Darling BOY is dedicated polymath Alexander Karl Gold, the World’s Greatest Polycreative Dynamo and fizzing thunderbolt of stage, screen and speaker system. He is the only person in history to have lied his way into a national orchestra by pretending to be able to play the instrument… and then learn it perfectly before the first rehearsal. He’s been asked by a Libertine to join their band. He’s played Topper Headon of The Clash ('London Calling', 'Rock The Casbah', 'Should I Stay Or Should I Go'?) alongside Jonathan Rhys Meyers' Joe Strummer in 2016 film London Town and Ian McLagan of the legendary Small Faces ('Itchycoo Park', 'Lazy Sunday', 'Tin Soldier') and Peter Frampton in smash hit musical 'All Or Nothing'. He’s made the front page of the American newspapers doing Michael Jackson’s ‘Moonwalk’ dance. He counts among his admirers Alan McGee - the man who brought Oasis to the world, the Sex Pistols' Glen Matlock and XTC's Andy Partridge. He plays every instrument under the sun and he writes songs tailor-made for being damn-well alive to. Darling BOY is a light that never goes out. Darling BOY is currently finishing his hotly-anticipated debut album with producer Matt Terry (The Enemy, Noisettes) at Vada Studios, an idyllic 12th-Century country estate and one of the UK's finest and most in-demand recording complexes (The Darkness, Bullet For My Valentine). Watch out, universe. There's a short hairy British chap after you. The World's Greatest 21st Century Musical Polymath That No-One's Ever Bloody Heard Of. Yet.