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The Style Council
50 883 Fans
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concerts et dates de tournée
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2018
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Afficher plus d’événements
A propos de The Style Council
Once he split The Jam, vocalist and guitarist Paul Weller abandoned rage and Rickenbackers and formed The Style Council with keyboardist Mick Talbot, from London Mod band The Merton Parkas, and drummer Steve White. They returned to the Soul and Jazz Weller had visited in The Jam's final days, and their upbeat debut 'Speak Like A Child' (1983) married social commentary to brassy R and B. Their dreamy 'Long Hot Summer' from 1983's 'Paris Match' EP and 1984's Jazz-tinged Cafe Bleu (issued in a slightly different form as My Ever Changing Moods in the USA) underlined Weller's rejection of his Beatles/Small Faces roots. With keyboards, horns and harmonies replacing the trademark bluster, Paris Match and Cafe Blue were grounded in African-American music: soul, jazz, blues, R&B and (with less success) hip hop.
Their debut gig was at 1983's May Day Show For Jobs And Peace in Liverpool. In 1984, they played with singer for Wham! D.C. Lee (now a Syle Councillor and later to be Weller's wife) at a striking miners' benefit in London. Paul Weller sang with Band Aid and the band made 'Soul Deep' as Council Collective in aid of the miners.
Our Favourite Shop (1985) stretched Weller's musical vocabulary, and the group appeared at Live Aid and were involved with the ill-fated Red Wedge- a 1986 tour to raise awareness of England's Labour party among young voters. The negative press reaction dissuaded Weller from any further political involvement.
After the live Home And Abroad in 1986, 1987's The Cost Of Loving continued the group's success, but began Weller's fall from grace with the music press, who condemned its earnest themes. The obscure short film JerUSalem (1987) drew a blank with press and fans, 1988's Musak-like Confessions Of A Pop Group was eclipsed by 1989's hits set The Singular Adventures Of The Style Council, then their label Polydor took exception to their latest direction- slick Chicago House- and refused to release Modernism: A New Decade (1989). They were dropped and soon split.
Paul Weller continued solo with 'The Paul Weller Movement', while Talbot has contributed to albums by Galliano and The Young Disciples, and made two albums with White. After she left Weller, Lee resumed her solo career. Polydor released the band's retrospective Here's Some That Got Away (1993) and The Style Council Collection (1996).
Their debut gig was at 1983's May Day Show For Jobs And Peace in Liverpool. In 1984, they played with singer for Wham! D.C. Lee (now a Syle Councillor and later to be Weller's wife) at a striking miners' benefit in London. Paul Weller sang with Band Aid and the band made 'Soul Deep' as Council Collective in aid of the miners.
Our Favourite Shop (1985) stretched Weller's musical vocabulary, and the group appeared at Live Aid and were involved with the ill-fated Red Wedge- a 1986 tour to raise awareness of England's Labour party among young voters. The negative press reaction dissuaded Weller from any further political involvement.
After the live Home And Abroad in 1986, 1987's The Cost Of Loving continued the group's success, but began Weller's fall from grace with the music press, who condemned its earnest themes. The obscure short film JerUSalem (1987) drew a blank with press and fans, 1988's Musak-like Confessions Of A Pop Group was eclipsed by 1989's hits set The Singular Adventures Of The Style Council, then their label Polydor took exception to their latest direction- slick Chicago House- and refused to release Modernism: A New Decade (1989). They were dropped and soon split.
Paul Weller continued solo with 'The Paul Weller Movement', while Talbot has contributed to albums by Galliano and The Young Disciples, and made two albums with White. After she left Weller, Lee resumed her solo career. Polydor released the band's retrospective Here's Some That Got Away (1993) and The Style Council Collection (1996).
Afficher plus
Genres:
Pop
Aucun événement à venir
Demandez à The Style Council de venir jouer dans votre ville
Envoyer une demande
Artistes similaires en tournée
Merch (ad)
Long Hot Summers: The Story Of The St...
$54.76
Style Council - Greatest Hits
$9.28
Cafe Bleu
$9.99
Introducing The Style Council [LP]
$40.95
Our Favourite Shop
$13.58
Singular Adventures
$11.97
20th Century Masters - The: Millenniu...
$29.99
The Style Council - My Ever Changing ...
$18.89
Live 1985 & 1987
$28.89
Live! The Style Council, Home & Abroad.
