Jack De Marseille
Friche Belle de Mai
41 Rue Jobin
17 mai 2024
17:00 UTC+2
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Description du concert
#LBA24
FESTIVAL LE BON AIR #9
Friche la Belle de Mai, Marseille
17 • 18 • 19 mai 2024
RÉSIDENCES (A-Z) : HELENA HAUFF, SHERELLE, VANDA FORTE
ARTISTES (A-Z) : ANN MYSOCHKA - ARA - - BACON - BAMBI - BÁRBARA BOEING - BATENKO live - BEATRICE M. - BEN UFO B2B HELENA HAUFF - BONNIE SPACEY live - BRK - BWI-BWI B2B MILA NECCHELLA - CABALE B2B DESIRE - CAIN و MUCHI live - CATE HORTL live - CURTIS OD B2B LINKY - DJ BORING B2B SHERELLE - DJ GIGOLA - FANNY V - FLOATING POINTS - GOLDIE B live - GUILLERMO JAMAS - HABBA BABBA B2B NOGE - HELENA HAUFF - IRÈNE DRÉSEL live - JACK DE MARSEILLE - K-MI - KABYLIE MINOGUE - KI/KI - KSU B2B WAWRZY - LAURENT GARNIER - LIFE RECORDER - METI B2B PASTEL - MEZIGUE - MONIKAZE live - MYSTIQUE - NINA KRAVIZ - NX QUANTIZE live - ORSSO - PEACH, DISCOQUETTE & DRAGANTUESQUE - POLA SOA - RAVL live - RORRE ECCO - ROZA TERENZI - S3A live - SABB - SALIAH - SANA - SARAH STORY - SHERELLE - VANDA FORTE - YUNG PAD B2B AREZKI
AVEC (A-Z) : CHRONIQUES - COMPAGNIE ELEPHANTE - COMPAGNIE GUIDES - DISCOQUETTE - DRAGANTUESQUE - GROS:ŒUVRE - HYPERACTIVITY MUSIC - INSTANTS VIDÉO POÉTIQUES ET NUMÉRIQUES - KUMQUAT - LA SECOUSSE - OMAKASE RECORDINGS - PATA NEGRA - PIKIP SOLAR SPEAKERS - PRIMEURS SONORES - RADIO GRENOUILLE - RAMINA - RASPUTIN - SAVON NOIRE - TRIANGLE-ASTÉRIDES - TWERKISTAN
Deux jours, deux nuits et une finale 🤍
Instagram : https://www.instagram.com/bonairfestival
Site web : www.le-bon-air.com
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Transports en commun :
Vélo
Borne vélo de la ville et Parking à vélo dans la Friche
Bus – arrêt Belle de Mai la Friche
Ligne 49 – Réformés Canebière / Vauban
Ligne 56 – Belle de Mai La Friche / Gare Saint Charles
Service 7/7 : de 6h40 à 19h10
Bus de nuit n°582
Métro
Lignes M1 et M2 arrêt Gare Saint-Charles
ou M1 arrêt Cinq Avenues – Longchamp / puis 15 min. à pied
Tram
Ligne T2 arrêt Longchamp / puis 10 min. à pied
Les personnes en situation de handicap peuvent bénéficier d’une place offerte pour leur personne accompagnante.
Merci de prendre contact avec nous : bonjour@le-bon-air.com
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Biographie de Jack De Marseille
Label management, production, remixes...after fifteen years behind the decks, French electronic music pioneer-DJ keeps on forging ahead. Fifteen years behind the decks and an obvious fact: Jack knows the dancefloor commandments inside out. He contributed creating them in France helping in the expansion of electronic music and also spreading the good word of French techno abroad. Nowadays, Jack de Marseille doesn't want anymore to look back on a past blending feat of arms and hour of glory. These last months allowed him to re-examine his practical artistic experience from every angle starting from his involvement on a global scene (Paris and his residency at Rex, Europe but also China, Japan, Israel, black Africa, Lebanon, South America...) to the fashion shows and his collaboration with Paco Rabanne or Jean Paul Gaultier. From the character known by everyone to the one involved in every field of electronic music, the native of Marseilles made a beneficial reorientation. It was the beginning of a new cycle starting with records production, remixes, label management...Owing to Wicked, set up in 2001, the artist gained a strong foothold in the record industry. The same year, on this very label he released his first tracks Got To Believe and Bump. Then followed the EP Party Time/Sweet Sensation and the long-awaited debut album Free My Music (Wagram). Thanks to that 17,000 copy-sold record, Jack's audience widens again. Wicked is at it again in 2004 with Digital Dancer/Michigan EP displayed next to the double mixed compilation 2Jack4U (commissioned by Wagram) on which Jack presents a taste of both his down tempo and dancefloor-oriented selections. After Acid Funk/Sex On Acid EP released the previous year, 2006 gets off to a good start thanks to remixes for Da Fresh or Audio Bullys, collaboration with international hip-hop artist P. Diddy and Eric Morillo (on Subliminal), and remix from new wave cult-synth-group Trisomie 21.
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