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Description du concert
Doors at 6pm | Show at 7pm CASHLESS VENUE - The Majestic Theatre services all credit and debit payments only. No cash accepted. Bags (max size 12" x 6" x 12") are allowed and will be searched upon entry. Exceptions will be made for necessary medical equipment and bags for nursing mothers. We encourage you to pack light with only the necessities to make the entry process as smooth as possible. All tickets are standing General Admission and are available on a first come first serve basis. Advance tickets can be purchased online or at The Sylvee box office. Once the doors have opened, if tickets are still available, they can be purchased at the Majestic Theatre.
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Commentaires des fans
Lorena
24 juin 2024
I See Stars is my favorite band and has been since their first album in 2009. They have not only great music, but have such great stage presence and are very entertaining.
The venue was alright. Unfortunately it was over 100 degrees F, and the sun was killing us. The band’s equipment was overheating, so sadly they couldn’t play at their best. I wish the Granary would add some sort of shade, or at least put up a tarp on the west side of the stage so the bands aren’t suffering in the heat the whole time. All the bands who played had to stop between songs to catch their breath because of it.
But I have seen I See Stars 4 times before this, including meeting them in person in a VIP meetup, and I assure you they put on an amazing show. So if you have the chance to see them, please do! They are a great band with great music!
Salt Lake City, UT@Granary Live
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Biographie de I See Stars
I See Stars perfect a push-and-pull between sweeping hard rock, metallic energy, and electronic dance music on their fifth full-length album, Treehouse [Sumerian Records]. In order to achieve that often illusory balance, the Warren, MI quartet—Devin Oliver [clean & unclean vocals], Brent Allen [lead, rhythm guitar], Jeff Valentine [bass], and Andrew Oliver [vocals, keys, synths, programming, drums]—rebuilt their very foundation, creatively and personally.
“This is the most time we’ve had to create an album since 3D,” Devin admits. “We actually had time to reflect on our past, but most importantly what we want to become. Beyond the music, it felt like an evolution for us emotionally. We finally feel like the band we were meant to be. If you strip it down, it’s not just drums, guitar, bass, vocals, and minor production. The electronic aspects could be their own songs, and we aim to blend everything as seamlessly as possible.”
“We’ve had so many changes, and it’s an important time,” he goes on. “When we got back on stage, I had no idea what to expect, but our fans came out and showed love when we needed it the most. We wanted to give them what they deserve, which is the best record possible.”
In order to achieve that vision, the musicians took a different route. To record Treehouse, they enlisted a cadre of producers including Erik Ron [Panic! at the Disco, Saosin], Nick Scott [Asking Alexandria, Chunk! No, Captain Chunk!], and Taylor Larson [Periphery, Veil of Maya] as well a mixing by David Bendeth [Paramore, Breaking Benjamin]. They would also track the bulk of material in Los Angeles—another first—and the rest in Detroit.
“Lyrically, this one discusses family issues,” continues Devin. “The past year has been really hard. I realized I’m on my own, and it’s do or die with this band. It’s my life.” It’s that honesty which will continue to resonate the loudest among listeners and why I See Stars shine. “This is the most honest we could be,” Devin leaves off. “That’s what I want people to see.”
Plus d'info“This is the most time we’ve had to create an album since 3D,” Devin admits. “We actually had time to reflect on our past, but most importantly what we want to become. Beyond the music, it felt like an evolution for us emotionally. We finally feel like the band we were meant to be. If you strip it down, it’s not just drums, guitar, bass, vocals, and minor production. The electronic aspects could be their own songs, and we aim to blend everything as seamlessly as possible.”
“We’ve had so many changes, and it’s an important time,” he goes on. “When we got back on stage, I had no idea what to expect, but our fans came out and showed love when we needed it the most. We wanted to give them what they deserve, which is the best record possible.”
In order to achieve that vision, the musicians took a different route. To record Treehouse, they enlisted a cadre of producers including Erik Ron [Panic! at the Disco, Saosin], Nick Scott [Asking Alexandria, Chunk! No, Captain Chunk!], and Taylor Larson [Periphery, Veil of Maya] as well a mixing by David Bendeth [Paramore, Breaking Benjamin]. They would also track the bulk of material in Los Angeles—another first—and the rest in Detroit.
“Lyrically, this one discusses family issues,” continues Devin. “The past year has been really hard. I realized I’m on my own, and it’s do or die with this band. It’s my life.” It’s that honesty which will continue to resonate the loudest among listeners and why I See Stars shine. “This is the most honest we could be,” Devin leaves off. “That’s what I want people to see.”
Electronic
Rock
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