$8.20
concerts et dates de tournée
Passés
SEPT.
05
2020
Dartford, United Kingdom
Mick Jagger Centre
J'y étais
AVR.
28
2018
Sheffield, United Kingdom
O2 Academy Sheffield
J'y étais
AVR.
27
2018
Lincoln, United Kingdom
The Engine Shed
J'y étais
AVR.
14
2018
Edinburgh, United Kingdom
La Belle Angele
J'y étais
AVR.
13
2018
Glasgow, United Kingdom
Oran Mor
J'y étais
MARS
24
2018
Norwich, United Kingdom
Norwich Arts Centre
J'y étais
Afficher plus d’événements
A propos de The Style Council
Once he split The Jam, vocalist and guitarist Paul Weller abandoned rage and Rickenbackers and formed The Style Council with keyboardist Mick Talbot, from London Mod band The Merton Parkas, and drummer Steve White. They returned to the Soul and Jazz Weller had visited in The Jam's final days, and their upbeat debut 'Speak Like A Child' (1983) married social commentary to brassy R and B. Their dreamy 'Long Hot Summer' from 1983's 'Paris Match' EP and 1984's Jazz-tinged Cafe Bleu (issued in a slightly different form as My Ever Changing Moods in the USA) underlined Weller's rejection of his Beatles/Small Faces roots. With keyboards, horns and harmonies replacing the trademark bluster, Paris Match and Cafe Blue were grounded in African-American music: soul, jazz, blues, R&B and (with less success) hip hop.
Their debut gig was at 1983's May Day Show For Jobs And Peace in Liverpool. In 1984, they played with singer for Wham! D.C. Lee (now a Syle Councillor and later to be Weller's wife) at a striking miners' benefit in London. Paul Weller sang with Band Aid and the band made 'Soul Deep' as Council Collective in aid of the miners.
Our Favourite Shop (1985) stretched Weller's musical vocabulary, and the group appeared at Live Aid and were involved with the ill-fated Red Wedge- a 1986 tour to raise awareness of England's Labour party among young voters. The negative press reaction dissuaded Weller from any further political involvement.
After the live Home And Abroad in 1986, 1987's The Cost Of Loving continued the group's success, but began Weller's fall from grace with the music press, who condemned its earnest themes. The obscure short film JerUSalem (1987) drew a blank with press and fans, 1988's Musak-like Confessions Of A Pop Group was eclipsed by 1989's hits set The Singular Adventures Of The Style Council, then their label Polydor took exception to their latest direction- slick Chicago House- and refused to release Modernism: A New Decade (1989). They were dropped and soon split.
Paul Weller continued solo with 'The Paul Weller Movement', while Talbot has contributed to albums by Galliano and The Young Disciples, and made two albums with White. After she left Weller, Lee resumed her solo career. Polydor released the band's retrospective Here's Some That Got Away (1993) and The Style Council Collection (1996).
Their debut gig was at 1983's May Day Show For Jobs And Peace in Liverpool. In 1984, they played with singer for Wham! D.C. Lee (now a Syle Councillor and later to be Weller's wife) at a striking miners' benefit in London. Paul Weller sang with Band Aid and the band made 'Soul Deep' as Council Collective in aid of the miners.
Our Favourite Shop (1985) stretched Weller's musical vocabulary, and the group appeared at Live Aid and were involved with the ill-fated Red Wedge- a 1986 tour to raise awareness of England's Labour party among young voters. The negative press reaction dissuaded Weller from any further political involvement.
After the live Home And Abroad in 1986, 1987's The Cost Of Loving continued the group's success, but began Weller's fall from grace with the music press, who condemned its earnest themes. The obscure short film JerUSalem (1987) drew a blank with press and fans, 1988's Musak-like Confessions Of A Pop Group was eclipsed by 1989's hits set The Singular Adventures Of The Style Council, then their label Polydor took exception to their latest direction- slick Chicago House- and refused to release Modernism: A New Decade (1989). They were dropped and soon split.
Paul Weller continued solo with 'The Paul Weller Movement', while Talbot has contributed to albums by Galliano and The Young Disciples, and made two albums with White. After she left Weller, Lee resumed her solo career. Polydor released the band's retrospective Here's Some That Got Away (1993) and The Style Council Collection (1996).
Afficher plus
Genres:
Pop
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