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Ιάννης Ξενάκης
3 979 Fans
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28
2023
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26
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A propos de Ιάννης Ξενάκης
Greek (May 29, 1922 - February 4, 2001) composer of Greek parentage and Romanian birth. In 1932 his family returned to Greece, and he was educated on Spetsai and at the Athens Polytechnic, where he studied engineering. In 1947 he arrived in Paris, where he became a member of Le Corbusier’s architectural team, producing his first musical work, Metastasis, only in 1954, based on the design for the surfaces of the Philips pavilion to be built for the Brussels Exposition of 1958. This, with its divided strings and mass effects, had an enormous influence; but in ensuing works he moved on to find mathematical and computer means of handling large numbers of events, drawing on (for example) Gaussian distribution (ST/10, Atrées), Markovian chains (Analogiques) and game theory (Duel, Stratégie). Other interests were in electronic music (Bohor, 1962), ancient Greek drama (used in several settings) and instrumental virtuosity (Herma for piano, 1964; Nomos alpha for cello, 1966). His later output, chiefly of orchestral and instrumental pieces, is large, many works from the mid-1970s onwards striking back from modernist complexity to ostinatos and modes suggestive of folk music.
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Genres:
Classical
Aucun événement à venir
Demandez à Ιάννης Ξενάκης de venir jouer dans votre ville
Envoyer une demande
Artistes similaires en tournée
Marchandise Bandsintown
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts et dates de tournée
Passés
MAI
28
2023
Los Angeles, CA
2220 Arts + Archives
J'y étais
JUIN
26
2022
Paris, France
PHILHARMONIE DE PARIS
J'y étais
JUIN
25
2022
Paris, France
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JUIN
24
2022
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JUIN
23
2022
Paris, France
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JUIN
22
2022
Paris, France
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J'y étais
Afficher plus d’événements
A propos de Ιάννης Ξενάκης
Greek (May 29, 1922 - February 4, 2001) composer of Greek parentage and Romanian birth. In 1932 his family returned to Greece, and he was educated on Spetsai and at the Athens Polytechnic, where he studied engineering. In 1947 he arrived in Paris, where he became a member of Le Corbusier’s architectural team, producing his first musical work, Metastasis, only in 1954, based on the design for the surfaces of the Philips pavilion to be built for the Brussels Exposition of 1958. This, with its divided strings and mass effects, had an enormous influence; but in ensuing works he moved on to find mathematical and computer means of handling large numbers of events, drawing on (for example) Gaussian distribution (ST/10, Atrées), Markovian chains (Analogiques) and game theory (Duel, Stratégie). Other interests were in electronic music (Bohor, 1962), ancient Greek drama (used in several settings) and instrumental virtuosity (Herma for piano, 1964; Nomos alpha for cello, 1966). His later output, chiefly of orchestral and instrumental pieces, is large, many works from the mid-1970s onwards striking back from modernist complexity to ostinatos and modes suggestive of folk music.
Afficher plus
Genres:
Classical
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