about picking your way through the rubble of contemporary life and the hope that we can build things together again. It’s something we’re reminded of when we gather to write or rehearse songs, and when we get to play for people, that music brings us together, gives us some moments of connection that are hard to find these days.”
Feeling disconnected? Call 1-855-HRD-LINE.
Genres:Alternative Rock, Alternative Pop
Membres du groupe: Izzy Ritchie, Darryl James, Jimmy Chauveau, Jon Hembrey, Dave Ritter
Ville: Toronto, Canada
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Commentaires des fans
These guys are a class act! Such a wonderful concert, great sound from an excellent vocalist with great range and charismatic stage presence. The entire band was hilarious, thoughtful and energetic throughout their performance. They joked about how hard it was to perform at a higher elevation than they’re used to. Wonderful camaraderie between the band. ***Big shout out to the lead singer, Jimmy, for helping my sister-in-law meet you, autograph her favorite album, and give good vibes towards on the recent cancer diagnosis. Thank you! Godspeed and God bless you all!
9 août 2026·Bozeman, MT

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