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elbphilharmonie.de
Description du concert
Ikue Mori and Zeena Parkins have had well established roots on New York’s downtown music scene since the 1980s. While Ikue Mori creates fascinating electronic landscapes with her laptop and drum machines, Zeena Perkins also improvises on her self-designed electronic harp with virtually inexhaustible imagination. In 2004, they released their debut album under the name Phantom Orchard. »Hit Parade of Tears« is the latest album from the ideally matched duo. It is dedicated to the Japanese author Izumi Suzuki. They transform her short stories into moving musical miniatures. Even if you do not know the science fiction originals, the music of Phantom Orchard always opens up a new, exciting world. Alternating between abstract and sensually melodic, Mori and Parkins again demonstrate that they understand each other musically without words.
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In the flow of the Elbe and surrounded on three sides by water, Hamburg’s concert hall, the Elbphilharmonie, is a centre of attraction for all who live in Hamburg as well...
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Biographie de Ikue Mori
Ikue Mori moved from her native city of Tokyo to New York in 1977. She started playing drums and soon formed the seminal no wave band DNA, with fellow noise pioneers Arto Lindsay and Tim Wright. DNA enjoyed legendary cult status, while creating a new brand of radical rhythms and dissonant sounds; forever altering the face of rock music.
In the mid 80’s Ikue started in employ drum machines in the unlikely context of improvised music. While limited to the standard technology provided by the drum machine, she has never the less forged her own highly sensitive signature style.
Through out in 90’s She has subsequently collaborated with numerous improvisors throughout the US, Europe, and Asia, while continuing to produce and record her own music.
1998, She was invited to perform with Ensemble Modern as the soloist along with Zeena Parkins, and composer Fred Frith, also "One hundred Aspects of the Moon" commissioned by Roulette/Mary Flagler Cary Charitable Trust.
Ikue won the Distinctive Award for Prix Ars Electronics Digital Music category in 99.
Plus d'infoIn the mid 80’s Ikue started in employ drum machines in the unlikely context of improvised music. While limited to the standard technology provided by the drum machine, she has never the less forged her own highly sensitive signature style.
Through out in 90’s She has subsequently collaborated with numerous improvisors throughout the US, Europe, and Asia, while continuing to produce and record her own music.
1998, She was invited to perform with Ensemble Modern as the soloist along with Zeena Parkins, and composer Fred Frith, also "One hundred Aspects of the Moon" commissioned by Roulette/Mary Flagler Cary Charitable Trust.
Ikue won the Distinctive Award for Prix Ars Electronics Digital Music category in 99.
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