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Billets, dates de tournée et concerts pour Pascal Le Boeuf

Pascal Le Boeuf

ISJAC (International Society of Jazz Arrangers and Composers) Conference Presentation

17 mai 2024

11:00 UTC−5
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Billets, dates de tournée et concerts pour Pascal Le Boeuf
Description du concert
First Takes – Pascal Le Boeuf presents "Are We Dreaming the Same Dream?" feat. Akropolis Reed Quintet and Christian Euman

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Vanderbilt University Blair School of Music offers a world-class music program exclusively for undergraduates at a Top 15 university. Performance venues: - Martha Rivers...
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Biographie de Pascal Le Boeuf

Described as "sleek, new" and "hyper-fluent" by the New York Times, Pascal Le Boeuf is an award-winning pianist-composer and electronic artist whose interests range from modern improvised music to cross-breeding classical with production-based technology.  Le Boeuf's most recent awards include a 2015 New Music USA Grant, the 2015 ASCAP Foundation Johnny Mandel Prize, a 2014 Herb Alpert Young Composer Award, and a 2015 New Jazz Works Commission from Chamber Music America in collaboration with JACK Quartet. In 2012, his music was awarded "Best Electronica Song" and "Best Eclectic Song" by the Independent Music Awards for remixes of his compositions. He was also nominated for "Best Keyboardist" in the 2012 Downbeat International Readers Polls, composed music for the 2008 Emmy Award-winning movie King Lines, and won first place in the 2008 International Songwriting Competition. Pascal performs and records regularly with the piano trio "Pascal's Triangle" featuring bassist Linda Oh, and drummer Justin Brown. As a keyboardist, Pascal has opened for Dangelo (Black Messiah tour), British electronic group Clean Bandit (Rather Be), and regularly performs with Australian pop artist Meg Mac. He is currently pursuing a Ph.D. in Music Composition at Princeton University as a Naumburg Doctoral Fellow. Described as "sleek, new" and "hyper-fluent" by the New York Times, Pascal Le Boeuf is an award-winning pianist-composer and electronic artist.
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