Karrin Allyson
Birdland
315 West 44th St
New York, NY 10036
1 mai 2024
20:30 UTC−4
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Description du concert
Its the best jazz guitar lovers show in the world, celebrating all facets of the guitar in jazz. Frank Vignolas virtuosity has made him the guitarist of choice for many of the worlds top musicians, including Ringo Starr, Madonna, Donald Fagen, Tommy Emmanuel, the Boston and New York Pops, and more. Every Wednesday at The Birdland Theater, Frank leads Frank Vignolas Guitar Night. Inspired by journeyman jazz guitarist John Pisanos now famous Los Angeles Guitar Night, Frank Vignola and friends will perform tunes from the standard repertoire and welcome weekly guest artists. Featuring: Frank Vignola (guitar) Ted Rosenthal (piano) Gary Mazzaroppi (bass) Vince Cherico or Alex Raderman (drums).Plus Special Guests:5/1: Karryn Allison (vocals)5/8: Bria Skonberg (trumpet)5/15: Peter Bernstein and Pasquale Grasso (guitars)5/22: Guest Host Peter Bernstein/Ed Cherry Quartet5/29: James Chirillo (guitar)6/5,12,19,26: Mike Stern (guitar)
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Biographie de Karrin Allyson
Karrin Allyson is a Grammy-nominated jazz vocalist for Concord Records.
Allyson projects an instantly recognizable tonal personality, illuminating hidden layers of emotion within songs that are drawn from a vast well of styles and genres—from the blues, contemporary pop, and the American Songbook, to the bossa nova, chanson, and the more specialized jazz and bebop repertoire.
What really separates Allyson from her peers is her ability to communicate oceanic emotions with minimal artifice. “The idea of craft permeates her music,” wrote Richard Cook, author of the “Penguin Guide to Jazz Records,” in a 2004 performance review that admirably encapsulates Allyson’s qualities. “One of the most appealing things about her singing is its lack of mannerism. There are no dopey melismas, nothing of that afflicted gospel soul feel that a lot of younger singers depend on. She doesn’t try anything foolishly acrobatic. Yet in her way, she’s an ambitious and adventurous performer. She sometimes puts in a scat chorus which is done almost diffidently, without showoff contours. She’ll take over a familiar lyric and make it sound fresh by use of quiet touches—sitting back on certain beats, turning away from a big line and highlighting a different one.”
Plus d'infoAllyson projects an instantly recognizable tonal personality, illuminating hidden layers of emotion within songs that are drawn from a vast well of styles and genres—from the blues, contemporary pop, and the American Songbook, to the bossa nova, chanson, and the more specialized jazz and bebop repertoire.
What really separates Allyson from her peers is her ability to communicate oceanic emotions with minimal artifice. “The idea of craft permeates her music,” wrote Richard Cook, author of the “Penguin Guide to Jazz Records,” in a 2004 performance review that admirably encapsulates Allyson’s qualities. “One of the most appealing things about her singing is its lack of mannerism. There are no dopey melismas, nothing of that afflicted gospel soul feel that a lot of younger singers depend on. She doesn’t try anything foolishly acrobatic. Yet in her way, she’s an ambitious and adventurous performer. She sometimes puts in a scat chorus which is done almost diffidently, without showoff contours. She’ll take over a familiar lyric and make it sound fresh by use of quiet touches—sitting back on certain beats, turning away from a big line and highlighting a different one.”
Jazz
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