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Beady Belle
6 747 Fans
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Afficher plus d’événements
A propos de Beady Belle
Beady Belle is a result of collaboration between Beate S. Lech and Marius Reksjø which began at the University of Oslo. As music students the two started playing together in bands such as “Insertcoin” and Folk & Røvere, a project where Beate was the lead singer up until their third album (1999).
In 1999 Beate was asked by Bugge Wesseltoft to make a record for Jazzland rec. He gave her freedom to make the record she wanted. Beate ment that the best way to really make a record of her own, was to make it completely by her self; composing, arranging, text writing, programming, recording and producing. Since she had a studio at home, she would do as much as possible there, on her own Macintosh computer.
After a while Marius contributed more to the creation of the record. Dividing up the labour, Marius took care of the groove elements and Beate was in charge of the melodies, harmonies and lyrics, with some exceptions both ways. Since the work was done in private surroundings, the record was entitled “Home”. Most of the recordings were done in Beate’s 6 meters flat in Oslo except for the strings, vibraphone and drums, which were done in Bugge’s room (Bugge Wesseltoft's studio).
Because of the co-operation between Beate and Marius, the project name “Beate S. Lech” was abandoned and “Beady Belle” was created. Beady Belle worked concretely with this record product for one and a half years.
In 1999 Beate was asked by Bugge Wesseltoft to make a record for Jazzland rec. He gave her freedom to make the record she wanted. Beate ment that the best way to really make a record of her own, was to make it completely by her self; composing, arranging, text writing, programming, recording and producing. Since she had a studio at home, she would do as much as possible there, on her own Macintosh computer.
After a while Marius contributed more to the creation of the record. Dividing up the labour, Marius took care of the groove elements and Beate was in charge of the melodies, harmonies and lyrics, with some exceptions both ways. Since the work was done in private surroundings, the record was entitled “Home”. Most of the recordings were done in Beate’s 6 meters flat in Oslo except for the strings, vibraphone and drums, which were done in Bugge’s room (Bugge Wesseltoft's studio).
Because of the co-operation between Beate and Marius, the project name “Beate S. Lech” was abandoned and “Beady Belle” was created. Beady Belle worked concretely with this record product for one and a half years.
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Genres:
Rnb-soul, Jazz, Soul, R&b/soul
Ville:
Oslo, Norway
Aucun événement à venir
Demandez à Beady Belle de venir jouer dans votre ville
Envoyer une demande
Artistes similaires en tournée
Marchandise Bandsintown
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts et dates de tournée
Passés
AVR.
28
2023
Vanalinn, Estonia
Vaba Lava Tallinna teatrikeskus
J'y étais
MAI
12
2022
Oslo, Norway
Rockefeller
J'y étais
NOV.
22
2018
Ludwigsburg, Germany
Scala Kultur gemeinnützige GmbH
J'y étais
AVR.
30
2018
Wendelstein, Germany
Jegelscheune
J'y étais
AVR.
18
2018
Oslo, Norway
Klubben i Røverstaden
J'y étais
AVR.
14
2018
Mo I Rana, Norway
Bakeribygget
J'y étais
Afficher plus d’événements
A propos de Beady Belle
Beady Belle is a result of collaboration between Beate S. Lech and Marius Reksjø which began at the University of Oslo. As music students the two started playing together in bands such as “Insertcoin” and Folk & Røvere, a project where Beate was the lead singer up until their third album (1999).
In 1999 Beate was asked by Bugge Wesseltoft to make a record for Jazzland rec. He gave her freedom to make the record she wanted. Beate ment that the best way to really make a record of her own, was to make it completely by her self; composing, arranging, text writing, programming, recording and producing. Since she had a studio at home, she would do as much as possible there, on her own Macintosh computer.
After a while Marius contributed more to the creation of the record. Dividing up the labour, Marius took care of the groove elements and Beate was in charge of the melodies, harmonies and lyrics, with some exceptions both ways. Since the work was done in private surroundings, the record was entitled “Home”. Most of the recordings were done in Beate’s 6 meters flat in Oslo except for the strings, vibraphone and drums, which were done in Bugge’s room (Bugge Wesseltoft's studio).
Because of the co-operation between Beate and Marius, the project name “Beate S. Lech” was abandoned and “Beady Belle” was created. Beady Belle worked concretely with this record product for one and a half years.
In 1999 Beate was asked by Bugge Wesseltoft to make a record for Jazzland rec. He gave her freedom to make the record she wanted. Beate ment that the best way to really make a record of her own, was to make it completely by her self; composing, arranging, text writing, programming, recording and producing. Since she had a studio at home, she would do as much as possible there, on her own Macintosh computer.
After a while Marius contributed more to the creation of the record. Dividing up the labour, Marius took care of the groove elements and Beate was in charge of the melodies, harmonies and lyrics, with some exceptions both ways. Since the work was done in private surroundings, the record was entitled “Home”. Most of the recordings were done in Beate’s 6 meters flat in Oslo except for the strings, vibraphone and drums, which were done in Bugge’s room (Bugge Wesseltoft's studio).
Because of the co-operation between Beate and Marius, the project name “Beate S. Lech” was abandoned and “Beady Belle” was created. Beady Belle worked concretely with this record product for one and a half years.
Afficher plus
Genres:
Rnb-soul, Jazz, Soul, R&b/soul
Ville:
Oslo, Norway
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