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oztix
Description du concert
Ofri is a Sydney-based singer-songwriter whose unashamedly candid lyrics and intricate piano-vocal arrangements form a particular (and peculiar) brand of chamber folk.  Perhaps even more immediately noticeable than her frankness is her voice, a wild thing which can inhabit every colour of expression — from raw emotionality to heartfelt subtlety, with every shade in-between.  Along with a long list of influences and inspirations (Fiona Apple, Regina Spektor, and Weyes Blood, to name a few), her artistic assuredness, not to mention the idiosyncrasies of a voice well-worn, imbue her songwriting with a startling clarity and vividness.   “That Heavy Magnetism”, her debut album, is the culmination of four years’ hard work, with many a life-defining experience woven throughout. There’s a sense of growth and expansion, intimacy and space, inevitability, vulnerability, and quite a bit of existentialism.  It’s part 90s art-pop revivalism, part Lilith Fair, part freak folk, and completely, utterly Ofri.Support from Rin (Rin Evans, they/them), Heaps Grass
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Biographie de Ofri

Ofri doesn’t like bios. In fact, it’s exactly this kind of self-aggrandising writing that the 23-year-old Sydney-based artist would rather avoid altogether – something that’s obvious once you spend any amount of time with the direct and unashamedly candid rumination that consists her particular brand of chamber folk. Perhaps even more immediately noticeable than her frankness is her voice, a wild animal which can inhabit every spectra of expression, from raw emotionality to heartfelt delicacy with every shade in-between. It’s precisely that assured confidence - those idiosyncrasies of a voice well-worn - that imbues her songwriting with a richness and clarity of concept.
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Chamber Folk
Art Pop
Chamber Pop
Baroque Pop
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