Ask any vocal artist you happen to see, and they will tell you it takes a certain kind of guts and gumption to step out in front of the freight train that is a symphony orchestra or sizable jazz organization -- to take the helm of a precision music machine whose hundreds of man hours of rehearsal and preparation now hinge upon that solitary figure at center stage. Sounds pretty scary -- but for Chris Pinnella it's the stuff of natural habitat; an environment that the versatile vocalist has thrived in, whether performing with symphony orchestras around the country, leading his own combos of anywhere from 8 to 15 players, or (for several tours of North America and Europe) lending his finely honed skills to the prog-rock / crossover locomotive known as the Trans-Siberian Orchestra. That association with the late Paul O'Neil's spectacularly scaled project netted the New Jersey native a platinum record for his contributions to 'The Lost Christmas Eve' tour, and a chance to perform for an audience of over 1 million people, during a particularly raucous New Year's Eve in Berlin.

In the process the seasoned young performer - a singer whose influences run from the epic arias of Pavarotti, to the elegant jazz phrasings of Tony Bennett and the next generation concert hall mastery of Bocelli and Groban - built his brand as a bandleader through gigs at venues that range from big city nightspots to theatres across the United States such as The Algonquin Arts Theatre in New Jersey as well as Axelrod PAC, The Great Auditorium, The Pollack Theatre, Rahway PAC, The Newton Theatre, House of Independents, The Grunin Center for the Arts, McLoone's Supper Club and numerous Luxury Private, Charity, Fundraising Galas and Events throughout the country. He has also played such prestigious NYC venues as Birdland, The Rainbow Room, The Explorers Club, The Rose Theatre at Jazz! At Lincoln Center, The Cutting Room, and Feinstein's / 54 Below. Recently, Pinnella was tapped by American Young Voices, singing with the group as one of their guests vocalists alongside massive student choirs ranging from 3000-8000 young singers touring major arenas, including a sold out evening at The Prudential Center in Newark, NJ.

Pinnella began his career professionally at the age of 16 after an audition for Maestro Fr. Alphonse Stephenson & the Orchestra of St. Peter performing with the orchestra on and off throughout his career. Chris went on to pursue music and received his degree from Marymount Manhattan College in NYC. Post college he worked off-Broadway and regional theatre and had the opportunity to portray the title role of Simeon in the New Musical 'Simeon's Gift' which was co-written by icon Julie Andrews and her daughter Emma Walton-Hamilton. Pinnella spent a month with Ms. Andrews and the 6-person cast at Bay Street Theatre in Sag Harbor, NY working side by side until the shows premiere. Pinnella also worked alongside Emmy, Oscar winning arranger Ian Fraser and the Tony nominated John Bucchino and Tony nominated director Marcia Milgrom Dodge (B'Way's Ragtime) on the project.

Currently Chris is working on writing and arranging his debut EP which is set to drop in 2020. The 11-track debut will feature mostly original material as well as a re-worked covers, namely Pinnella's always requested version of Leonard Cohen's 'Hallelujah' will be given an overhaul complete with gospel choir and full orchestra. Infusing elements of jazz, classical, alternative, rock, and pop, Pinnella has his sights set on making 2020 his best year yet.

"Pinnella has been compared to vocal superstars Josh Groban and Michael Buble, but there is no doubt about the fact that Pinnella has a style that is completely his own. Every time he takes the stage he proves that he's one of the strongest forces in the classical crossover realm. His strikingly rich baritone and stage presence are unmatched." Ticketmaster

Genre breaking. Pinnella has the pipes to deliver the sincerity of each lyric in all its glory." Tri-City News

"Pinnella possesses a soaring, rich baritone voice that just leaves you speechless...he devoured both emotionally and physically into each song like it was his last meal...with that amazing 40-piece orchestra, Pinnella took each song into majestic territory. When he sang that last crescendo note, he was met with what seemed a never-ending wave of thunderous applause from the audience and he deserved it big time! Pinnella was phenomenal." Talkin' Broadway

"Pinnella delivered with rock n' roll good looks and stunning vocals." New England Music News

"This guy's voice is phenomenal. Just when you thought you'd heard the best, you haven't until you've heard his version of Carole King's 'Will You Love Me Tomorrow'. His voice is flawless and so rich. Totally, Totally awesome! YouTube Music

"HIS BOOMING VOICE IS BREATHTAKING." Dallas Morning News

"PERFECT, RIVET WORTHY." The Star Telegram

"HIS VOICE IS PURE PERFECTION." The Coast Star